Mixed Race Studies

Race and Role: The Mixed-Race Asian Experience in American Drama

Rutgers University Press
2023-06-16
194 pages,
8 bw, 3 color
6.12 x 9.25
Paperback ISBN: 9781978835535
Cloth ISBN: 9781978835542
EPUB ISBN: 9781978835559
Kindle ISBN: 9781978835566
PDF ISBN: 9781978835573

Rena M. Heinrich, Assistant Professor of Theatre Practice
University of Southern California

Mixed-race Asian American plays are often overlooked for their failure to fit smoothly into static racial categories, rendering mixed-race drama inconsequential in conversations about race and performance. Since the nineteenth century, however, these plays have long advocated for the social significance of multiracial Asian people.

Race and Role: The Mixed-Race Experience in American Drama traces the shifting identities of multiracial Asian figures in theater from the late-nineteenth century to the present day and explores the ways that mixed-race Asian identity transforms our understanding of race. Mixed-Asian playwrights harness theater’s generative power to enact performances of “double liminality” and expose the absurd tenacity with which society clings to a tenuous racial scaffolding.

Table of Contents

• Chapter 1: Stages of Denial
• Chapter 2: Tragic Eurasians: Mixed-Asian Dramas in the Late-Nineteenth Century
• Chapter 3: Shape Shifting Performances in the Twentieth Century
• Chapter 4: Cosmopolitan Identity in Mixed Dramatic Forms
• Chapter 5: Multiraciality in the Post-racial Era
• Chapter 6: Beyond Monoracial Hierarchies: Recovering Lost Selves
• Acknowledgments
• Index

A Real Negro Girl: Fredi Washington and the New Negro Renaissance

Oxford University Press
2023-10-02
320 Pages
25 black and white illustrations
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780197626214

Laurie A. Woodard, Assistant Professor of History
City College of New York, New York, New York

• First biography of dancer, actor, and activist Fredi Washington
• Highlights the role of the performing arts in the history of the New Negro Renaissance, which has tended to be focused on literary arts
• Focuses on an African American who could have but chose not to “pass“

The first biography of performing artist, writer, and civil and human rights activist Fredi Washington.

Following Fredi Washington’s debut in her first dramatic role in 1926, Alfred Spengler of the New York North Side News reported that she was “astonishingly pretty for a real Negro girl.” Throughout her career, Washington was vulnerable to discrimination because her near-white skin and hazel eyes, coupled with her self-identification as Negro, cast her as too physically white to play black and too culturally black to play white. The multifaceted Washington was of course a great deal more than her looks; she was a performing artist, a writer, and a civil and human rights activist. Embracing the genres of dance, theater, and film, she used her talent, creativity, and determination to sustain a thirty-year career in the arts and in labor and political activism during the New Negro Renaissance and beyond.

Although Fredi Washington has been largely forgotten, A Real Negro Girl shows that, at the zenith of her career, she was a household name in the black community, well known in mainstream America, and a darling of the European press. Most famous for her role in the film “Imitation of Life,” she was a part of a cohort that included Paul Robeson, Josephine Baker, and Bill “Bojangles” Robinson. Delving into her professional and personal experiences in Harlem, nationally, and internationally, this book illuminates Washington’s significance to the New Negro Renaissance and reveals the vital influence of black performing artists and of black women on the movement. Over the years, Washington expanded her social and political consciousness and anti-racism activism, encompassing journalism, labor organizing, protests, and support of progressive politics. As a founder and executive director of the Negro Actors Guild of America, she sought to protect black artists from professional exploitation and physical abuse.

Incorporating close readings of images and films, interviews, and fan mail, as well as writings by and about Washington, A Real Negro Girl highlights Fredi Washington as an influential actor in the African American quest for civil and human rights.

Table of Contents

• Acknowledgments
• Introduction
• Chapter 1: Setting the Stage: The Roots of the New Negro Renaissance
• Chapter 2: Dancing All Day: Reading Blackface and Black Bodies
• Chapter 3: Boxers, Blacks, and a Real Negro Girl: White Expectations and Imagined Conceptions of Authentic Blackness
• Chapter 4: Race, Place, and Miscegenation: Fredi Washington in Imitation of Life
• Chapter 5: Beyond the Footlights: New Negro Performing Artists and More Tangible Forms of Activism
• Conclusion
• Notes
• Select Bibliography
• Index

Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation

Rutgers University Press
2022-12-09
218 pages
7 b-w illustrations
6 x 9
Paperback ISBN: 9781978830875
Cloth ISBN: 9781978830882
EPUB ISBN: 9781978830899
PDF ISBN: 9781978830905

Daniel McNeil, Department of Gender Studies
Queen’s University in Kingston, Ontario

Thinking While Black brings together the work and ideas of the most notorious film critic in America, one of the most influential intellectuals in the United Kingdom, and a political and cultural generation that consumed images of rebellion and revolution around the world as young Black teenagers in the late 1960s. Drawing on hidden and little known archives of resistance and resilience, it sheds new light on the politics and poetics of young people who came together, often outside of conventional politics, to rock against racism in the 1970s and early ‘80s. It re-examines debates in the 1980s and ‘90s about artists who “spread out” to mount aggressive challenges to a straight, white, middle-class world, and entertainers who “sold out” to build their global brands with performances that attacked the Black poor, rejected public displays of introspection, and expressed unambiguous misogyny and homophobia. Finally, it thinks with and through the work of writers who have been celebrated and condemned as eminent intellectuals and curmudgeonly contrarians in the twenty-first century. In doing so, it delivers the smartest and most nuanced investigation into thinkers such as Paul Gilroy and Armond White as they have evolved from “young soul rebels” to “middle-aged mavericks” and “grumpy old men,” lamented the debasement and deskilling of Black film and music in a digital age, railed against the discourteous discourse and groupthink of screenies and Internet Hordes, and sought to stimulate some deeper and fresher thinking about racism, nationalism, multiculturalism, political correctness and social media.

Table of Contents

• Preface
• Chapter 1: Theories in Motion
• Chapter 2: Black and British
• Chapter 3: A Movie-Struck Kid from Detroit
• Chapter 4: Slave-Descendants, Diaspora Subjects, and World Citizens
• Chapter 5: Enlarging the American Cinema
• Chapter 6: Middle-Aged, Gifted, and Black
• Coda
• Notes
• Acknowledgments
• Index

The Weight of Blood

Katherine Tegen Books an (imprint of HarperCollins)
2022-09-06
416 pages
Hardcover ISBN: 9780063029149
E-book ISBN: 9780063029163
Paperback ISBN: 9780063029156

Tiffany D. Jackson

New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America’s history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.

When Springville residents—at least the ones still alive—are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.

An outcast at her small-town Georgia high school, Madison Washington has always been a teasing target for bullies. And she’s dealt with it because she has more pressing problems to manage. Until the morning a surprise rainstorm reveals her most closely kept secret: Maddy is biracial. She has been passing for white her entire life at the behest of her fanatical white father, Thomas Washington.

After a viral bullying video pulls back the curtain on Springville High’s racist roots, student leaders come up with a plan to change their image: host the school’s first integrated prom as a show of unity. The popular white class president convinces her Black superstar quarterback boyfriend to ask Maddy to be his date, leaving Maddy wondering if it’s possible to have a normal life.

But some of her classmates aren’t done with her just yet. And what they don’t know is that Maddy still has another secret . . . one that will cost them all their lives.

The Reinvented Life of Belle da Costa Greene

Vanderbilt University
Nashville, Tennessee
2023-02-14 through 2023-05-14

2023-02-01

Spring 2023 Exhibition and Programming related to Belle da Costa Greene, famed librarian for J.P. Morgan and expert on incunabula.

One of the most well-known American librarians and experts in illuminated manuscripts (incunabula) in the early-mid twentieth century, Belle da Costa Greene helped build the renowned Morgan Library and Museum in New York City. Indeed, she was known as “the soul of the Morgan Library.” Greene also summered annually with the Vanderbilts in their “cottages” in Newport, Rhode Island. She began her career as the personal librarian of financier John Pierpont Morgan, one of the richest men in Gilded Age America. She ended it as the library’s first director from 1924-48.

Born Belle Marion Greener in 1879, the green-eyed Greene was the daughter of the first African American graduate of Harvard College. She also belonged to the colored elite in Washington, DC. She accessed the rarefied worlds of the Morgans and Vanderbilts by “passing” as a white woman. In exploring her reinvented life, this month-long series of events will engage questions of race, color, class, gender, and passing.

For more information, click here.

Racial Fraud and the American Binary

Eidos. A Journal for Philosophy of Culture
Volume 6, Issue 3 (2022)
pages 44-61
DOI: 10.14394/eidos.jpc.2022.0024

Kevin J. Harrelson, Professor of Philosophy
Ball State University, Muncie, Indiana

In response to recent controversies about racial transitioning, I provide an argument that deceptions about ancestry may sometimes constitute fraud. In order to arrive at this conclusion, I criticize the arguments from analogy made famous by Rebecca Tuvel and Christine Overall. My claim is that we should not think of racial transitioning as similar to gender transitioning, because different identity groups possess different kinds of obstacles to entry. I then provide historical surveys of American racial categories and the various types of passing common in American history, in order to distinguish the potentially fraudulent from the relatively innocent styles of passing.

Read the entire article here.

Imitation of Life: On Passing Between

The Criterion Collection
2023-01-10

Miriam J. Petty, Associate Professor in the department of Radio/Television/Film
Northwestern University, Evanston, Illinois

In 2005, the National Film Preservation Board of the Library of Congress added the 1934 version of Imitation of Life to the National Film Registry, its roster of “culturally, historically, or aesthetically significant” films. Archivist Ariel Schudson’s essay marking the occasion touts the film as “a defining moment in the history of women in film and a watershed moment for African American casting in Hollywood.” Directed by John M. Stahl for Universal Pictures, and based on Fannie Hurst’s best-selling 1933 prefeminist rags-to-riches novel of the same name, the film raises issues of gender roles, labor, race, identity, and the American dream in a melodramatic framework that might have otherwise been regarded as that of a mere “ladies’ picture.” Indeed, much of the film’s action focuses on the domestic sphere and the intimate, homey matters regularly dismissed as women’s work. But Stahl, like Hurst, uses domestic spaces to give audiences a closer perspective on such intimacies, employing the themes of interracial friendship and racial passing as metaphor and provocation…

Read the entire article here.

New ‘Latino’ and ‘Middle Eastern or North African’ checkboxes proposed for U.S. forms

All Things Considered
National Public Radio
2023-01-26

Hansi Lo Wang, Correspondent, Washington Desk

The Biden administration is proposing major changes to forms for the 2030 census and federal government surveys that would transform how Latinos and people of Middle Eastern or North African descent are counted in statistics across the United States.

A new checkbox for “Middle Eastern or North African” and a “Hispanic or Latino” box that appears under a reformatted question asking for a person’s race or ethnicity are among the early recommendations announced in a Federal Register notice, which was made available Thursday for public inspection ahead of its official publication.

If approved, the changes would address longstanding difficulties many Latinos have had in answering a question about race that does not include a response option for Hispanic or Latino, which the federal government recognizes only as an ethnicity that can be of any race.

The reforms would also mark a major achievement for advocates for Arab Americans and other MENA groups who have long campaigned for their own checkbox. While the U.S. government currently categorizes people with origins in Lebanon, Iran, Egypt and other countries in the MENA region as white, many people of MENA descent do not identify as white people. In addition to a new box on forms, the proposal would change the government’s definition of “White” to no longer include people with MENA origins…

Read the entire article here.

Chiefs’ Patrick Mahomes proud to be part of first Super Bowl with two Black QBs

Chief’s Wire
USA Today
2023-02-01

Ed Easton Jr., Kansas City Chiefs Beat Writer

We are just under two weeks away from Super Bowl LVII as the Kansas City Chiefs prepare to battle the Philadelphia Eagles.

The game will feature top seeds from both conferences and, for the first time in league history, two Black starting quarterbacks. Patrick Mahomes and Jalen Hurts will make history when they step onto the field in Arizona—a special moment considering the strides the position and league have taken to improve diversity…

…Speaking to Carrington Harrison on 610 Sports Radio show “The Drive” during his weekly check-in, Mahomes opened up about the cultural impact of the game and the history of the Black quarterback.

“I am proud. We came a long way,” said Mahomes. “As I’ve gotten into the NFL and learned more about the history of the Black quarterback, I’m happy that we’re going to be on this stage. It couldn’t be against a better guy than Jalen Hurts… I’m glad that we’re going to be able to represent the Black quarterback in the biggest game of them all.”…

Read the entire article here.

Chiefs’ Patrick Mahomes responds to recent, unfounded criticisms of Black QBs

Chief’s Wire
USA Today
2022-07-30

Ed Easton Jr., Kansas City Chiefs Beat Writer

The career of Kansas City Chiefs quarterback Patrick Mahomes has been progressing well since entering the league in 2017. He’s been named league MVP, he’s won a Super Bowl, and he’s secured one of the highest-paying contracts in sports history all before turning 26 years old.

Mahomes is already one of the most accomplished Black quarterbacks in NFL history. The topic of race has never been something Mahomes has shied away from in interviews or press conferences. He’s been outspoken about racial injustice and the need for change…

…Following the Chiefs’ Friday training camp practice, Mahomes was asked whether he felt Black quarterbacks are evaluated differently in the NFL. His response was about as perfect as you could expect.

 “I don’t want to go that far and say that,” said Mahomes. “I mean obviously, the Black quarterback has to have a battle to be in this position that we are, to have this many guys in the league playing. I think every day we’re proving that we should’ve been playing the whole time. We’ve got guys that think just as well as they can use their athleticism, so it always is weird when you see guys like me and Lamar (Jackson), Kyler (Murray) kind of get that on them and other guys don’t, but at the same time we’re going to go there and prove ourselves every day to show that we can be some of the best quarterbacks in the league.”…

Read the entire article here.