Ahamefule J. Oluo: Susan

Posted in Arts, Biography, Forthcoming Media, Live Events, United States, Women on 2020-01-24 01:16Z by Steven

Ahamefule J. Oluo: Susan

The Clarice Smith Performing Arts Center
University of Maryland
8270 Alumni Drive
College Park, Maryland 20742-1625
2020-02-07 and 2020-02-08, 20:00 EST (Local Time)

After moving audiences at The Clarice in 2017, trumpeter, composer and comedian Ahamefule J. Oluo returns with “Susan,” a memoir delivered through wry comedic monologue and live, grand-scale big-band and jazz.

When Susan Hawley was a sophomore in college, she fell in love with a doctoral student from Nigeria. They got married, had two children, and just as their dream life seemed like it was coalescing, her husband went back to Nigeria to visit his family and never contacted her again—leaving her a Midwestern white lady with two African babies. They were desperately poor; Susan began gaining weight rapidly, soon reaching 400 pounds. These were the cards she was dealt. Ahamefule J. Oluo’s theatrical work, Susan, tells his mother’s story as a means to tell the story of millions of women. It is a tangible crystallization of how race, class and size affect people all over the world every day. Despite all that darkness, Susan will be funny. It’s a collection of wry, black, but humane monologues, interspersed with live, grand-scale orchestral music.

This vulnerable theatrical work about his childhood tells the story of how his Midwestern mother was left to raise two bi-racial babies after the sudden departure of her husband. There’s obvious chemistry between Oluo’s singular voice and the grand creation of the music; at times, when the story is too painful for him, the ensemble carries the show. “Susan” is a category-defying reflection on how race, class, and appearance impact everyone—and how we play the hand that we’re dealt.

In 2002, after being selected as Town Hall Seattle’s first-ever artist-in-residence, Oluo realized he wanted to do something different. After years of performing and recording with prominent musicians like John Zorn, Hey Marseilles, Wayne Horvitz and Macklemore, Oluo knew he had his own story to tell—and the diverse set of skills to do it. During his time in residency, he began experimenting with blending big-band, jazz, standup and memoir to formulate a new musical and theatrical identity.

For more information, click here.

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Mixed Race Seattle Conference

Posted in Forthcoming Media, Live Events on 2020-01-10 02:14Z by Steven

Mixed Race Seattle Conference

Blaine Memorial United Methodist Church
3001 24th Ave South
Seattle, Washington 98144
Saturday, 2020-03-28, 09:00-17:00 PDT (Local Time)

'Photo by @[523938374439578:274:Sharon H Chang]'

Join Seattle JACL for the Mixed Race Seattle conference, a transformative day of storytelling, art, and creative expression meant to grow community among multiracial teens, young adults, and their families. This event is free and open for all to attend. Mixed race youth are among the fastest-growing population in the United States. But despite being a major presence in America, Mixed Race people continue to experience oppression, racism, and marginalization in different ways.

Seattle JACL is the flagship chapter of the nations’ second oldest Asian American civil rights organization. Its vision to “promote a world that honors diversity by respecting values of fairness, equality and social justice,” is rooted in its belief that in America, race still presents one of the biggest challenges to justice for all people, and in particular, for Black, Indigenous, and other People of Color. Seattle JACL presents this event through a 2020 Legacy Grant from JACL National, a smART Ventures Grant from The Seattle Office of Arts & Culture, and through a special partnership with Sharon H Chang, author of “Raising Mixed Race” and “Hapa Tales and Other Lies.”

For more information and to register, click here.

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New Hampshire: Beyond Black & White

Posted in Communications/Media Studies, History, Live Events, Media Archive, Native Americans/First Nation, Passing, United States on 2019-11-10 03:40Z by Steven

New Hampshire: Beyond Black & White

Black Heritage Trail of New Hampshire
2019-2020 Elinor Williams Hooker Expanded Tea Talk Series
Keene State College
Young Student Center
Mountain View Room
229 Main Street
Keene, New Hampshire 03435
Sunday, 2019-11-10, 14:00 EST

Contact information:
JerriAnne Boggis, Executive Director
603-570-8469

Panelists: David Watters, Darrell Hucks, & (TBA)
Moderator: Dottie Morris

Moving beyond rigid racial identities, this talk will explore the contemporary as well as historic intersection between Black and Indigenous communities, the presence of “passing” mixed race individuals, and the most recent immigrant experience within a New England context. These complex interactions, connections conflicts, experiences, and resistant efforts of Black, white and multi-racial citizens will be explored through scholarly research and an analysis of the film Lost Boundaries.

For more information, click here.

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Red Dust Road

Posted in Africa, Autobiography, Forthcoming Media, Gay & Lesbian, Live Events, United Kingdom on 2019-08-06 20:50Z by Steven

Red Dust Road

National Theatre of Scotland
2019-08-10 through 2019-09-21


Elaine C. Smith and Sasha Frost

Based on the soul-searching memoir by Scots Makar Jackie Kay, adapted by Tanika Gupta, and directed by Dawn Walton.

“You are made up from a mixture of myth and gene. You are part fable, part porridge

Growing up in 70s’ Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided to find her birth parents…

From Nairn to Lagos, Red Dust Road takes you on a journey full of heart, humour and deep emotions. Discover how we are shaped by the folk songs we hear as much as by the cells in our bodies.

Opening at the Edinburgh International Festival in August 2019, and at HOME, Manchester in September 2019

Touring to Macrobert Arts Centre, Stirling and Eden Court Theatre, Inverness in autumn 2019.

For more information, click here.

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Passing: A Family in Black & White

Posted in Biography, Family/Parenting, History, Live Events, Media Archive, Passing, United States, Videos on 2019-07-30 16:56Z by Steven

Passing: A Family in Black & White

Blackstar Film Festival
Philadelphia, Pennsylvania
Saturday, 2019-08-03, 10:00 EDT (Local Time)

United States
2019
(00:48:00)

Robin Cloud, Director

After years of hearing the story of her Nebraska cousins, who, unbeknownst to them, were passing for white, filmmaker Robin Cloud reaches out to the lost cousins in an attempt to bring them back into the family. We follow Robin as she travels through the South and Midwest.

For more information, click here.

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Lunchtime Lecture: Eleanor Kipping

Posted in Arts, Live Events, Media Archive, United States on 2019-06-25 01:31Z by Steven

Lunchtime Lecture: Eleanor Kipping

SVA MFA Art Practice
335 West 16th Street
New York, New York 10011
Telephone: 212.592.2781
Tuesday, 2019-07-02, 12:30-14:00 EDT (Local Time)

Headshot_Kipping_by Mia Caballero.jpg
Without Borders Festival IV: Between You and Me, Lord Gallery (1200 Afro picks, gold leaf, rocking chair, book of poetry)

Eleanor Kipping is a socially engaged artist and educator. Her interdisciplinary creative practice is concerned with the Black female experience as Other in the United States regarding hair politics, colorism, and racial passing and how these topics may be explored at the intersection(s) of installation, performance, and social practice. She holds a BS from the New England School of Communications, an MFA from the University of Maine and has participated in residencies at Skowhegan and Gakko in Japan. Kipping is the 2019 Art Practice Artist-in-Residence.

For more information, click here.

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We’re in planning mode for the 2019 Midwest Mixed Conference!

Posted in Live Events, Media Archive, United States, Wanted/Research Requests/Call for Papers on 2019-05-26 03:44Z by Steven

We’re in planning mode for the 2019 Midwest Mixed Conference!

2019 Midwest Mixed Conference: Disrupting the Single Story
First Universalist Church
3400 Dupont Ave South
Minneapolis, Minnesota 55408
2019-07-12 through 2019-07-14

MWM_SaveTheDate.jpg

We’re always looking for amazing people to join our team! Whether it’s a few moments of your time or dedicating a day to volunteer at our 2019 Conference, we appreciate all the help we can get.

For more information, click here.

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The Day I Became Black

Posted in Arts, Autobiography, Live Events, Media Archive, United States on 2019-04-12 02:26Z by Steven

The Day I Became Black

Soho Playhouse
15 Vandam Street
New York, New York 10013
Telephone: (212) 691-1555
2019-04-12 through 2019-04-19

Bi-racial comedian Bill Posley grew up happily identifying as both black and white. But at age 10, he learned the world does, in fact, judge a book by its color and, even though he’s half white, he’s labeled 100% black. Does a young comedian have to get rid of his whiteness in order to be the color he’s “supposed” to be? Hear Posley weigh in on the modern-day conversation about race from a unique perspective.

For more information, click here.

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Leitner Human Rights Speaker Series: Chinyere Osuji, Rutgers University – cosponsored with the Center on Race, Law and Justice – Boundaries of Love: Interracial Marriage and the Meaning of Race in Brazil and the United States

Posted in Brazil, Caribbean/Latin America, Family/Parenting, Live Events, Media Archive, Social Science, United States on 2019-04-08 19:04Z by Steven

Leitner Human Rights Speaker Series: Chinyere Osuji, Rutgers University – cosponsored with the Center on Race, Law and Justice – Boundaries of Love: Interracial Marriage and the Meaning of Race in Brazil and the United States

Leitner Center for International Law and Justice
Fordham Law School
150 West 62nd Street
Room 3-09
New York, New York 10023
2019-04-09, 12:30-13:30 EDT (Local Time)
Contact: leitnercenter@law.fordham.edu

Chinyere Osuji is an Assistant Professor of Sociology at Rutgers University with affiliations in Africana Studies and Latin American and Latino studies. Before coming to Rutgers-Camden, she was a post-doctoral fellow at the University of Pennsylvania Center for Africana Studies.

Chinyere conducts research on the meaning that social actors give to racial and ethnic boundaries. Her first book, Boundaries of Love: Interracial Marriage and the Meaning of Race (April 2019, NYU Press) takes a novel approach to comparing race and ethnicity across societies by examining the experiences of interracial couples. Boundaries of Love relies on 103 qualitative interviews that she conducted with 52 black-white couples between 2008 and 2012 in Los Angeles and Rio de Janeiro (in Portuguese). Through using what she calls a critical constructionist approach, Boundaries of Love compares the experiences of couples involving black men and white women with those of black women with white men in these two diverse, multicultural settings. This book reveals how non-elites in these two post-Atlantic slavery societies employ cultural repertoires that push against, bridge over, blur, dismantle or reproduce ethnoracial boundaries.

Chinyere’s next project will employ the critical constructionist approach to nursing and healthcare. In addition, she will be examining the lives of African immigrants, focusing on how they form community without being spatially concentrated.

For more information, click here.

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Quiet as its Kept: Passing Subjects, Contested Identities

Posted in History, Identity Development/Psychology, Live Events, Media Archive, Passing, Social Science, United States on 2019-03-25 14:18Z by Steven

Quiet as its Kept: Passing Subjects, Contested Identities

Vassar College
Poughkeepsie, New York
Friday, 2019-04-05 through Sunday, 2019-04-07

Passing Beyond Passing

The phrase “passing for white” first appears in advertisements for the return of runaway slaves. Abolitionist fiction later adopts the phenomenon of racial passing (together with the figure of the “white slave”) as a major literary theme. The term continued to enjoy currency in literature in the postbellum era and during the Harlem Renaissance. Today, “passing” has various manifestations and applications. Not limited to race, the term may indicate subversions of gender, sexuality, religion, ability and class, among other identity coordinates.

This conference responds to renewed interest in passing that derives from the popularity of genetic genealogy tests, sensational cases of racial fraud (i.e., Rachel Dolezal), the idea of “realness” appropriated from ball culture, racial ambiguity in a surveillance state, public fascination with celebrities like Meghan Markle, and the construction (and manipulation) of online identities (i.e., catfishing and blackfishing). Interdisciplinary perspectives on passing, miscegenation, authenticity, sexuality, kinship, and racial ambiguity in the arts, law, memory, popular culture, and the racial state are invited. Themes may include betrayal, secrecy, dissimulation, subjectivity, masquerade, visibility/invisibility, surveillance, fraud, and belonging.

At Vassar College, interest in this topic has reemerged since the publication of Karin Tanabe’s novel The Gilded Years (2016), about Anita Hemmings’ experience as the first black woman known to attend the College. In 1900, poet, novelist, lyricist Paul Laurence Dunbar modeled one of his musical characters (Parthenia Jenkins in Uncle Eph’s Christmas) after Anita Hemmings. By placing a character with Hemmings’ stature in a farce, Dunbar lampoons class / caste based distinctions. More importantly, he associates Hemmings – a racial performer celebrated for her respectability – with less-respected, equally assertive performers of race. Hemmings’s story is currently being adapted into a film, A White Lie, starring Zendaya and produced by Reese Witherspoon and Zendaya. This conference provides an opportunity to reflect on Hemmings’ experience – and those of other black women – who integrated women’s colleges.

This conference is also an occasion to rethink identity categories that have long been naturalized or taken for granted. From critical race theorists, sociologists, and social psychologists like Cheryl I. Harris, George Lipsitz, and Claude Steele to labor historians and feminist scholars such as David Roediger and Ruth Frankenberg, many intellectuals have examined whiteness as a social formation to which disparate ethnic groups (i.e., Jewish, Italian, and Irish) have assimilated. This conference (and concomitant art show at the Frances Lehman Loeb Art Center) can facilitate careful rethinking of assumptions about identity formations and affiliations. All are welcome.

For more information, click here.

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