I eventually realized I could never make everyone happy with how I saw myself and my own relation to race…

Posted in Excerpts/Quotes on 2017-03-29 20:12Z by Steven

“I eventually realized I could never make everyone happy with how I saw myself and my own relation to race,” Johnson continued. “I focused on making myself happy with how I identified. Ultimately, race is a strategy. Race doesn’t exist. It’s something we use to deal with ethnicity and class. We use it to keep one race or class in power.” —Matt Johnson

Creighton hosts two-day event to commemorate Loving v. Virginia ruling,” Creighton University News Center, March 27, 2017. http://www.creighton.edu/publicrelations/newscenter/news/2017/march2017/march272017/lovingeventnr032717/.

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Race, Place and Community: A Conversation with Author Emily Raboteau

Posted in Articles, Identity Development/Psychology, Interviews, Media Archive, Politics/Public Policy, Social Science, United States on 2017-03-29 20:06Z by Steven

Race, Place and Community: A Conversation with Author Emily Raboteau

DCORE: Duke Council on Race and Ethnicity
Duke University, Durham, North Carolina
2017-03-28

Micah English, T ’17


Emily Raboteau

Award-winning author Emily Raboteau will visit Duke and Durham this week as part of the Duke School of Medicine’s ongoing series, A Conversation about Race.

She will be interviewed by Mark Anthony Neal, a professor of black popular culture in the Department of African and African American studies. Neal, is also the co-director of the Duke Council on Race and Ethnicity and the host of the weekly webcast, Left of Black. A portion of the event will be recorded live for a future episode of Left of Black.

The event, “Race, Place and Community,” is free and open to the public and will be held at 8 a.m., Thursday, March 30 in the Great Hall at Trent Semans Center. Light breakfast will be served. Those unable to attend can watch a live webcast of the event at bit.ly/EmilyRaboteau.

Raboteau, an English professor at the City College of New York, will sign copies of her latest book, Searching for Zion, following the talk.

Organized by the Duke Clinical Research Institute, the event co-sponsors include the Duke School of Medicine, the Office of Diversity and Inclusion, the Center on Arts, Digital Culture and Entrepreneurship, and Left of Black.

Searching for Zion is a work of creative nonfiction that chronicles Raboteau’s search for a place to call “home,” as a biracial woman who never felt at home in America. Recently DCORE was able to speak with Raboteau about being of mixed race, blackness and the racial color line…

Read the entire interview here.

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Race and Rachel Doležal: An Interview

Posted in Articles, Interviews, Media Archive, Passing, Social Science, United States on 2017-03-29 18:55Z by Steven

Race and Rachel Doležal: An Interview

Contexts: understanding people in their social world
2017-03-28

Ann Morning, Associate Professor of Sociology
New York University

In June 2015, I got an email from a California radio station asking me for an interview about a person I had never heard of: Rachel Doležal. I quickly Googled her, and based on a brief news item, agreed to the interview. She seemed to be a White woman passing as Black, working as the president of the Spokane NAACP chapter to boot. I didn’t really see why this was national news, but I figured even a fluff piece could be an opportunity to foster public conversation about the fluidity of racial identities and the constructed nature of racial categories.

The slow summer news day turned into a weeklong media frenzy, with shockingly intense public attention focused on Ms. Doležal’s racial self-identification. My Soc 101 lesson about racial construction turned into a dozen interviews with incredulous reporters, fascinated by the notion of “transracial” people. And based on Ms. Doležal’s comments at the time as well as her new book, In Full Color: Finding My Place in a Black and White World, the term “passing”—with its connotation of masquerading—couldn’t quite capture the gradual and deeply-felt process of Black affiliation that she underwent. In my view, she is not a passer—someone who seeks to turn existing racial categories to their advantage—so much as a person who rejects widespread beliefs about the criteria for racial categorization.

The concept of race as a social construct is one that Rachel Doležal invokes repeatedly as she explains and defends her self-identification with a race different from the one claimed by her biological parents. Is she wrong? Has she misinterpreted something fundamental to our discipline’s contemporary teaching on race? And can her case shed any light on the millions of people who alter their racial self-reporting from one decennial census to the next, according to research by sociologist Carolyn Liebler and colleagues at the U.S. Census Bureau? I expect sociologists will vary in their answers to these questions, but I also suspect that many of us have found a teaching opportunity in what Rogers Brubaker calls “the Doležal affair.” I’m grateful that Doležal agreed to share an advance copy of In Full Color and answer a series of questions for the Contexts audience…

AM [Ann Morning]: In the press and in your new book, you really double down on claiming a Black identity. In the very first pages of In Full Color, for example, you write about your “identity as a Black woman.” But if you could create a longer, more complex label that more fully captured your experience or viewpoint, what might that look like?

RD [Rachel Doležal]: I get fatigued by the overly simplistic race labels, as if people are only one aspect of who they are at a time and not able to be simultaneously a person with a gender/race/age/class/religion/sexual orientation/nationality/disability/language. Yes, Black is the closest descriptive race or culture category that represents the essential essence of who I am, and I stand unapologetically on the “Black side” of the racially constructed Black/White divide. But, if I could choose a more complex label with my own terms, it might be “A pro-Black, Pan-African, bisexual artist, activist, and mother.”…

Read the entire interview here.

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mao ishikawa’s stunning photographs of her friends in 70s okinawa

Posted in Articles, Arts, Asian Diaspora, Interviews, Media Archive on 2017-03-29 15:22Z by Steven

mao ishikawa’s stunning photographs of her friends in 70s okinawa

i-D
2017-03-27

Paige Silveria

The cult Japanese photographer gives her first-ever English language interview, about her new book ‘Red Flower, The Women of Okinawa.’

This Tuesday, at New York’s subterranean photobook shop Dashwood, cult Japanese photographer Mao Ishikawa is signing her first monograph to be published in the United States: Red Flower, The Women of Okinawa. The newly released silkscreen book features striking black-and-white photographs of Mao and her girl friends, who worked in segregated GI bars, along with their boyfriends – the black army soldiers who frequented those bars in American-occupied Okinawa from 1975 to 1977. The images of carefree 20-year-olds as they laugh and cry, drink and fall in love, contrast sharply with the divisive tensions of the militarily controlled island…

Read the entire article here.

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INTO THE NEXT STAGE: Hapa Documentaries — Twin Takes on Similar Subject

Posted in Articles, Arts, Asian Diaspora, History, Media Archive, United States on 2017-03-29 15:12Z by Steven

INTO THE NEXT STAGE: Hapa Documentaries — Twin Takes on Similar Subject

The Rafu Shimpo: Los Angeles Japanese Daily News
2017-03-16

George Toshio Johnston

As part of last month’s Hapa Japan Festival 2017 was a screening of a pair of documentaries I was very interested in viewing: “Fall Seven Times, Get Up Eight: The Japanese War Brides” and “Rising Sun, Rising Soul.”

Both screened Thursday, Feb. 23, in Little Tokyo at the Japanese American National Museum’s Tateuchi Democracy Forum, with filmmakers from each in attendance to speak about the respective documentaries afterwards and to take audience questions.

While different in emphasis, both “Fall Seven Times” and “Rising Sun” had at their respective cores a shared source, namely the so-called Japanese war bride phenomenon that occurred following Japan’s defeat after World War II.

It was during that post-war occupation period when thousands upon thousands of U.S. military personnel from all branches of the Armed Forces, as well as civil service employees, went to Japan and Okinawa, the latter of which was a quasi-U.S. military colony that didn’t regain Japanese prefectural status until 1972…

…In today’s environment, when no one in California, the West Coast or big cities pauses when seeing a mixed-race couple in which one of the two is an Asian, these two documentaries do underscore what a big deal the Japanese war bride phenomenon really was…

Read the entire article here.

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Rachel Dolezal’s TEDx Talk

Posted in Articles, Media Archive, United States, Videos on 2017-03-29 01:17Z by Steven

Rachel Dolezal’s TEDx Talk

TED Blog
TED (Technology, Entertainment, and Design)
2016-11-02

The TED Editors

In April 2016, Rachel Dolezal spoke at an independently organized TEDx event held at a university. As you may know, Ms. Dolezal is a former president of the NAACP’s Spokane chapter who sparked a national debate and resigned after the public discovered that she was a white woman identifying herself as a black woman.

Recently she announced on TV that she had recorded “a TED Talk.” Some of you were upset by this. Indeed, the news surprised us too, because we knew she hadn’t spoken at a TED event. But it turned out she had spoken at one of the thousands of TEDx events that are held around the world.

TEDx organizers host events independent of TED, and they have the freedom to invite speakers they feel are relevant to their communities. These volunteers find thousands of new voices all over the world — many of which would not otherwise be heard — including some of our most beloved, well-known speakers, people like Brene Brown and Simon Sinek.

What TEDx organizers have achieved collectively is remarkable. But, yes, some of them occasionally share ideas we don’t stand behind…

Read the entire letter and watch the talk here.

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How I Got Over: ‘One Drop of Love’ Performance and Conversation

Posted in Arts, Census/Demographics, Forthcoming Media, History, Live Events, Social Justice, United States on 2017-03-29 00:45Z by Steven

How I Got Over: ‘One Drop of Love’ Performance and Conversation

The Greene Space
44 Charlton Street (corner of Varick Street), New York, New York
Thursday, 2017-04-06, 19:00 EDT (Local Time)


One Drop of Love (Photo by David Scarcliff)

Join us for a special presentation of “One Drop of Love,” a multimedia solo performance that explores the intersections of race, class and gender in search of truth, justice and love.

Written and performed by Fanshen Cox DiGiovanni, the interactive show parallels the history of changing demographics in the U.S. with DiGiovanni’s own family history, traveling from the 1700s to the present.

The ultimate goal of the performance is to encourage the discussion of race and racism openly and critically, and to commit to making the world more liberated for all.

WNYC editor Rebecca Carroll hosts a post-performance conversation with DiGiovanni as part of The Greene Space’s ongoing How I Got Over series.

For more information, click here.

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Red Flower, The Women of Okinawa

Posted in Arts, Asian Diaspora, Books, Media Archive, Monographs, Women on 2017-03-28 19:59Z by Steven

Red Flower, The Women of Okinawa

Session Press
2017
112 pages
Photography: Mao Ishikawa
Text: Mao Ishikawa
English Translation: Jun Sato
Design: Studio Lin, NYC
Printing: Die Keure, Brugge, BE
Color Proofing: Colour & Books, Apeldoorn, NL
Silkscreen soft cover covers and silkscreen text pages
closed 229 x 330 mm (9.02 x 12.99 inches), open 458 x 330 mm (18.03 x 12.99 inches), 3 lbs
ISBN: 978-0-692-81744-5

Mao Ishikawa

Session Press presents Red Flower, The Women of Okinawa, the first United States monograph by Okinawan photographer Mao Ishikawa. Red Flower consists of 80 b/w photographs that date from 1975 to 1977 in Koza and Kin, Okinawa, primarily from Ishikawa’s first book Hot Days in Camp Hansen by A-man Shuppan in 1982, but it also includes unpublished work from the same period. Red Flower exhibits Ishikawa’s celebration of the courageous and honest lives of women she met and befriended while working at military bars at a time when social and political tensions between the US and Japan were on high alert. It consists of five chapters of pictures, followed by her essay dedicated to the publication: girls gossiping about boys, working at bar, meeting their boyfriends at home, enjoying themselves at the beach, and their children for the future of Okinawa. Red Flower is the pivotal work for Ishikawa, since it marks the starting point of her subsequent long career as a photographer.

Her attendance of Shomei Tomatsu’s class at WORKSHOP photography school in spring 1974 seems to have had a strong influence on her style; their close association as friends and teacher/student continued till his death in 2012. Martin Parr identifies her work as ‘post-Provoke’ in The Photobook: A History Volume III (page 90), observing the strength of her photography is charged by its directness and rawness, in contrast to the stylized symbolism preferred by the previous generation of Provoke photographers. Most importantly, it is crucial to note that her work is often delivered from the result of her pure pursuit of her subject matter. Especially for this particular project, Ishikawa’s engagement to the subject was enormous; she worked as a server at the bars along with the other girls and had relationships with boys she met there for two years. Thus, her personal involvement enables her to capture the actual events and scene without theorizing or romanticizing. In Red Flower, Ishikawa reveals her very honest personal documentary in all sincerity, while still maintaining enough detachment from the subject to be able to perfectly capture the scenes with her sharp eyes.

Okinawa has been one of the most popular subjects in the history of Japanese photography, having attracted many renowned Japanese photography masters such as Tomatsu Shomei, Daido Moriyama, Nobuyoshi Araki, and Keizo Kitajima. Born and raised in Okinawa, Ishikawa is, however, the only female photographer for still vigorously making work of Okinawa (and living in Okinawa) in spite of whatever taboo or challenges she came across along the way.

Previously Ishikawa made two publications on the same subject. Her first book, Camp Hansen is not, in fact, her monograph since another photographer, Toyomitsu Higa took the photos in the second half of the book. Also, it was regretfully banned due to claims from two girls in the book shortly after it was released, so it is extremely rare and expensive. The other volume of Ishikawa’s Okinawa work was published on the occasion of her exhibition at Yokohama Civic Art Gallery Azamino in 2013. Since it mainly functions as reference to her general work, and it was laid out with large white framing surrounding smaller format photos, it loses the boldness, honesty and urgency which are characteristic of her work. Red Flower features full-bleed images in a large format with intense black and white printing, and successfully makes the original lively spirit and tension of Ishikawa’s legendary Camp Hansen work available again for wider public appreciation.

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Identity Politics of Difference: The Mixed-Race American Indian Experience

Posted in Anthropology, Books, Campus Life, Forthcoming Media, Identity Development/Psychology, Monographs, Native Americans/First Nation, Teaching Resources, United States on 2017-03-28 19:14Z by Steven

Identity Politics of Difference: The Mixed-Race American Indian Experience

University Press of Colorado
2017-08-15
168 pages
1 table
Hardcover ISBN: 978-1-60732-543-7

Michelle R. Montgomery, Assistant Professor
School of Interdisciplinary Arts & Sciences, American Indian Studies, and Ethnic, Gender & Labor Studies
University of Washington, Tacoma

In Identity Politics of Difference, author Michelle R. Montgomery uses a multidisciplinary approach to examine questions of identity construction and multiracialism through the experiences of mixed-race Native American students at a tribal school in New Mexico. She explores the multiple ways in which these students navigate, experience, and understand their racial status and how this status affects their educational success and social interactions.

Montgomery contextualizes students’ representations of their racial identity choices through the compounded race politics of blood quantum and stereotypes of physical features, showing how varying degrees of “Indianness” are determined by peer groups. Based on in-depth interviews with nine students who identify as mixed-race (Native American–White, Native American–Black, and Native American–Hispanic), Montgomery challenges us to scrutinize how the category of “mixed-race” bears different meanings for those who fall under it based on their outward perceptions, including their ability to “pass” as one race or another.

Identity Politics of Difference includes an arsenal of policy implications for advancing equity and social justice in tribal colleges and beyond and actively engages readers to reflect on how they have experienced the identity politics of race throughout their own lives. The book will be a valuable resource to scholars, policy makers, teachers, and school administrators, as well as to students and their families.

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When saying you’re black and being black are two different things

Posted in Articles, Book/Video Reviews, Media Archive, Passing, Social Justice, United States on 2017-03-28 18:45Z by Steven

When saying you’re black and being black are two different things

The Washington Post
2017-03-24

Baz Dreisinger, Associate Professor of English
John Jay College of Criminal Justice, City University of New York


Rachel Dolezal faced a backlash when it was revealed in 2015 that the NAACP and Black Lives Matter activist was not black, as she presented herself to be, but in fact white. (Colin Mulvany/Associated Press)

Baz Dreisinger, a professor of English at John Jay College of Criminal Justice, is the author of “Near Black: White-to-Black Passing in American Culture” and “Incarceration Nations: A Journey to Justice in Prisons Around the World.”

Back in 2015, I was fascinated by the scandal that swirled around Rachel Dolezal, the NAACP and Black Lives Matter activist who turned out to be a once-blonde white woman from Montana passing herself off as black. Dolezal went further than that: She said she wasn’t posing as black but actually was black — because she feels black. I made the rounds on the talk shows at the time, having published a book about the cultural history of such reverse racial passing, and avidly tried to explain notions of transraciality.

Now Dolezal has published a memoir, “In Full Color: Finding My Place in a Black and White World.” I hesitated to review it. Expending intellectual energy on one woman’s racial hoax seems a luxury of the pre-Trump era. And Dolezal’s increasingly bizarre story seems more tabloid fodder than a subject for serious analysis. But then I read her book, and the educator in me felt compelled to speak out. Dolezal has written an important book, one that belongs on syllabi as a case study in the mechanisms of white liberal racism. She has provided a teachable moment to expose the dodgy ideologies she may not even realize she’s espousing…

Read the entire article here.

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