More Hawaii residents identify as mixed race

Posted in Articles, Asian Diaspora, Census/Demographics, New Media, United States on 2011-02-26 19:06Z by Steven

More Hawaii residents identify as mixed race

USA Today
2011-02-24

William M. Welch

Hawaii, the nation’s most ethnically diverse state, has seen a big increase in residents identifying themselves as being of mixed race, according to Census data released Thursday.

Among adults 18 and older, those saying they are of two or more races rose 31% from 2000 to 2010. They make up 18.5% of the state’s adult population.

Among all ages, the increase of those citing two or more races was 23.6%. Overall, almost one in four Hawaii residents are of mixed race.

Residents citing some Asian heritage make up 57.4% of the state’s population. Their numbers grew by 11%, though other ethnic groups grew more rapidly.

Sarah C. W. Yuan, a demographer at the University of Hawaii’s Center on the Family, said the racial trends reflect growth and acceptance of multiracial marriages and an increased willingness of people to claim more than one racial identity. She said the decline in people identifying with one race only, from 78.6% in 2000 to 76.4% in the 2010 Census, was expected.

“Hawaii’s population has been more diverse over the years,” she said. “There are many multiracial marriages, so we do see two-or-more-race groups increase over the years.”

Hawaii’s overall population grew 12.3% to 1.36 million…

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Black, Red and Proud: An Interview with Radmilla Cody

Posted in Articles, Identity Development/Psychology, Interviews, Media Archive, Native Americans/First Nation, United States, Women on 2011-02-26 17:24Z by Steven

Black, Red and Proud: An Interview with Radmilla Cody

The Root
2011-02-22

Cynthia Gordy

Radmilla Cody’s crowning as Miss Navajo Nation in 1997 triggered an outcry and a conversation about what it means to be Native American. Now she’s featured in a museum exhibit showing the rarely told history of African-Native Americans.

In a 1920 edition of the Journal of Negro History, Carter G. Woodson observed, “One of the longest unwritten chapters in the history of the United States is that treating of the relations of the Negroes and the Indians.” [See: C. G. Woodson, “Negroes and Indians in Massachusetts,” Journal of Negro History, Volume 5, Number 1 (January 1920).]

Red/Black: Related Through History,” a new exhibit at Indianapolis’ Eiteljorg Museum of American Indians and Western Art, illuminates this rarely told story. Since the first arrival of enslaved Africans in North America, the relationships between African Americans and Native Americans have encompassed alliances and adversaries, as well as the indivisible blending of customs and culture.

“It’s not received a lot of attention because it’s not the dominant culture’s story, although it’s very important to the dominant culture’s bigger view of the past,” says James Nottage, curator of the exhibit, which includes narratives of enslaved blacks who traveled the Trail of Tears with their Native owners; slaves who intermarried into Native tribes as an escape from bondage; and the largely African-featured members of the Shinnecock tribe of New York, as well as shared traditions in food, dress and music…

…Cody, also the subject of a 2010 documentary, Hearing Radmilla, talked to The Root about growing up both black and Navajo, and how she handles frequent “Wow, you don’t look Indian” comments.

The Root: The experience of having your Miss Navajo Nation reign challenged calls to mind the debate over the Cherokee Freedmen. Is this a common issue across the Native community, of African-Native Americans having trouble finding acceptance?

Radmilla Cody: I grew up having to deal with racism and prejudices on both the Navajo and the black sides, and when I ran for Miss Navajo Nation, that especially brought out a lot of curiosity in people. It’s something that we’re still having to address as black Natives, still having to prove ourselves in some way or another, because at the end of the day, it all falls back to what people think a Native American should look like.

But there’s been many times when people have said to me, “Oh, my great-great-grandmother was an Indian.” I’ll ask them if they know what tribe, and they don’t. It’s very important because in order to be acknowledged as a tribal member, you have to be enrolled. So I can see where Native people are protective about defining who’s a tribal member, and are questioning of people claiming Native ancestry…

TR: What does that preparation entail, exactly? I understand it’s not a typical pageant.

RC: Basically you’re tested on your knowledge of the Navajo government, the culture, the stories, the songs and the Navajo philosophy of life. You’re tested on butchering a sheep and making fry bread and other traditional foods of the Navajo people. It usually lasts about a week. What separates our pageant from the Miss USA pageant is the bikini—we don’t have a swimsuit category!…

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Red/Black: Related Through History

Posted in Anthropology, Arts, History, Identity Development/Psychology, Live Events, Native Americans/First Nation, New Media, United States on 2011-02-26 16:53Z by Steven

Red/Black: Related Through History

Eitejorg Museum of American Indians and Western Art
White River State Park
500 West Washington Street
Indianapolis, Indiana
2011-02-12 through 2011-08-07

Explore the interwoven histories of African Americans and Native Americans with Red/Black: Related Through History. This groundbreaking exhibition is the result of a partnership between the Eiteljorg Museum and the Smithsonian’s National Museum of the American Indian (NMAI). Red/Black includes the NMAI panel exhibit IndiVisible: African-Native American Lives in the Americas and portrays the shared experiences of African and Native Americans as allies and adversaries, through images, artifacts, film and more. The exhibition also explores issues of race and identity and the question: “Who am I and who gets to say so?” Red/Black will be supported by performances, genealogy workshops, lectures and other dynamic programming.
 
The story of this largely ignored subject is told through personal narratives, paintings, baskets, pottery, photographs and other rare items gathered from private collections and museums across the country. See a basket made by a Cherokee-owned slave and hear drum music with shared African and Native rhythms. Learn how the exhibit narrative relates to you, what we know about the past and how people judge one another…

For more information, click here.

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