Mixed Race Studies

An Interview with Paisley Rekdal

Kenyan Review
2021-07-07

Ruben Quesada

Paisley Rekdal is a Distinguished Professor at the University of Utah, where she is also the creator and editor of West: A Translation, as well as the community web projects Mapping Literary Utah and Mapping Salt Lake City. In May 2017, she was named Utah’s Poet Laureate and received a 2019 Academy of American Poets’ Poets Laureate Fellowship. Appropriate: A Provocation, which examines cultural appropriation, was published from W.W. Norton in Feb. 2021.

Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative’s Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others.

RUBEN QUESADA: What is the earliest memory you have about your relationship to literature?

PAISLEY REKDAL: I recall when I felt I understood something about literature that other people didn’t. It was in fifth grade, when we were discussing Lord of the Flies, and the teacher asked who the self-sacrificial character Piggy might also remind us of. Piggy was meant to stand in for Jesus and I remember muttering that in class while the rest of the students looked a little baffled. I understood then that works of literature were often telling multiple stories at once; this multiplicity of meaning seemed to irritate other people, though it didn’t irritate me…

Read the entire interview here.

The Half-Blood: A Cultural Symbol in Nineteenth-Century American Fiction

University Press of Kentucky
1979-12-31
128 pages
5.50 x 8.50 in
Hardcover ISBN: 9780813113906

William J. Scheick, J.R. Millikan Centennial Professor Emeritus of English
University of Texas, Austin

The half-blood—half Indian, half white—is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed “half Indian, half white, and half devil”—or a bright link between the races from which would emerge a new American prototype?

In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular “dime novels” and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a “half-blood in spirit”—a character of untainted blood who joined the virtues of the two races in his manner of life—was one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto.

This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.

The dream of creating a mixed super-race

Spiritual Eugenics: Exploring the overlap between eugenics and New Age spirituality, from 1880 to the present day
2022-03-19

Jules Evans, Honorary Research Fellow
Centre for the History of Emotions
Queen Mary University of London, London, United Kingdom

Eugenics often overlapped (and still overlaps) with scientific racism and white supremacy, leading many people to confuse the two. It’s true that in the United States and Germany, the two countries which most enthusiastically embraced eugenics in the 1920s-1940s, eugenics did very often overlap with an ideology of white supremacy and scientific racism. However, as I’ve explored throughout this project, there were several different varieties of eugenics, including versions which promoted using selective breeding to encourage inter-racial mingling, thereby creating a spiritual master-race.

In this chapter, we’re going to examine four figures who promoted inter-racial forms of spiritual eugenics — ie they explored the idea that inter-racial breeding can help to create spiritually gifted individuals or even a new race of superbeings. They didn’t all necessarily believe in the state saying who can and can’t reproduce — but they did explore ideas of selective inter-racial breeding towards the goal of creating more spiritually advanced humans…

Read the entire article here.

“Suspect-Proof”? Paranoia, Suspicious Reading, and the Racial Passing Narrative

American Literary History
Volume 34, Issue 1, Spring 2022
pages 272–282
DOI: 10.1093/alh/ajab089

Sinéad Moynihan, Associate Professor of English
University of Exeter

This short essay considers racial passing narratives in relation to the “postcritical turn,” highlighting the proliferating reappraisals of the practices of “suspicious” or “symptomatic” reading in literary studies and the extent to which passing narratives offer an opportunity to test some of the claims of this body of scholarship. The utility of the passing narrative for this critical project lies in its persistent, self-conscious foregrounding of reading practices. Revisiting passing narratives in light of postcritique reveals that symptomatic reading is not a monolithic practice; rather, there are multiple ways of reading suspiciously. Moreover, and more importantly, passing narratives disclose that what has now become an orthodoxy in postcritique—that attitudes such as “paranoia,” “suspicion,” and “vigilance” profoundly limit “the thickness and richness of our aesthetic attachments”—ignores contexts, like that of a passer in a white supremacist society, in which such strategies are not a choice but are essential for survival (Felski 17). The key question posed herein is: What forms of privilege enable a reader to relinquish her attachment to paranoia, suspicion, and vigilance; to opt for openness rather than guardedness, submission rather than aggression (21)? Narratives of racial passing provide one answer to that question.

Read the entire article in HTML or PDF format.

Uncovering Family Secrets: Forming a New Identity

Los Angeles Public Library Blog
Los Angeles Public Library
Los Angeles, California
2022-03-07

Janice Batzdorff, Librarian

Imagine discovering that the man who raised you is not your biological father. That your mother’s race differs from how she presented herself. That the person you are attracted to is your sibling. That you are the descendent of a renowned individual. A monstrous one.

Unknown details about blood relationships surface through DNA testing, genealogical research, an adoptee meeting a birth parent, or a confession made, perhaps after a loved one dies. Learning the truth triggers feelings ranging from betrayal to outrage over privileges denied, to joy at meeting new relatives, to a sense of peace in connecting to one’s heritage.

Novelists have the latitude to develop a backstory for family secrets, whereas historians and memoir writers generally don’t have access to such information. Are the fictional narratives about lineage less plausible? To decide, consider the following true stories…

Read the entire article here.

Historicizing Race

Bloomsbury Academic (an imprint of Bloomsbury Publishing)
2018-02-22
200 pages
9 x 6 inches
Hardback ISBN: 9781441184245
Paperback ISBN: 9781441143679
Ebook (Epub & Mobi) ISBN: 9781441158246
Ebook (PDF) ISBN: 9781441180162

Marius Turda, Professor in 20th Century Central and Eastern European Biomedicine
Oxford Brookes University, Oxford, United Kingdom

Maria Sophia Quine, Senior Research Fellows
Oxford Brookes University, Oxford, United Kingdom

The idea of race may be outdated, as many commentators and scholars, working in a broad range of different fields in the sciences and humanities, have argued over many years. Nevertheless, it remains one of the most persistent forms of human classification. Theories of race primitivism (the idea that there is a ‘natural’ racial hierarchy and ranking order of ‘inferior’ and ‘superior’ races), race biologism (the belief that people can be classified by genetic features which are shared by members of racial groups), and race essentialism (the notion that races can be defined by scientifically identifiable and verifiable cultural and physical characteristics) are deeply embedded in modern history, culture and politics.

Historicizing Race offers a new understanding of this reality by exploring the interconnectedness of scientific, cultural and political strands of racial thought in Europe and elsewhere. It re-conceptualises the idea of race by unearthing various historical traditions that continue to inform not only current debates about individual and collective identities, but also national and international politics. In a concise format, accessible to students and scholars alike, the authors draw out some of the reasons why race-centred thinking has, in recent years, re-emerged in such shocking and explicit form in current populist, xenophobic, and anti-immigration movements.

Table of Contents

• Introduction
• 1. History
• 2. Culture
• 3. Nation
• 4. Genealogy
• 5. Science
• Conclusion
• Notes
• Bibliography
• Index

That Middle World: Race, Performance, and the Politics of Passing by Julia S. Charles (review)

Journal of Southern History
Volume 88, Number 1, February 2022
pages 164-165
DOI: 10.1353/soh.2022.0019

Tyler Sperrazza
University of New Haven, West Haven, Connecticut

That Middle World: Race, Performance, and the Politics of Passing. By Julia S. Charles. (Chapel Hill: University of North Carolina Press, 2020. Pp. xviii, 224. Paper, $29.95, ISBN 978-1-4696-5957-2; cloth, $95.00, ISBN 978-1-4696-5956-5.)

The past decade has seen a tremendous growth in scholarly inquiry around the subject of racial passing. The context of the current historical moment coupled with viral discussions of cultural appropriation and “blackfishing” brings a sense of urgency to understanding the long history of passing and its function in the U.S. context. Julia S. Charles’s That Middle World: Race, Performance, and the Politics of Passing offers a perspective on this phenomenon that places performance at the heart of the racial passing experience. Charles calls for a rejection of previous scholarly treatments of passing that foreground experiences of loss among those who pass and instead argues for a focus on the opportunities that performing race offered to certain mixed-race African American citizens. Charles presents a book of theory and philosophy on racial passing meant to inform the ways scholars of African American literature and media studies can make sense of mixed-race and passing characters throughout nineteenth- and twentieth-century literature.

The title of Charles’s book also serves as its main theoretical construction. “That Middle World” is a location that Charles defines as an interstitial and metaphysical space occupied by mixed-race characters that becomes the “location of culture and identity for so-called mulattoes in African American fiction” (p. 22). This space both creates and destroys boundaries between Black and white and offers a means of interpreting passing African Americans’ experiences as a constant process of both making and crossing borders in a liminal space free of the “inadequate Black-white racial binary” (p. 40). Throughout the central chapters of the book, Charles adroitly moves between the historical lives and contexts of African American authors and the worlds their characters inhabit. Many of her subjects—Charles W. Chesnutt being central—were themselves mixed-race and able to navigate the boundaries of That Middle World in their everyday lives. Charles’s interweaving of the historical and the literary is a welcome addition to this growing field of passing studies…

Read or purchase the review here.

Sociology of Multiracial Identity in the Late 1980s and Early 1990s: The Failure of a Perspective

Journal of Ethnic and Cultural Studies
Volume 8, Number 2 (2021)
pages 106-125
DOI: 10.29333/ejecs/643

Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Sociologists largely failed to comprehend the emergence of multiracial identities in the United States during the late 1980s and early 1990s. This was due, in part, to hypodescent and the monoracial imperative. These social devices, respectively, categorize offspring of interracial unions between Whites and people of color based exclusively on the background of color, and necessitate single-racial identification. This has prohibited the articulation and recognition of multiracial identities. Hypodescent and the monoracial imperative are so normative that they have been taken for granted by sociologists across the monoracial spectrum, much as the larger society. Sociology’s espoused objectivity blinded sociologists to the standpoint of their own monoracial subjectivity. They provided little critical examination of hypodescent and the monoracial imperative in terms of their impact on multiracial identity formations. Some sociologists challenged theories of marginality, which stressed the psychological dysfunction of multiracials. Yet multiracial identities were considered symptomatic of mainly isolated psychological concerns with personal identity. Sociologists were absent from analyses of collective identity and agency speaking to mixed-race concerns. Consequently, they remained on the periphery of social scientific theorizing of multiracial identities in terms of their wider-ranging implications.

Read the entire article in here.

Georgia Douglas Johnson, Harlem Renaissance Poet & Playwright

Literary Ladies Guide: Inspiration for Readers and Writers from Classic Women Authors
2018-03-29

Nava Atlas

Georgia Douglas Johnson (September 10, 1880 – May 14, 1966) was an American poet and playwright associated with the Harlem Renaissance.

Born Georgia Douglas Camp in Atlanta, Georgia, she grew up in a mixed-race family with African American, Native American, and English roots.

Her poetry addressed issues of race as well as intensely personal yet ultimately universal themes including love, motherhood, and being a woman in a male-dominated world.

Four collections of her poetry were published: The Heart of a Woman (1918), Bronze (1922), An Autumn Love Cycle (1928), and Share My World (1962). She wrote nearly thirty plays and numerous other works, some of which have been lost…

Read the entire article here.

Mixed-Race Superheroes

Rutgers University Press
2022-04-16
288 pages
24 color images
6 x 9
Paperback ISBN: 9781978814592
Cloth ISBN: 9781978814608
EPUB ISBN: 9781978814615
PDF ISBN: 9781978814639
Kindle ISBN: 9781978814622

Edited by:

Sika A. Dagbovie-Mullins, Associate Professor of English
Florida Atlantic University, Boca Raton

Eric L. Berlatsky, Associate Professor of English
Florida Atlantic University, Boca Raton

American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.”

The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.

Table of Contents

• Introduction by Sika A. Dagbovie-Mullins and Eric L. Berlatsky
• Part I Superheroes in Black and White
  • 1. Guess Who’s Coming Home? Mixed Metaphors of Home in Spider-Man’s Comic and Cinematic Homecomings by Sika A. Dagbovie-Mullins
  • 2. The Ride of the Valkyrie Against White Supremacy: Tessa Thompson’s Casting in Thor: Ragnarok by Jasmine Mitchell
  • 3. “Which World Would You Rather Live In?” The Anti-utopian Superheroes of Gary Jackson’s Poetry by Chris Gavaler
  • 4. Flash of Two Races: Incest, Miscegenation, and the Mixed-Race Superhero in The Flash Comics and Television Show by Eric L. Berlatsky
• Part II Metaphors of/and Mixedness
  • 5. “Let Yourself Just Be Whoever You Are!” Decolonial Hybridity and the Queer Cosmic Future in Steven Universe by Corrine E. Collins
  • 6. The Hulk and Venom: Warring Blood Superheroes by Gregory T. Carter
  • 7. Monsters, Mutants, and Mongrels: The Mixed-Race Hero in Monstress by Chris Koenig-Woodyard
  • 8. Examining Otherness and the Marginal Man in DC’s Superman through Mixed-Race Studies by Kwasu David Tembo
• Part III Multiethnic Mixedness (or Mixed-Race Intersections)
  • 9. Talented Tensions and Revisions: The Narrative Double Consciousness of Miles Morales by Jorge J. Santos Jr.
  • 10. “They’re Two People in One Body”: Nested Sovereignties and Mixed-Race Mutations in FX’s Legion by Nicholas E. Miller
  • 11. Into to the Spider-Verse and the Commodified (Re)imagining of Afro-Rican Visibility by Isabel Molina-Guzmán
  • 12. Truth, Justice, and the (Ancient) Egyptian Way: DC’s Doctor Fate and the Arab Spring by Adrienne Resha
• Acknowledgments
• Notes on Contributors
• Index