Marginal Man

Posted in Definitions, Social Science on 2009-08-23 04:13Z by Steven

A ‘Marginal Man’ is a fictional archetype created in 1927 by sociologist Robert Ezra Park (1864-1944) (and further developed by Everett Stonequist (1901-1979)) as a way  to describe a person descended from two “opposing” ethnic or racial groups.  He stated, “The marginal man…is one whom fate has condemned to live in two societies and in two, not merely different but antagonistic cultures….his mind is the crucible in which two different and refractory cultures may be said to melt and, either wholly or in part, fuse.”   The arc for ‘Marginal Man’ was similar to that of  the ‘Tragic Mulatto‘ because he too, attempted to “pass” as white, however he could change course and take a hypodescendent path and if he were fortunate become a leader of his “lesser” lot.

See, Everett V. Stonequist’s July 1935 article “The Problem of the Marginal Man.”

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Tragic Mulatto/Mulatta

Posted in Definitions, History on 2009-08-23 03:52Z by Steven

From Wikipedia: The Tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries. The “tragic mulatto” is an archetypical mixed race person (a “mulatto”), who is assumed to be sad or even suicidal because he/she fails to completely fit in the “white world” or the “black world”. As such, the “tragic mulatto” is depicted as the victim of the society he/she lives in, a society divided by race. Because of society’s reluctance to acknowledge ambiguity in racial classifications, this character is particularly vulnerable…

Generally, the tragic mulatta archetype falls into one of three categories:

  • A woman who can “pass” for white attempts to do so, is accepted as white by society and falls in love with a white man. Eventually, her status as a bi-racial person is revealed and the story ends in tragedy.
  • A woman appears to be white. It is believed that she is of Greek or Spanish descent. She has suffered little hardship in her life, but upon the revelation that she is mixed race, she loses her social standing.
  • A woman who has all the social graces that come along with being a middle-class or upper-class white woman is nonetheless subjected to slavery.

A common objection to this character is that she allows readers to pity the plight of oppressed or enslaved races, but only through a veil of whiteness — that is, instead of sympathizing with a true racial “other,” one is sympathizing with a character who is made as much like one’s own race as possible. The “tragic mulatta” often appeared in novels intended for women, also, and some of the character’s appeal lay in the lurid fantasy of a person just like them suddenly cast into a lower social class after the discovery of a small amount of “black blood” that renders her unfit for proper marriage…

Wikipedia

Please visit the Tragic Mulatto Myth site at the Jim Crow Museum of Racist Memorabilia at Ferris State University.

Comentary by Steven F. Riley

The social stigma of ‘race mixing’ and the social upheaval which it was believed to have caused, was firmly imprinted into the American mindset with the publication of the 1842 anti-slavery short story, The Quadroons by Lydia Maria Child (1802-1880).  Child, a Unitarian abolitionist and women’s rights activist, introduced the world to the archetype that would be known as the ‘Tragic Mulatto’ that would last well into the middle of the 20th century.  There are various trajectories for the ‘Tragic Mulatto’, but generally he (or usually she) is a person of mixed race, who passes for white and in doing so, becomes extremely successful in some endeavor (usually love).  Inevitably, the ‘Tragic Mulatto’ is exposed and rejected by both racial groups, and the story ends — as one might guess — tragically.  Though it was not Child’s intent, the ‘Tragic Mulatto’ archetype was yet another tool (this time literary) used to preserve white hegemony.  It did this by: Firstly reinforcing the notion of  “white purity” that anyone not 100% ‘white’ was not white at all; secondly, further denigrating non-whites by implying that they all somehow secretly wished to be white and escape their lot in life; thirdly, effectively isolating mixed race individuals from both the whites they allegedly “wished to be” and the non-whites they wish to allegedly “wish to flee”; and fourthly, It leveled scorn upon those interracial unions that would bring such “hybrids” into the world.

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mulatto

Posted in Definitions, History on 2009-08-23 03:39Z by Steven

Mulatto denotes a person with one white parent and one black parent or a person who has both black ancestry and white ancestry.  The term may be perceived as pejorative in some cultures and situations.  Its current usage varies greatly.

The etymology of the term is uncertain. It may be derived from the Portuguese and Spanish word mulato, which itself is derived from mula, mule; from Old Spanish; from Latin mūlus), by analogy with the mule, which is the hybrid offspring of a horse and a donkey…

Wikipedia

miscegenation

Posted in Definitions, History on 2009-08-23 03:35Z by Steven

Miscegenation (Latin miscere “to mix” + genus “kind”) is the mixing of different racial groups, that is, marrying, cohabiting, having sexual relations and having children with a partner from outside one’s racially or ethnically defined group.

The term “miscegenation” has been used since the nineteenth century to refer to interracial marriage and interracial sex, and more generally to the process of racial admixture, which has taken place since ancient history but has become more global through European colonialism since the Age of Discovery.  Historically the term has been used in the context of laws banning interracial marriage and sex, so-called anti-miscegenation laws. It is therefore a loaded word and is considered offensive by many.

Today, the word miscegenation is avoided by many scholars, because the term suggests a distinct biological phenomenon, rather than a categorization imposed on certain relationships. The word is considered offensive by many and other terms such as “interracial,” “interethnic” or “cross-cultural” are more common in contemporary usage. However, the term is still used by scholars when referring to past practices concerning multiraciality, such as anti-miscegenation laws that banned interracial marriages…

Wikipedia

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DOI (digital object identifier)

Posted in Definitions on 2009-08-23 03:27Z by Steven

The Digital Object Identifier (DOI) System is a managed system for persistent identification of content-related entities on digital networks.  These entities may be content items (digital files, physical objects, abstract works), or any related entities in a content transaction (e.g. licenses, parties, etc.).  “DOI” is sometimes used to mean the identifiers within this system; hence the use of the term alone is deprecated unless the meaning is sufficiently clear from an earlier mention or the specific context: instead it should always be used in conjunction with a specific noun. The DOI name is the identifier string that specifies a unique object (the referent) within the DOI System; the DOI syntax is the form and sequence of characters comprising any DOI name, specifically the prefix element, separator, and suffix element; and the DOI System is the functional deployment of DOI names as identifiers in computer sensible form through assignment, resolution, referent description, administration, etc…

Wikipedia