Mixed Race Studies

Transnational Crossroads: Remapping the Americas and the Pacific

University of Nebraska Press
2012-06-01
504 pages
1 illustration
Paperback ISBN: 978-0-8032-3795-7

Edited by:

Camilla Fojas, Associate Professor and Director of Latin American and Latino Studies
DePaul University

Rudy P. Guevarra, Jr., Assistant Professor, Asian Pacific American Studies, School of Social Transformation, College of Liberal Arts and Sciences
Arizona State University, Tempe

The twentieth century was a time of unprecedented migration and interaction for Asian, Latin American, and Pacific Islander cultures in the Americas and the American Pacific. Some of these ethnic groups already had historic ties, but technology, migration, and globalization during the twentieth century brought them into even closer contact. Transnational Crossroads explores and triangulates for the first time the interactions and contacts among these three cultural groups that were brought together by the expanding American empire from 1867 to 1950.

Through a comparative framework, this volume weaves together narratives of U.S. and Spanish empire, globalization, resistance, and identity, as well as social, labor, and political movements. Contributors examine multiethnic celebrities and key figures, migratory paths, cultural productions, and social and political formations among these three groups. Engaging multiple disciplines and methodologies, these studies of Asian American, Latin American, and Pacific Islander cultural interactions explode traditional notions of ethnic studies and introduce new approaches to transnational and comparative studies of the Americas and the American Pacific.

Bridgetower – Black Musicians and British Culture, 1807-2007

Gresham College
2007-07-02

Mike Phillips, Professor of Music
Gresham College

George Augustus Polgreen Bridgetower, the son of an Abyssinian slave, was hailed as a musical prodigy in the eighteenth century. Taught by Haydn, his appearance at the court in Windsor to play in front of George III led to his subsequent ‘adoption’ by the Prince Regent. Friends with Beethoven—Bridgetower was the original dedicatee of the Kreutzer Sonata and they gave the first performance together—his life offers a powerful symbolism for the creation and establishment of a black British community which has its roots in the 18th century importation and migration of slaves and ex-slaves.

Professor Mike Phillips is the librettist for the newly-commissioned opera, Bridgetower – A Fable of 1807, to be given its premier as a part of the City of London Festival on the 5th of July. He will be discussing the role of black musicians in British culture in the two hundred years since the Abolition of the Slave Trade act.

I must begin by making it clear that I am not an academic researcher or an expert on slavery or an expert on the culture and customs of the Caribbean or Africa, and I have not spent many years in the British Library digging up obscure facts about this topic.  So I am not going to get into arcane disputes about the precise number of black musicians who lived in Southwark or how often they did their laundry!  But I have read a considerable amount about the topic.  I am a novelist and a curator and I have written an exhausting number of words about the history of black people in Britain.  This is not a talk about urban rioting or reggae or calypso or gospel music or jazz, although these forms dominate the experience of recent years.  I am telling you this partly because I am going to end at the end of the 19th Century, because I only have an hour, and if I got on to the 20th Century, I would be here all night!  But in fact, because of the subject of the new opera Bridgetower, a Fable of 1807, and because in general this part of the City of London Festival has focused on the 18th Century and the early 19th Century, I will be dealing roughly with those years.

The other point is that, in general, we tend to talk about black people in Britain, or about the multiracial nature of the population, as if it was an exclusively 20th Century phenomenon.  We talk about the respective cultures as if they existed behind barriers, and we talk as if the colour of people’s skins defines their cultural prospects and abilities, a tendency which is an exact match for the strictures of 18th Century racial science, with its appalling attempts to categorise human beings in line with a preordained network of characteristics.

Even now, in this country, young black musicians still face a series of nudges in the direction of what everyone will describe as ‘their culture’, meaning steel bands and rapping.  Young black musicians who lean towards classical forms will be more or less guaranteed a difficult time—it would be easier if they wanted to do percussion.  Historically, that has meant that, by and large, black musicians in Europe have been written out of the narrative of the very landscape that they helped to shape, and we find ourselves obliged to rediscover figures like the Chevalier de Saint-George or Samuel Coleridge-Taylor—people who were household names in their own time.

In that context, one of the most illuminating and reassuring aspects of looking at the lives of black cultural figures in Britain and Europe is that if you go back between the 16th Century and the 20th Century, you encounter black artists, poets, novelists and musicians who had no problems nor inhibitions in engaging in the cultural environment in which they found themselves.  In the process, they tended to affect the culture in which they lived in various specific ways.

I mentioned the 19th Century, but as far back as 1505 we have an African drummer working for James IV in Edinburgh, arranging a dance with dancers in black and white costumes for the Shrove Tuesday festivities.  Black musicians are repeatedly mentioned in pageants, fairs and at least one tournament from the 16th Century onwards.

If you come to the 18th Century, they’re relatively well-known—black musicians like Cato, who ended up as a head gamekeeper to the Prince of Wales around about 1740, and who was reputed to blow the best French horn and trumpet in his time.  In the 18th Century, Londoners were already dancing in what were called black hops, where 12 pence would get you admission…

…But I will go on to talk about George Augustus Polgreen Bridgetower.  Bridgetower is an interesting person, not simply because he was born in the Esterhazy household; not simply because he was black; not because he was a child protégé, but all those things together, at the time when he arrived in Britain and during his career, had a particular kind of significance…

Read the lecture here.
Download the video (very large! 330 MB).
Download the audio (56.5 MB).

Statistics On Miscegenation

Franklin Repository
1864-04-27
page 1, column 6

Source: Valley of the Shadow: Civil War Era Newspapers, University of Virginia Library

Summary: The Repository details the disproportionate number of “mulattoes” in the South relative to the North.

Full Text of Article:

There were 411,613 mulatto slaves in the south in 1840, of whom 69,979 were in Virginia; 43,281 in Kentucky, and 36,900 in Georgia. These numbers are considerably beyond the legitimate proportion of those States. There were also 176,739 free mulattoes in the United States in 1860, of whom 106,770 belonged to the south, and 69,969 to the free States. Of the free mulattoes Virginia contained 23,485, which number, added to her slave mulattoes makes a total of miscegenated population of 93,824. Her mulatto slaves alone exceeded the total number of mulattoes in the free States.

The whole number of mulattoes, slave and free, in the Union, in 1860, was 588,352, of whom 69,969 belonged to the free States, and 518,383 to the slave States—a number greater than the combined white population of Arkansas, Delaware and Florida—greater than the white population of Maryland—almost twice as great as that of South Carolina, and twice as great as the combined populations of Delaware and Florida. The mulatto population of Virginia alone exceeds the number of whites in Delaware or Florida.

(No Title)

Franklin Repository
1863-12-09
page 4, Column 4

Source: Valley of the Shadow: Civil War Era Newspapers, University of Virginia Library

Summary: Argues that “amalgamation” is common in the South and “very rare” in the North. A Southern correspondent concerned with the number of mixed marriages occurring wanted “amalgamation” outlawed. The Repository claims that the grooms are Southerners or foreigners because “amalgamation” is no stranger to a social system that includes slavery. In the free North, on the other hand, mixed marriages are “very rare.”

Full Text of Article:

A clerical correspondent writes us from the Southern coast protesting against the rapid tendency to amalgamation. He says that he has been called upon to perform the marriage service repeatedly where the bride was mulatto, quadroon or octoroon, and he calls upon Congress to arrest this unnatural mingling of the races, which, to use his own language, “threatens the annihilation of the white race in the United States.”

We beg our correspondent to quiet his fears on the subject. He cites some half a dozen cases to vindicate his apprehensions; but not one of them presents the union of a northern man with the southern negress. All the happy grooms were either southerners or foreigners, and they have been adopting no novel social system. Slavery has never fastened its desolation on any land without carrying the social evil of amalgamation with it; and the crime has been peculiar to the chivalric and opulent rather than to the lowly. Had our correspondent cast a thought as to the origin of the mulatto, quadroon and octoroon brides of whom he speaks, he might have cherished a reasonable suspicion that amalgamation is not just dawning upon the world, but has blotted and blurred the whole social organization of the South ever since slavery came with its endless train of crime.

In the North, where the negro race is free and not the legitimate prey of a brutal master’s lust, amalgamation is very rare, and embraces only the most abandoned of both sexes; and we regard the destruction of Slavery as the only hope of dealing a death-blow to that unnatural evil. Slavery has been its parent, its shield, its apologist and stripped it of its hideous moral deformity by bringing virtuous wives and daughters and sensual sons in daily contact with it; and when its great foundation is destroyed, the whole structure of social pollution will fall with it. The remedy is not in Congress, but in the moral tone of the people, and that seems to be progressing well toward a better and brighter Nationality, free from the blistering stains of both legalized and lawless mingling of the distance races of the Continent.

A Very Sad Occurrence

Staunton Vindicator
1869-08-27
page 3, Column 2

Source: Valley of the Shadow: Civil War Era Newspapers, University of Virginia Library

Summary: The paper prints an account of the killing of Jacob Scherer by John Stanley. Stanley had been co-habiting with a woman of mixed race. Scherer led a party to break up the union. They broke into the house and Stanley shot Scherer in the process. Stanley was arrested for murder. The article includes a transcript of the testimony before the grand-jury.

(Names in announcement: Jacob Scherer, John B. Scherer Sr., John Stanley, Ginnie Sorrel, Clinedinst, Anderson, Dr. B. B. Donaghe, James Gilmore, Joseph Ryan, Trayer, N. S. White, Dr. Fauntleroy, J. T. Parrent, Robert Campbell, M. G. Harman)

Full Text of Article:

Our people were startled, about midnight Saturday night last, by the announcement that Jacob Scherer, third son of Jno. B. Scherer, Sr., had been killed by Mr. John Stanley.

Jacob Scherer was a young, unmarried man, about twenty years of age, full of fun, sociable, of an amiable disposition, which caused all our people to esteem him highly, and it may well be imagined, that the announcement that he had been cut down, in the vigor of life, caused a thrill of pain in the very breast of every one.

Mr. Stanley is a man of middle age, with a wife and one child, a son, about 15 or 16 years old, and was regarded as a steady, quiet, well-meaning man.

The circumstances attending the killing are as follows:

A party of some eight or ten young men, learning that Mr. Stanley was co-habiting with a mulatto girl, named Ginnie Sorrel, blacked their faces and went to her house, on Market Street, Saturday night last, for the purpose of breaking up the illicit connexion. Several entered the house and immediately a pistol was fired, killing Jacob Scherer, almost instantly.

Mr. Stanley was identified by several of the party present, as the one who fired the shot, and was arrested, at his house, about two hours after and lodged in jail.

The examination of the case was entered into before Justices Pearce, Clinedinst and Anderson, on Tuesday morning last. We give below a synopsis of the testimony of the witnesses examined…

Read the entire article here.

The American Race

Semi-Weekly Dispatch
Franklin County, Virginia
1861-05-17
page 1, Column 3

Source: Valley of the Shadow: Civil War Era Newspapers, University of Virginia Library

Summary: Reasons that America’s population has increased by one-third in the past ten years because of the intermarriage in the United States of the races of Celts, Teutons, Anglo-Saxons, and North American Indians. This mixing of the races has made the “stock” more “vigorous” and will ultimately produce a peculiar “American race,” which will exhibit the different positive characteristics of all these distinct peoples.

Full Text of Article:

The present census reveals the astonishing fact that the population of the United States has increased thirty-three per cent, within the last ten years. The Roman Empire, approaching the culmination of its power, increased about thirty per cent each hundred years, but no nation in recorded times has afforded any parallel to the advancement of our own. Spain has been depopulating for a thousand years; England is not three times more populous than three centuries ago, and Italy is no more important numerically than she was in the days of Pliny; but within three quarters of a country the population of the United States has risen from three to thirty millions. It is a common error to attribute this vast increase to immigration from foreign countries; but of the twenty-three millions enumerated in ’50, not three millions were of foreign birth. Vast as the annual immigration is, it bears no proportion to the yearly increase by birth, which in itself, independent of immigration, averages thirty per cent, every ten years of the present century. This wonderful fecundity is not unexplained by physical law; it is observed that in populous countries of Europe where the same people continually intermarry, the increase is comparatively insignificant; on the same principle the aristocracy of England is observed to diminish rather than multiply, because interest and pride confine people to intermarriage to people of the same race, and often within the circle of consanguinity. But in the United States various races amalgamate; the stock becomes more vigorous, there is less of disease and early death, and the population consequently increases with a prodigious ratio… …It is computed that at least one-third of the population of the U. States are descendants of the Puritans, who were Anglo-Saxons; this strong-willed, enterprising and indomitable race, intermingling with others, has preserved ascendancy and produced a people superior in physical strength and in those attributes of mind most required in the rapid development of the great Empire of the West. Humiliating as the institution of any analogy may appear to man of the immortal mind, he must submit to the laws governing the rest of animal creation in which the union of distinct stocks produces improvement. Some of the finest examples of physical beauty have resulted from the intermarriage of Europeans and North American Indians; and, indeed, instances are not wanting where the offspring has been endowed with wonderful intellectual strength…

Read the entire article here.