The Bluest Eye [Review of The Girl Who Fell from the Sky]

Posted in Articles, Book/Video Reviews, New Media on 2010-02-28 03:12Z by Steven

The Bluest Eye [Review of The Girl Who Fell from the Sky]

The New York Times
2010-02-25

Louisa Thomas, Contributing Editor
Newsweek Magazine

The Girl Who Fell from the Sky. By Heidi W. Durrow. (Chapel Hill, North Carolina: Algonquin Books, 2010. 264 pages. Cloth ISBN-13: 9781565126800)

There’s a reason many great social justice novels are written as historical fiction or contain elements of fantasy or allegory: This builds a certain crucial distance into their storytelling. Heidi W. Durrow is the daughter of an ­African-American serviceman and a white Danish mother, and her first novel was, according to her publisher, “inspired by true events.” On the face of it, the story of a biracial girl growing up in 1980s America, grappling with confusion over both her identity and a complicated, mysterious family history, couldn’t be more timely or important. But in the moments when Durrow’s novel seems to tackle its big themes most self-consciously — when it appears written for the Age of Obama — it can be predictable, even dull. It’s when it approaches the questions of identity and community more subtly and indirectly that “The Girl Who Fell From the Sky” can actually fly…

Read the entire review here.

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The Voices Project Screening and Discussion: Multi-Racial Identities, Part 1

Posted in Family/Parenting, Identity Development/Psychology, Live Events, New Media, United States on 2010-02-28 03:00Z by Steven

The Voices Project Screening and Discussion: Multi-Racial Identities, Part 1

Oregon State University
Wednesday, 2010-03-03 12:00-13:00 PST (Local Time)
Memorial Union
Room: Journey Room
Contact: Diane Davis

OSU students, staff and faculty share their experiences and challenges of being multiracial at OSU and in life. They address issues such as their identity and when they realized it; their cultural attachments; how others perceive them; their family interactions; the pros and cons of being multiracial; whether there is anything they would change about their identity, advice for others and why this issue is important.

For more information, click here.

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Deterritorialised Blackness: (Re)making coloured identities in South Africa

Posted in Africa, Anthropology, Articles, Arts, Media Archive, Social Science, South Africa on 2010-02-27 02:52Z by Steven

Deterritorialised Blackness: (Re)making coloured identities in South Africa

postamble
Volume 2, Number 1
2006

Janette Yarwood, Doctoral Candidate
Department of Anthropology
City University of New York

“When I was a kid in the early eighties, this music [hip-hop] was the first I’d heard that I could relate to. You know, ‘Fuck da Police’, and all that shit, that’s what I was feeling.”
Shamel X interview

“Black is not a question of pigmentation. The Black I’m talking about is a historical category, a political category, a cultural category…  Black was created as a political category in a certain historical moment.”2

During the summer of 2003 I took my first pre-dissertation trip to South Africa to develop my dissertation topic on coloured identities in post-apartheid South Africa. Although it is no secret that hip-hop as both a musical genre and a defined lifestyle has gained recognition and popularity around the globe, I was not quite prepared for what I experienced in South Africa. I encountered cars blasting Jay-Z, Sean Paul and P. Diddy among others; people wearing Sean John, Avirex or United States sports team jerseys; and cell phones ringing to the tunes of the latest 50 Cent or R. Kelly songs. I found that as a black person of Caribbean and American descent, I felt a common blackness with the coloured people I interacted with not because of a common African heritage but mainly because of black popular culture and hip-hop culture specifically. This led me to ask: What does it mean to be black in today’s world? Is there a transnational or globalised notion of blackness?…

Read the entire article here.

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Dominic Mhiripiri ’12: Please. Mr. Obama is not black

Posted in Articles, Barack Obama, New Media, Politics/Public Policy, Social Science, United States on 2010-02-27 02:39Z by Steven

Dominic Mhiripiri ’12: Please. Mr. Obama is not black

The Brown Daily Herald
2010-02-03

Dominic Mhiripiri, Opinions Columnist

Recently, the United States marked the first anniversary of Barack Obama’s historic ascent to the apex of American politics. For a candidate who electrified a whole generation of American youth and whose promise gave the whole world great expectations, the man’s image borders on the divine. At least, it did one year ago. Since then, America has basked in some sort of self-congratulatory-slash-too-good-to-be-true euphoria. It’s because Obama’s election comes in a different context — namely, a very historic one. It’s because he is the first black president of the United States.

Wait. Really? Black?…

…In an understandable but nevertheless misplaced assertion, the U.S. is trying to convince itself, primarily through Obama’s election, that it has attained the cherished ideal that Martin Luther King Jr. and many others fought for in their illustrious civil rights movement: a post-racial America…

Read the entire article here.

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Blood-Lines That Waver South: Hybridity, the “South,” and American Bodies

Posted in Articles, Arts, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive, United States on 2010-02-26 19:39Z by Steven

Blood-Lines That Waver South: Hybridity, the “South,” and American Bodies

Southern Quarterly
Volume 41, Number 1 (Fall 2003)
pages 39-52

Tace Hedrick, Associate Professor of English
University of Florida

In the paper I investigate a certain kind of imaginative response, especially on the part of mixed-race artists, to the prevalence of racialized discourses of modernity and nationalism in the Americas. Such discourses often dominated public thought in the Americas in general; more specifically for my purposes, I will be looking at the work of two artists, in Harlem and Mexico City, between the 1920s and the 1940s. In negotiating their own sense of a particularly mixed-race and thoroughly modern American nationalism, the United States mulatto writer Jean Toomer (1895-1967) and the Mexican mestiza painter Frida Kahlo (1907-1954) each would try to imagine an organic fusion-one which saw the fusion presumably inherent in race-mixing as a practice of hybridization and/ or grafting. Such a fusion was, further, imagined as a coming together of a (largely imaginary) time and space of primitive energies with the energies of modernity. As William Carlos Williams conceived it, to hybridize or to marry, as he put it in his 1925 In the American Grain, would be the only “moral” way to “fertilize . . . to create, to hybridize, to crosspollenize” (121). For artists and intellectuals in the United States who saw that the 1920s presented a crossroads in how the US would define itself as “American,” people like Williams, the writer Waldo Frank, and even many intellectuals of color such as Toomer felt indeed that cultural, if not also racial, fusion might be the “crosspollenizing” way out of the seeming sterility of an ever-deepening divide along the color line. For Mexican artists and intellectuals at a time of intense nation building, given that race and cultural mixing in Mexico were already an unavoidable fact, the idea of hybridity, that is mestizaje (Indo-Hispanic mixing), of necessity became the watchword for a new and unified Mexican nation. At a time when eugenics science generally characterized race-mixing as productive only of degenerate or sterile offspring, Kahlo and Toomer, and others like them, would effect this imaginative unification, fusion, and cross-pollenization by means of a eugenic counter-discourse which privileged race (and cultural) mixing as productive of hybrid, and therefore stronger, cultures and, ultimately, nations. If we remember the fascination that genetic, eugenic, and evolutionary theories held for both North and South Americans in the earlier part of the twentieth century, it begins to make sense that such an idea of cultural and racial hybridity ultimately would give rise to a very general notion that North must fuse in some way with South, given the tendency to divide the United States and Mexico into “North” and “South,” a division which often imaginatively paralleled the industrial/agricultural divide assigned to these same regions in the United States itself. For Toomer in the United States, this fusion would involve a literally organic connection between the urban North and the agrarian South. For Kahlo and her husband, the artist and muralist Diego Rivera, the fusion would often be envisioned in terms of an agrarian Mexico (South) with an industrial United States (North)…

Read the entire article here.

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Sociology Noir: Studies at the University of Chicago in Loneliness, Marginality and Deviance, 1915–1935

Posted in Books, Literary/Artistic Criticism, Media Archive, Monographs, Social Science, United States on 2010-02-26 19:28Z by Steven

Sociology Noir: Studies at the University of Chicago in Loneliness, Marginality and Deviance, 1915–1935

McFarland Publishers
2007
196 pages
7 photos, bibliography, index
softcover ISBN: 978-0-7864-2990-5

Roger A. Salerno, Professor of Sociology
Pace University, New York

Between 1915 and 1935 the University of Chicago was the center for the production of innovative sociological research that unearthed the marginalized existence of unconventional Americans. Referred to as the Chicago school monographs by social historians, these works brought acclaim to the country’s premiere graduate program in sociology. Working at the shadowy margins of the city, these Chicago school scholars dramatically examined the lives of delinquents, prostitutes, gangsters, and homeless men. Their work harmonized with narratives of proletarian and pulp fiction and the serialized newspaper accounts of urban vice and deviance. This book offers a survey of some of these key monographs such as The Unadjusted Girl, The Hobo, The Jack-Roller and The Taxi Dance Hall.

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Place, scale and the racial claims made for multiracial children in the 1990 US Census

Posted in Articles, Census/Demographics, Family/Parenting, Identity Development/Psychology, Media Archive, United States on 2010-02-26 18:26Z by Steven

Place, scale and the racial claims made for multiracial children in the 1990 US Census

Ethnic and Racial Studies
Volume 32, Issue 3 (March 2009)
pages 522 – 547

Steven R. Holloway, Professor of Geography
University of Georgia

Richard Wright, Orvil E. Dryfoos Professor of Geography and Public Affairs and Geography Department Chair
Dartmouth College

Mark Ellis, Professor of Geography
University of Washington, Seattle

Margaret East, PhD., Independent Scholar
Lexington, Virginia

Multiracial children embody ambiguities inherent in racial categorization and expose fictions of discrete races. Nevertheless, parents of multiracial children were asked for the 1990 US Census to report a single race for their offspring. Using confidential 1990 Census micro-data, we investigate the choices parents made for the three most common racially mixed household types (Asian-white, black-white and Latino-white) in twelve large metropolitan areas. We find that context affects the reporting of children’s racial identity. We examine these effects with models that incorporate three spatial scales: households, neighbourhoods and metropolitan areas. Model estimates reveal that racial claims made by parents of Latino- and Asian-white (but not black-white) children varied significantly across metropolitan area. A neighbourhood’s proportion white increased the probability that parents reported their children as white, while a neighbourhood’s racial diversity increased the probability that black-white parents claimed a non-white race (black or ‘other’) for their children.

Read or purchase the article here.

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“Remarkable” Mixed-Race Family in 20th Century Is Subject of Book Discussion [with Book Signing by the Author]

Posted in History, Live Events, New Media, Social Science, United States on 2010-02-26 00:15Z by Steven

“Remarkable” Mixed-Race Family in 20th Century Is Subject of Book Discussion [with Book Signing by the Author]

James Madison Building
Dining Room A, Sixth Floor, J
101 Independence Aveune, SE
Washington, DC
2010-03-03, 12:30 EST (Local Time)
Webcast Time: 00:59:24

Adele Logan Alexander, Professor of History
George Washington University

Parallel Worlds” Focuses on “the Enduring (In)significance of Melanin”

When William Henry Hunt married Ida Alexander Gibbs in the spring of 1904, their wedding was a glittering Washington social event that joined an Oberlin-educated diplomat’s daughter and a Wall Street veteran who could trace his lineage to Jamestown. Their union took place in a world of refinement and privilege, but both William and Ida had mixed-race backgrounds, and their country therefore placed severe restrictions on their lives because, at that time, “one drop of colored blood” classified anyone as a Negro…

Adele Logan Alexander has written a fascinating account of this couple in “Parallel Worlds: The Remarkable Gibbs-Hunts and the Enduring (In)significance of Melanin” (University of Virginia Press, 2010). Alexander will discuss and sign her book on Wednesday, March 3, at 12:30 p.m. in Dining Room A, sixth floor, James Madison Building, 101 Independence Ave. S.E. The event, part of the Books and Beyond author series of the Center for the Book, is free and open to the public; no tickets are required…

..The Center for the Book was established by Congress in 1977 “to use the resources and prestige of the Library of Congress to promote books, reading, literacy and libraries.” With its many educational programs that reach readers of all ages, through its support of the National Book Festival and through its dynamic state centers in the 50 states, the District of Columbia and the U.S. Virgin Islands, the Center for the Book has developed a nationwide network of organizational partners dedicated to promoting the wonders and benefits of reading. The Center also oversees the new Read.gov website, with its exclusive “Exquisite Corpse Adventure” serialized story.

View the entire webcast here.

Listen to National Public Radio‘s Michel Martin interview Adele Logan Alexander about the book on Tell Me More (on  2010-02-10) here.

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Race and the “One Drop Rule” in the Post-Reconstruction South

Posted in Anthropology, Articles, History, Media Archive, Passing, Social Science, United States on 2010-02-25 20:25Z by Steven

Race and the “One Drop Rule” in the Post-Reconstruction South

Renegade South: Histories of Unconventional Southerners
2009-03-17

Victoria E. Bynum, Emeritus Professor of History
Texas State University, San Marcos

Many people, perhaps most, think of “race” as an objective reality. Historically, however, racial categorization has been unstable, contradictory, and arbitrary. Consider the term “passing.” Most of us immediately picture a light-skinned person who is “hiding” their African ancestry. Many would go further and accuse that person of denying their “real” racial identity. Yet few people would accuse a dark-skinned person who has an Anglo ancestor of trying to pass for “black,” and thereby denying their “true” Anglo roots!

So why is a white person with an African ancestor presumed to be “really” black? In fact, in this day of DNA testing, it’s become increasingly clear that many more white-identified people have a “drop” or two of African ancestry than most ever imagined. Are lots of white folks (or are they black?) “passing,” then, without even knowing it?..

Read the entire article here.

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The Sorcery of Color: Identity, Race, and Gender in Brazil

Posted in Books, Brazil, Caribbean/Latin America, History, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Monographs, Politics/Public Policy, Social Science on 2010-02-25 17:26Z by Steven

The Sorcery of Color: Identity, Race, and Gender in Brazil

Temple University Press
November 2006
336 pages
6×9
6 tables
Paper EAN: 978-1-59213-351-2; ISBN: 1-59213-351-7
Cloth EAN: 978-1-59213-350-5; ISBN: 1-59213-350-9
Electronic Book EAN: 978-1-59213-352-9

Elisa Larkin Nascimento, Director
IPEAFRO Afro-Brazilian Studies and Research Institute, Rio de Janeiro, Brazil

Originally published in 2003 in Portuguese, The Sorcery of Color argues that there are longstanding and deeply-rooted relationships between racial and gender inequalities in Brazil. In this pioneering book, Elisa Larkin Nascimento examines the social and cultural movements that have attempted, since the early twentieth century, to challenge and eradicate these conjoined inequalities.

The book’s title describes the social sleight-of-hand that disguises the realities of Brazilian racial inequity. According to Nascimento, anyone who speaks of racism—or merely refers to another person as black—traditionally is seen as racist. The only acceptably non-racist attitude is silence. At the same time, Afro-Brazilian culture and history have been so overshadowed by the idea of a general “Brazilian identity” that to call attention to them is also to risk being labeled racist.

Incorporating leading international scholarship on Pan Africanism and Afrocentric philosophy with the writing of Brazilian scholars, Nascimento presents a compelling feminist argument against the prevailing policy that denies the importance of race in favor of a purposefully vague concept of ethnicity confused with color.

Table of Contents

  • Acknowledgments
  • List of Tables
  • List of Abbreviations
  • Introduction to the English Edition
  • Preface – Kabengele Munanga
  • Introduction
  • 1. Identity, Race, and Gender
  • 2. Brazil and the Making of “Virtual Whiteness”
  • 3. Constructing and Desconstructing the “Crazy Creole”
  • 4. Another History: Afro-Brazilian Agency (São Paulo and Rio de Janeiro, 1914-1960)
  • 5. The Black Experimental Theater: Plots, Texts, and Actors
  • Glossary of Brazilian Words
  • Bibliographical References

…The second obstacle to the discussion of race in Brazil is resistance to the idea that African populations in different parts of the world share a common experience. The presumption is that blacks in Brazil are in a unique situation determined solely by the circumstances of their society and have little or nothing in common with black populations in other parts of the world. Critics have frequently accused the black social movement in Brazil of attempting to import foreign standards and raising a problem that has never existed before. On the other hand, the concerns of the black movement often revolve around issues specific to Brazil rather than racism as a world phenomenon.

But racist domination is worldwide in scope. It derives from the historical imposition of Western hegemony over non-Western peoples and its essence is expressed in the ideology of white supremacy. The standard of whiteness affects the identity constructs of all dominated peoples, making the issue of identity crucial, but oftentimes, it is expressed in specific local terms. In Brazil, the sorcery of color transforms mixed-race identity into a permanent search for the simulation of whiteness…

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