Machado de Assis: 26 Stories

Posted in Anthologies, Books, Brazil, Caribbean/Latin America, Media Archive on 2019-07-16 01:32Z by Steven

Machado de Assis: 26 Stories

W. W. Norton
July 2019
320 pages
5.5 x 8.3 in
Paperback ISBN: 978-1-63149-598-4

Joaquim Maria Machado de Assis (1839-1908)

Translated by: Robin Patterson and Margaret Jull Costa

Foreword by: Michael Wood

This “watershed collection” (Wall Street Journal) now appears in an essential selected paperback edition, with twenty-six of Machado’s finest stories.

Widely acclaimed as “the greatest writer ever produced in Latin America” (Susan Sontag), as well as “another Kafka” (Allen Ginsberg), Machado de Assis (1839–1908) was famous in his time for his psychologically probing tales of fin-de-siècle Rio de Janeiro—a world populated with dissolute plutocrats, grasping parvenus, and struggling spinsters. In this original paperback, Margaret Jull Costa and Robin Patterson, “the accomplished duo” (Wall Street Journal) behind the “landmark . . . heroically translated” volume (The New Yorker) of the Collected Stories of Machado de Assis, include twenty-six chronologically ordered stories from the seven story collections published during Machado’s life—featuring all-time favorites such as the celebrated novella “The Alienist”; the tragicomic “parable of bureaucracy, madness, and power” (Los Angeles Review of Books), “Midnight Mass”; “The Cane”; and “Father Against Mother.” Ultimately, Machado de Assis: 26 Stories affirms Machado’s status as a literary giant who must finally be fully integrated into the world literary canon.

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The Collected Stories of Machado de Assis

Posted in Anthologies, Books, Brazil, Caribbean/Latin America, Media Archive on 2019-07-16 01:10Z by Steven

The Collected Stories of Machado de Assis

W. W. Norton
June 2018
960 pages
6.6 x 9.6 in
Hardcover ISBN: 978-0-87140-496-1

Joaquim Maria Machado de Assis (1839-1908)

Translated by: Robin Patterson and Margaret Jull Costa

Foreword by: Michael Wood

New York Times Critics’ Best of the Year

A landmark event, the complete stories of Machado de Assis finally appear in English for the first time in this extraordinary new translation.

Widely acclaimed as the progenitor of twentieth-century Latin American fiction, Machado de Assis (1839–1908)—the son of a mulatto father and a washerwoman, and the grandson of freed slaves—was hailed in his lifetime as Brazil’s greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963 and still lacks proper recognition today. Drawn to the master’s psychologically probing tales of fin-de-siècle Rio de Janeiro, a world populated with dissolute plutocrats, grasping parvenus, and struggling spinsters, acclaimed translators Margaret Jull Costa and Robin Patterson have now combined Machado’s seven short-story collections into one volume, featuring seventy-six stories, a dozen appearing in English for the first time.

Born in the outskirts of Rio, Machado displayed a precocious interest in books and languages and, despite his impoverished background, miraculously became a well-known intellectual figure in Brazil’s capital by his early twenties. His daring narrative techniques and coolly ironic voice resemble those of Thomas Hardy and Henry James, but more than either of these writers, Machado engages in an open playfulness with his reader—as when his narrator toys with readers’ expectations of what makes a female heroine in “Miss Dollar,” or questions the sincerity of a slave’s concern for his dying master in “The Tale of the Cabriolet.”

Predominantly set in the late nineteenth-century aspiring world of Rio de Janeiro—a city in the midst of an intense transformation from colonial backwater to imperial metropolis—the postcolonial realism of Machado’s stories anticipates a dominant theme of twentieth-century literature. Readers witness the bourgeoisie of Rio both at play, and, occasionally, attempting to be serious, as depicted by the chief character of “The Alienist,” who makes naively grandiose claims for his Brazilian hometown at the expense of the cultural capitals of Europe. Signifiers of new wealth and social status abound through the landmarks that populate Machado’s stories, enlivening a world in the throes of transformation: from the elegant gardens of Passeio Público and the vibrant Rua do Ouvidor—the long, narrow street of fashionable shops, theaters and cafés, “the Via Dolorosa of long-suffering husbands”—to the port areas of Saúde and Gamboa, and the former Valongo slave market.

One of the greatest masters of the twentieth century, Machado reveals himself to be an obsessive collector of other people’s lives, who writes: “There are no mysteries for an author who can scrutinize every nook and cranny of the human heart.” Now, The Collected Stories of Machado de Assis brings together, for the first time in English, all of the stories contained in the seven collections published in his lifetime, from 1870 to 1906. A landmark literary event, this majestic translation reintroduces a literary giant who must finally be integrated into the world literary canon.

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Hollywood at the Intersection of Race and Identity

Posted in Anthologies, Asian Diaspora, Books, Communications/Media Studies, Forthcoming Media, Passing, Social Science, United States, Women on 2019-07-12 17:45Z by Steven

Hollywood at the Intersection of Race and Identity

Rutgers University Press
2019-11-15
314 pages
31 b-w photographs
6 x 9
Paperback ISBN: 978-0-8135-9931-1
Cloth ISBN: 978-0-8135-9932-8
PDF ISBN: 978-0-8135-9935-9
EPUB ISBN: 978-0-8135-9935-9

Edited by:

Delia Malia Caparoso Konzett, Professor of English, Cinema/American/Women’s Studies
University of New Hampshire, Durham

Contributions by: Ruth Mayer, Alice Maurice, Ellen C. Scott, Delia Malia Caparoso Konzett, Jonna Eagle, Ryan Jay Friedman, Charlene Regester, Matthias Konzett, Chris Cagle, Dean Itsuji Saranillio, Graham Cassano, Priscilla Peña Ovalle, Ernesto R Acevedo-Muñoz, Mary Beltrán, Jun Okada, and Louise Wallenberg.

Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?

Table of Contents

  • Introduction
  • Hollywood Formulas: Codes, Masks, Genre, and Minstrelsy
    • Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s / Ruth Mayer
    • The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise / Alice Maurice
    • MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936) / Ellen C. Scott
    • Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937) / Delia Malia Konzett
  • Genre and Race in Classical Hollywood
    • “A Queer, Strangled Look”: Race, Gender, and Morality in The Ox-Bow Incident / Jonna Eagle
    • By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell / Ryan Jay Friedman
    • Disruptive Mother-Daughter Relationships: Peola’s Racial Masquerade in Imitation of Life (1934) and Stella’s Class Masquerade in Stella Dallas (1937) / Charlene Regester
    • The Egotistical Sublime: Film Noir and Whiteness / Matthias Konzett
  • Race and Ethnicity in Post-World War II Hollywood
    • Women and Class Mobility in Classical Hollywood’s Immigrant Dramas / Chris Cagle
    • Orientalism, Diaspora, and Indigeneity in Go for Broke! (1951) / Dean Itsuji Saranillio
    • Savage Whiteness: The dialectic of racial desire in The Young Savages (1961) / Graham Cassano
    • Rita Moreno’s Hair / Priscilla Peña Ovalle
  • Intersectionality, Hollywood, and Contemporary Popular Culture
    • “Everything Glee in ‘America’”: Context, Race, and Identity Politics in the Glee Appropriation of West Side Story / Ernesto R. Acevedo-Muñoz
    • Hip Hop “Hearts” Ballet: Utopic Multiculturalism and the Step Up Dance Films / Mary Beltrán
    • Fakin da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film / Jun Okada
    • “Let Us Roam the Night Together”: On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989) / Louise Wallenberg
  • Acknowledgments
  • Selected Bibliography
  • Contributors
  • Index
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Shape Shifters: Journeys across Terrains of Race and Identity

Posted in Anthologies, Books, Forthcoming Media, History, Identity Development/Psychology on 2019-07-12 17:41Z by Steven

Shape Shifters: Journeys across Terrains of Race and Identity

University of Nebraska Press
January 2020
444 pages
8 photos, index
Hardcover ISBN: 978-1-4962-0663-3

Edited by:

Lily Anne Y. Welty Tamai, Curator of History
Japanese American National Museum, Los Angeles, California

Ingrid Dineen-Wimberly, Professor of History
University of La Verne, Point Mugu, California

Paul Spickard, Distinguished Professor of History
University of California, Santa Barbara

Shape Shifters

Shape Shifters presents a wide-ranging array of essays that examine peoples of mixed racial identity. Moving beyond the static “either/or” categories of racial identification found within typical insular conversations about mixed-race peoples, Shape Shifters explores these mixed-race identities as fluid, ambiguous, contingent, multiple, and malleable. This volume expands our understandings of how individuals and ethnic groups identify themselves within their own sociohistorical contexts.

The essays in Shape Shifters explore different historical eras and reach across of the globe, from the Roman and Chinese borderlands of classical antiquity to Medieval Eurasian shape-shifters, the Native peoples of the missions of Spanish California, and racial shape-shifting among African Americans in the post–civil rights era. At different times in their lives or over generations in their families, racial shape-shifters have moved from one social context to another. And as new social contexts were imposed on them, identities have even changed from one group to another. This is not racial, ethnic, or religious imposture. It is simply the way that people’s lives unfold in fluid sociohistorical circumstances.

With contributions by Ryan Abrecht, George J. Sanchez, Laura Moore, and Margaret Hunter, among others, Shape Shifters explores the forces of migration, borderlands, trade, warfare, occupation, colonial imposition, and the creation and dissolution of states and empires to highlight the historically contingent basis of identification among mixed-race peoples across time and space.

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Whiter: Asian American Women on Skin Color and Colorism

Posted in Anthologies, Asian Diaspora, Autobiography, Books, Forthcoming Media, United States, Women on 2019-07-12 17:39Z by Steven

Whiter: Asian American Women on Skin Color and Colorism

New York University Press
March 2020
280 pages
6.00 x 9.00 in
Paperback ISBN: 9781479800292
Hardcover ISBN: 9781479881086

Edited by:

Nikki Khanna, Associate Professor of Sociology
University of Vermont

Whiter

Heartfelt personal accounts from Asian American women on their experiences with skin color bias, from being labeled “too dark” to becoming empowered to challenge beauty standards

“I have a vivid memory of standing in my grandmother’s kitchen, where, by the table, she closely watched me as I played. When I finally looked up to ask why she was staring, her expression changed from that of intent observer to one of guilt and shame. . . . ‘My anak (dear child),’ she began, ‘you are so beautiful. It is a shame that you are so dark. No Filipino man will ever want to marry you.’” —“Shade of Brown,” Noelle Marie Falcis

How does skin color impact the lives of Asian American women? In Whiter, thirty Asian American women provide first-hand accounts of their experiences with colorism in this collection of powerful, accessible, and brutally honest essays, edited by Nikki Khanna.

Featuring contributors of many ages, nationalities, and professions, this compelling collection covers a wide range of topics, including light-skin privilege, aspirational whiteness, and anti-blackness. From skin-whitening creams to cosmetic surgery, Whiter amplifies the diverse voices of Asian American women who continue to bravely challenge the power of skin color in their own lives.

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How Public Policy Impacts Racial Inequality

Posted in Anthologies, Books, Communications/Media Studies, Economics, Health/Medicine/Genetics, Law, Media Archive, Politics/Public Policy, Social Justice, Social Science, United States on 2019-06-01 22:29Z by Steven

How Public Policy Impacts Racial Inequality

Louisiana State University Press
May 2019
208 pages
5.50 x 8.50 inches
12 graphs
Paperback ISBN: 9780807170700

Edited by:

Josh Grimm, Associate Professor; Associate Dean of Research and Strategic Initiatives
Manship School of Mass Communication, Louisiana State University

Jaime Loke, Assistant Professor
Bob Schieffer College of Communication, Texas Christian University

How Public Policy Impacts Racial Inequality, edited by Josh Grimm and Jaime Loke, brings together scholars of political science, sociology, and mass communication to provide an in-depth analysis of race in the United States through the lens of public policy. This vital collection outlines how racial issues such as profiling, wealth inequality, and housing segregation relate to policy decisions at both the local and national levels. Each chapter explores the inherent conflict between policy enactment, perception, and enforcement.

Contributors present original research focused on specific areas where public policy displays racial bias. Josh Grimm places Donald Trump’s immigration policies—planned and implemented—in historical perspective, identifying trends and patterns in common between earlier legislation and contemporary debates. Shaun L. Gabbidon considers the role of the American justice system in creating and magnifying racial and ethnic disparities, with particular attention to profiling, police killings, and reform efforts. Jackelyn Hwang, Elizabeth Roberto, and Jacob S. Rugh illustrate the continued presence of residential segregation as a major fixture defining the American racial landscape. As a route to considering digital citizenship and racial justice, Srividya Ramasubramanian examines how race shapes media-related policy in ways that perpetuate inequalities in media access, ownership, and representation. Focusing on lead poisoning, tobacco, and access to healthy foods, Holley A. Wilkin discusses solutions for improving overall health equity. In a study of legal precedents, Mary E. Campbell and Sylvia M. Emmanuel detail the extent to which measures aimed at addressing inequality often neglect multiracial individuals and groups. By examining specific policies that created wealth inequality along racial lines, Lori Latrice Martin shows how current efforts perpetuate asset poverty for many African Americans. Shifting focus to media reception, Ismail K. White, Chryl N. Laird, Ernest B. McGowen III, and Jared K. Clemons analyze political opinion formation stemming from mainstream information sources versus those specifically targeting African American audiences.

Presenting nuanced case studies of key topics, How Public Policy Impacts Racial Inequality offers a timely and wide- ranging collection on major social and political issues unfolding in twenty-first century America.

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Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism

Posted in Africa, Anthologies, Anthropology, Asian Diaspora, Books, Brazil, Caribbean/Latin America, Europe, History, Media Archive, Social Science on 2019-05-01 22:11Z by Steven

Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism

Berghahn Books
April 2019
346 pages
15 illus., bibliog., index
Hardback ISBN: 978-1-78920-113-0
eBook ISBN: 978-1-78920-114-7

Edited by:

Warwick Anderson, Janet Dora Hine Professor of Politics, Governance and Ethics
Department of History; Charles Perkins Centre
University of Sydney

Ricardo Roque, Research Fellow at the Institute of Social Sciences
University of Lisbon

Ricardo Ventura Santos, Senior Researcher at Fundação Oswaldo Cruz; Professor
Department of Anthropology
National Museum, Rio de Janeiro, Brazil

Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism

Modern perceptions of race across much of the Global South are indebted to the Brazilian social scientist Gilberto Freyre, who in works such as The Masters and the Slaves claimed that Portuguese colonialism produced exceptionally benign and tolerant race relations. This volume radically reinterprets Freyre’s Luso-tropicalist arguments and critically engages with the historical complexity of racial concepts and practices in the Portuguese-speaking world. Encompassing Brazil as well as Portuguese-speaking societies in Africa, Asia, and even Portugal itself, it places an interdisciplinary group of scholars in conversation to challenge the conventional understanding of twentieth-century racialization, proffering new insights into such controversial topics as human plasticity, racial amalgamation, and the tropes and proxies of whiteness.

Contents

  • List of Illustrations
  • Acknowledgments
  • Introduction: Luso-tropicalism and Its Discontents / Warwick Anderson, Ricardo Roque and Ricardo Ventura Santos
  • PART I: PICTURING AND READING FREYRE
    • Chapter 1. Gilberto Freyre’s view of miscegenation and its circulation in the Portuguese Empire (1930s-1960s) / Cláudia Castelo
    • Chapter 2. Gilberto Freyre: Racial Populism and Ethnic Nationalism / Jerry Dávila
    • Chapter 3. Anthropology and Pan-Africanism at the Margins of the Portuguese Empire: Trajectories of Kamba Simango / Lorenzo Macagno
  • PART II: IMAGINING A MIXED-RACE NATION
    • Chapter 4. Eugenics, Genetics and Anthropology in Brazil: The Masters and the Slaves, Racial Miscegenation and its Discontents / Robert Wegner and Vanderlei Sebastião de Souza
    • Chapter 5. Gilberto Freyre and the UNESCO Research Project on Race Relations in Brazil / Marcos Chor Maio
    • Chapter 6. An Immense Mosaic”: Race-Mixing and the Creation of the Genetic Nation in 1960s Brazil / Rosanna Dent and Ricardo Ventura Santos
  • PART III: THE COLONIAL SCIENCES OF RACE
    • Chapter 7. The Racial Science of Patriotic Primitives: Mendes Correia in ‘Portuguese Timor’ / Ricardo Roque
    • Chapter 8. Re-Assessing Portuguese Exceptionalism: Racial Concepts and Colonial Policies toward the Bushmen in Southern Angola, 1880s-1970s / Samuël Coghe
    • Chapter 9. “Anthropo-Biology”, Racial Miscegenation and Body Normality: Comparing Bio-Typological Studies in Brazil and Portugal, 1930-1940 / Ana Carolina Vimieiro Gomes
  • PART IV: PORTUGUESENESS IN THE TROPICS
    • Chapter 10. Luso-Tropicalism Debunked, Again: Race, Racism, and Racialism in Three Portuguese-Speaking Societies / Cristiana Bastos
    • Chapter 11. Being (Goan) Modern in Zanzibar: Mobility, Relationality and the Stitching of Race / Pamila Gupta
  • Afterword I / Nélia Dias
  • Afterword II / Peter Wade
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Color Struck: How Race and Complexion Matter in the “Color-Blind” Era

Posted in Anthologies, Anthropology, Books, Campus Life, Economics, History, Media Archive, Politics/Public Policy, Social Science, Social Work, United States, Women on 2018-12-03 03:34Z by Steven

Color Struck: How Race and Complexion Matter in the “Color-Blind” Era

Sense Publishers
2017
218 pages
ISBN Paperback: 9789463511087
ISBN Hardcover: 9789463511094
ISBN E-Book: 9789463511100

Edited by:

Lori Latrice Martin, Associate Professor of Sociology
Louisiana State University

Hayward Derrick Horton, Professor of Sociology
State University of New York, Albany

Cedric Herring, Professor and Director of the Language, Literacy, and Culture (LLC)
University of Maryland, Baltimore County

Verna M. Keith, Professor of Sociology
Texas A&M University

Melvin Thomas, Associate Professor of Sociology
North Carolina State University

Skin color and skin tone has historically played a significant role in determining the life chances of African Americans and other people of color. It has also been important to our understanding of race and the processes of racialization. But what does the relationship between skin tone and stratification outcomes mean? Is skin tone correlated with stratification outcomes because people with darker complexions experience more discrimination than those of the same race with lighter complexions? Is skin tone differentiation a process that operates external to communities of color and is then imposed on people of color? Or, is skin tone discrimination an internally driven process that is actively aided and abetted by members of communities of color themselves? Color Struck provides answers to these questions. In addition, it addresses issues such as the relationship between skin tone and wealth inequality, anti-black sentiment and whiteness, Twitter culture, marriage outcomes and attitudes, gender, racial identity, civic engagement and politics at predominately White Institutions. Color Struck can be used as required reading for courses on race, ethnicity, religious studies, history, political science, education, mass communications, African and African American Studies, social work, and sociology.

Table of Contents

  • Introduction / Lori Latrice Martin
  • 1. Race, Skin Tone, and Wealth Inequality in America / Cedric Herring and Anthony Hynes
  • 2. Mentions and Melanin: Exploring the Colorism Discourse and Twitter Culture / Sarah L. Webb and Petra A. Robinson
  • 3. Beyond Black and White but Still in Color: Preliminary Findings of Skin Tone and Marriage Attitudes and Outcomes among African American Young Adults / Antoinette M. Landor
  • 4. Connections or Color? Predicting Colorblindness among Blacks / Vanessa Gonlin
  • 5. Black Body Politics in College: Deconstructing Colorism and Hairism toward Black Women’s Healing / Latasha N. Eley
  • 6. Biracial Butterflies: 21st Century Racial Identity in Popular Culture / Paul Easterling
  • 7. Confronting Colorism: An Examination into the Social and Psychological Aspects of Colorism / Jahaan Chandler
  • 8. How Skin Tone Shapes Civic Engagement among Black Americans / Robert L. Reece and Aisha A. Upton
  • 9. The Complexity of Color and the Religion of Whiteness / Stephen C. Finley and Lori Latrice Martin
  • About the Contributors
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Race and Cultural Practice in Popular Culture

Posted in Anthologies, Books, Communications/Media Studies, Latino Studies, Media Archive, Native Americans/First Nation on 2018-11-09 03:39Z by Steven

Race and Cultural Practice in Popular Culture

Rutgers University Press
2018-10-17
296 pages
6 x 9
Paperback ISBN: 978-1-9788-0130-1
Cloth ISBN: 978-1-9788-0131-8
PDF ISBN: 978-1-9788-0134-9
EPUB ISBN: 978-1-9788-0132-5
MobiPocket ISBN: 978-1-9788-0133-2

Edited by:

Domino Perez, Associate Professor of English
University of Texas, Austin

Rachel González-Martin, Assistant Professor of Mexican American and Latina/o Studies
University of Texas, Austin

Race and Cultural Practice in Popular Culture

Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations respectively.

Table of Contents

  • List of Illustrations
  • “Assembling an Intersectional Pop Cultura Analytical Lens: A Foreword”
  • Introduction: Re-imagining Critical Approaches to Folklore and Popular Culture / Domino Renee Perez and Rachel González-Martin
  • Part I: Visualizing Race
    • “A Thousand ‘Lines of Flight’: Collective Individuation and Racial Identity in Netflix’s Orange Is the New Black and Sense8” / Ruth Y. Hsu
    • “Performing Cherokee Masculinity in The Doe Boy” / Channette Romero
    • “Truth, Justice, and the Mexican Way: Lucha Libre, Film, and Nationalism in Mexico” / James Wilkey
    • “Native American Irony: Survivance and the Subversion of Ethnography” / Gerald Vizenor
  • Part II: Sounding Race
    • “(Re)imagining Indigenous Popular Culture” / Mintzi Auanda Martínez-Rivera
    • “My Tongue is Divided into Two” / Olivia Cadaval
    • “Performing Nation Diva Style in Lila Downs and Astrid Hadad’s La Tequilera” / K. Angelique Dwyer
    • “(Dis)identifying with Shakira’s ‘Global Body’: A Path Towards Rhythmic Affiliations Beyond the Dichotomous Nation/Diaspora” / Daniela Gutiérrez López
    • “Voicing the Occult in Chicana/o Culture and Hybridity: Prayers and the Cholo-Goth Aesthetic” / José G. Anguiano
  • Part III: Racialization in Place
    • “Ugly Brown Bodies: Queering Desire in Machete” / Nicole Guidotti-Hernández
    • “Bitch, how’d you make it this far?”: Strategic Enactments of White Femininity in The Walking Dead” / Jaime Guzmán and Raisa Alvarado Uchima
    • “Bridge and Tunnel: Transcultural Border Crossings in The Bridge and Sicario” / Marcel Brousseau
    • “Red Land, White Power, Blue Sky: Settler Colonialism and Indigeneity in Breaking Bad” / James H. Cox
  • Acknowledgments
  • Notes on Contributors
  • Index
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Comparative Racial Politics in Latin America (First Edition)

Posted in Anthologies, Books, Brazil, Caribbean/Latin America, History, Law, Media Archive, Politics/Public Policy, Social Science, Women on 2018-10-17 18:00Z by Steven

Comparative Racial Politics in Latin America (First Edition)

Routledge
2018-09-04
358 pages
31 B/W Illus.
Paperback: 9781138485303
Hardback: 9781138727021
eBook (VitalSource): 9781315191065

Edited by:

Kwame Dixon, Associate Professor of Political Science
Howard University, Washington, D.C.

Ollie A. Johnson III, Associate Professor of African American Studies
Wayne State University, Detroit, Michigan

Comparative Racial Politics in Latin America: 1st Edition (Paperback) book cover

Latin America has a rich and complex social history marked by slavery, colonialism, dictatorships, rebellions, social movements and revolutions. Comparative Racial Politics in Latin America explores the dynamic interplay between racial politics and hegemonic power in the region. It investigates the fluid intersection of social power and racial politics and their impact on the region’s histories, politics, identities and cultures.

Organized thematically with in-depth country case studies and a historical overview of Afro-Latin politics, the volume provides a range of perspectives on Black politics and cutting-edge analyses of Afro-descendant peoples in the region. Regional coverage includes Argentina, Brazil, Colombia, Cuba, the Dominican Republic, Ecuador, Haiti and more. Topics discussed include Afro-Civil Society; antidiscrimination criminal law; legal sanctions; racial identity; racial inequality and labor markets; recent Black electoral participation; Black feminism thought and praxis; comparative Afro-women social movements; the intersection of gender, race and class, immigration and migration; and citizenship and the struggle for human rights. Recognized experts in different disciplinary fields address the depth and complexity of these issues.

Comparative Racial Politics in Latin America contributes to and builds on the study of Black politics in Latin America.

Table of Contents

  • Introduction: Comparative Racial Politics in Latin America – Black Politics Matter [Kwame Dixon and Ollie A. Johnson III]
  • Part 1: History
    • 1. Beyond Representation: Rethinking Rights, Alliances and Migrations: Three Historical Themes in Afro-Latin American Political Engagement [Darién J. Davis]
    • 2. Recognition, Reparations, and Political Autonomy of Black and Native Communities in the Americas [Bernd Reiter]
    • 3. Pan-Africanism and Latin America [Elisa Larkin Nascimento]
  • Part 2: The Caribbean
    • 4. Black Activism and the State in Cuba [Danielle Pilar Clealand]
    • 5. Correcting Intellectual Malpractice: Haiti and Latin America [Jean-Germain Gros]
    • 6. Black Feminist Formations in the Dominican Republic since La Sentencia [April J. Mayes]
  • Part 3: South America
    • 7. Afro-Ecuadorian Politics [Carlos de la Torre and Jhon Antón Sánchez]
    • 8. In The Branch of Paradise: Geographies of Privilege and Black Social Suffering in Cali, Colombia [Jaime Amparo Alves and Aurora Vergara-Figueroa]
    • 9. The Impossible Black Argentine Political Subject [Judith M. Anderson]
    • 10. Current Representations of “Black” Citizens: Contentious Visibility within the Multicultural Nation [Laura de la Rosa Solano]
  • Part 4: Comparative Perspectives
    • 11. The Contours and Contexts of Afro-Latin American Women’s Activism [Kia Lilly Caldwell]
    • 12. Race and the Law in Latin America [Tanya Katerí Hernández]
    • 13. The Labyrinth of Ethnic-Racial Inequality: a Picture of Latin America according to the recent Census Rounds [Marcelo Paixão and Irene Rossetto]
    • 14. The Millennium/Sustainable Development Goals and Afro-descendants in the Americas: An (Un)intended Trap [Paula Lezama]
  • Conclusion [Kwame Dixon and Ollie A. Johnson III]
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