Voice Business presents Wirework

Posted in Africa, Arts, Forthcoming Media, South Africa, United Kingdom on 2018-05-21 15:14Z by Steven

Voice Business presents Wirework

Tristan Bates Theatre
1A Tower St, Covent Garden
London, United Kingdom WC2H 9NP
Tuesday, 2018-07-03 through Saturday, 2018-07-07, 19:30 (Thurs & Sat Matinees 14:30)

A play about the unexpected relationship between Koos Malgas, a Cape Coloured shepherd and Helen Martins, a one-time actor and teacher, in the creation of the Owl House – an extraordinary environmental piece full of animated sculptures and pulsating light montages.

Set in the isolated landscape of the South African Karoo and inspired by images from pictures and postcards, their world becomes dominated by form and colour. In her struggle to find the ‘light’, Helen looks towards Mecca as Koos faces the reality of apartheid prejudice and survival.

BRITISH PREMIERE, first performed in South Africa, 2009

Supported by Arts Council England

CAST
Helen Elaine Wallace
Koos Kurt Kansley

CREATIVE
Director Jessica Higgs
Scenographer Declan Randall

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Building new selves: identity, “Passing,” and intertextuality in Zoë Wicomb’s Playing in the Light

Posted in Africa, Articles, Literary/Artistic Criticism, Media Archive, Passing, South Africa on 2018-04-13 23:53Z by Steven

Building new selves: identity, “Passing,” and intertextuality in Zoë Wicomb’s Playing in the Light

Safundi: The Journal of South African and American Studies
Published online: 2018-04-03
DOI: 10.1080/17533171.2018.1453977

David Hoegberg, Associate Professor of English; Africana Studies
Indiana University Purdue University, Indianapolis

This article examines Zoë Wicomb’s wide-ranging use of intertextuality in the novel Playing in the Light to explore the links between identity construction and postcolonial authorship. Focusing on the characters as intertextual agents, I argue that the three coloured women on whom the novel focuses – Helen, Marion, and Brenda – use texts in distinctive ways that illuminate their struggles to position themselves in South Africa’s complex and changing racial landscape. Racial “passing” is one form of a larger pattern in the novel of the use of citation and imitation to achieve specific ends. By embedding the citations of Helen and Marion within the citation-rich narrative of Brenda, Wicomb lays bare the mechanisms of identity construction within a work that stages and highlights its own intertextual practices.

Read or purchase the article here.

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Lupita Nyong’o To Star In ‘Born A Crime’ Based On Trevor Noah’s Memoir

Posted in Africa, Articles, Arts, Autobiography, Media Archive, South Africa on 2018-02-22 04:47Z by Steven

Lupita Nyong’o To Star In ‘Born A Crime’ Based On Trevor Noah’s Memoir

Deadline Hollywood
2018-02-21

Amanda N’Duka


REX/Shutterstock

EXCLUSIVE: Oscar winner Lupita Nyong’o, currently starring as Nakia in Disney/Marvel’s record-smashing, watershed hit Black Panther, has signed on to star in Born a Crime, the film adaptation of The Daily Show host Trevor Noah’s bestselling debut autobiography Born a Crime: Stories from a South African Childhood.

Nyong’o will play Noah’s mom, Patricia, who served as an important figure to her son in his formative years. She was shot in the head by his stepfather while returning from a church service in 2009, but survived.

Noah is producing the project through his Ark Angel Productions alongside Norman Aladjem, Derek Van Pelt and Sanaz Yamin of Mainstay Entertainment, and Nyong’o…

Read the entire article here.

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What We Lose: A Striking Novel About Filial Grief

Posted in Africa, Articles, Book/Video Reviews, Media Archive, South Africa, United States on 2017-11-27 02:58Z by Steven

What We Lose: A Striking Novel About Filial Grief

The Atlantic
2017-08-01

Amy Weiss-Meyer, Associate Editor


Zinzi Clemmons (Nina Subin)

Zinzi Clemmons’s debut tangles with familiar questions, using a propulsive experimentalism in lieu of linear narrative.

When Zinzi Clemmons was a graduate student at Columbia, at work on her MFA, her mother was diagnosed with breast cancer. Clemmons had been writing a novel with a more or less linear narrative structure. She moved back home to Philadelphia and kept writing, but differently now, taking notes and collecting fragments of text as she cared for her mother. “The only time and energy I could muster resulted in that very short form,” she said recently. “I just ended up keeping those pieces and stitching them together, and a fictional narrative arose.” The novel she had been working on no longer felt worth her while; she’d been trying to use it, she said, to “avoid what was going on with my mom.”

The new novel that emerged, What We Lose, is a startling, poignant debut, released to no shortage of fanfare (Vogue called it “the debut novel of the year”). It tells a story based loosely on the author’s own. The protagonist is Thandi, who, like Clemmons herself, is the daughter of a “coloured” South African mother and an African American father. Thandi, like Clemmons, was raised in a wealthy, mostly white suburb of Philadelphia. Thandi’s self-proclaimed status as a “strange in-betweener”—she has “light skin and foreign roots,” and feels neither fully black American nor fully African—is a defining preoccupation of her young adulthood. Her relationship with her mother is loving but difficult. And in the wake of her death, as Thandi unexpectedly confronts the possibility of becoming a parent herself, she struggles to come to terms with what her mother’s life was, and what hers should be…

Read the entire article here.

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What We Lose, A Novel

Posted in Africa, Autobiography, Books, Media Archive, Novels, South Africa, United States on 2017-11-27 02:13Z by Steven

What We Lose, A Novel

Viking (an imprint of Penguin Random House)
2017-07-11
224 pages
Hardcover ISBN: 978-0735221710
Paperback ISBN: 978-0008245948

Zinzi Clemmons

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

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Steeped in Heritage: The Racial Politics of South African Rooibos Tea

Posted in Africa, Anthropology, Books, Media Archive, Monographs, South Africa on 2017-11-09 03:16Z by Steven

Steeped in Heritage: The Racial Politics of South African Rooibos Tea

Duke University Press
2017-10-27
272 pages
3 illustrations
Hardcover ISBN: 978-0-8223-6993-6
Paperback ISBN: 978-0-8223-6993-6

Sarah Ives, Postdoctoral Fellow and Lecturer
Stanford University

South African rooibos tea is a commodity of contrasts. Renowned for its healing properties, the rooibos plant grows in a region defined by the violence of poverty, dispossession, and racism. And while rooibos is hailed as an ecologically indigenous commodity, it is farmed by people who struggle to express “authentic” belonging to the land: Afrikaners who espouse a “white” African indigeneity and “coloureds,” who are characterized either as the mixed-race progeny of “extinct” Bushmen or as possessing a false identity, indigenous to nowhere. In Steeped in Heritage Sarah Ives explores how these groups advance alternate claims of indigeneity based on the cultural ownership of an indigenous plant. This heritage-based struggle over rooibos shows how communities negotiate landscapes marked by racial dispossession within an ecosystem imperiled by climate change and precarious social relations in the post-apartheid era.

Table of Contents

  • Preface
  • Acknowledgments
  • Introduction. The “Rooibos Revolution”
  • 1. Cultivating Indigeneity
  • 2. Farming the Bush
  • 3. Endemic Plants and Invasive People
  • 4. Rumor, Conspiracy, and the Politics of Narration
  • 5. Precarious Landscapes
  • Conclusion. “Although There Is No Place Called Rooibos”
  • Notes
  • References
  • Index
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ENCORE | Trevor Noah on growing up mixed race in South Africa, ‘a product of my parents’ crime’

Posted in Africa, Audio, Autobiography, Canada, Interviews, Media Archive, South Africa on 2017-07-05 18:45Z by Steven

ENCORE | Trevor Noah on growing up mixed race in South Africa, ‘a product of my parents’ crime’

The Current
CBC Radio
2017-07-05

Anna Maria Tremonti, Host


‘Fundamentally, myself, my mother and my dad were considered different types of citizens under the law,’ says The Daily [Show] Host Trevor Host on living in a mixed race family in South Africa. (Brad Barket/Getty Images for Comedy Central)

Trevor Noah began his career as a successful stand-up comedian in South Africa. The Daily Show host has travelled a long way since then, but his humour is as biting as ever.

He brings that humour — along with candour — in Born a Crime: Stories from a South African Childhood, a new book about growing up mixed race in South Africa, facing prejudice and learning about survival and a mother’s love.

Noah was born in 1984 to a white father and a black mother during apartheid, which meant his family initially had to hide the truth from the outside world. He was largely kept indoors during the early years of his life, and when he did venture into public with his mother they had to pretend she was his caretaker. His father could never be seen with them in public…

Listen to the conversation (00:24:18) here. Read the transcript here.

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Playing in the Light: A Novel

Posted in Africa, Books, Media Archive, Novels, Passing, South Africa on 2017-05-05 16:04Z by Steven

Playing in the Light: A Novel

The New Press
November 2007
224 pages
5 1/2 x 8 1/4
Paperback ISBN: 978-1-59558-221-8

Zoë Wicomb, Emeritus Professor
University of Strathclyde, Glasgow, United Kingdom

Set in a beautifully rendered 1990s Cape Town, Zoë Wicomb’s celebrated novel revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”

Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

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Rachel Dolezal: why ignoring the painful past of “passing” is indefensible

Posted in Africa, Articles, Media Archive, Passing, South Africa, United States on 2017-05-05 13:05Z by Steven

Rachel Dolezal: why ignoring the painful past of “passing” is indefensible

The Conversation
2017-05-04

Londiwe H. Gamedze, Tutor, MA student
University of Cape Town


Civil rights advocate Rachel Dolezal has been accused of falsely claiming she is African-American. Stephanie Keith/Reuters

In 2015, American Rachel Dolezal captured the public imagination when the media discovered that she was white and had been passing as black for nearly a decade.

Dolezal, who has had white ancestors for over three centuries, checked boxes like “black” and “African-American” on application forms, darkened her skin, and began to wear her hair in African-American styles. She lied about her past and family, and attempted to sue her alma mater, historically black Howard University for reverse racism.

“Black” Dolezal was a lecturer in Africana studies and president of her local chapter of the National Association for the Advancement of Colored People NAACP.

She recently visited South Africa to discuss non-racialism, but received resistance against her self-identification as “trans-black” and her claim to an authentic, internal black identity. This isn’t surprising given the brutality of the country’s racial past.

Read the entire article here.

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The Marxist Aspect in Bessie Head’s A Question of Power

Posted in Africa, Articles, Literary/Artistic Criticism, Media Archive, South Africa on 2017-03-14 17:03Z by Steven

The Marxist Aspect in Bessie Head’s A Question of Power

International Journal of Applied Linguistics and English Literature
Volume 5, Number 7 (2016)
pages 101-109

Mohamed Fathi Helaly
College of Arts and Science
Prince Sattam Bin Abdul-Aziz University, Kingdom of Saudi Arabia

South Africa is one country where racial discrimination was widespread. Like the rest of the color-skinned people, colored writers in South Africa are marginalized and denied the right to express their experiences of living in a society riddled with racial inequality and oppression. Marxism is a school of thought that is concerned about the conflict between the dominant powerful classes and the oppressed ones in any given society. According to Marxism, literary texts are viewed as material that can be interpreted within historical contexts. South Africa is a country where the Apartheid System has been dominant. It is a country that has people of different ethnicity: the White, the Black and the Colored who are known as people of mixed race or hybrid. In South Africa colored people are doubly oppressed by their community, as they belong neither to the Black nor to the White. The colored people are marginalized and demeaned to a very degraded status by their society. Bessie Head is a South African female writer who is concerned about the clash between the different classes in her society. In this study the researcher wants to explore the class-struggle of women in general and the hybrid females in particular under the Apartheid System from a Marxist point of view. As a South-African female writer, Head is concerned about the struggle for power between the White and The Black, on the one hand, and between the hybrids on the other. A Question of Power can be seen as an indictment of the governing system in South Africa. It is a system that governs people not as ordinary human beings but according to the color of their skin. It is an autobiographical novel that tells the story of Elizabeth as a women living under the Apartheid System. Elizabeth, the fictional character of Bessie Head, has to suffer greatly as a woman but her suffering as a hybrid is even greater. On the one hand, she is socially marginalized as a female living in a patriarchal society. On the other hand, she is also culturally colonized as an individual living in a society where racial discrimination is prevailing. On account of what is mentioned so far Elizabeth is suffering from an identity crisis.

Read the entire article here.

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