In Black and White

Posted in Articles, Literary/Artistic Criticism, Media Archive on 2012-12-02 19:30Z by Steven

In Black and White

New York Magazine
2005-05-21

Mark Stevens

“Ellen Gallagher: DeLuxe” confronts issues of race not with hectoring but with clever, even antic, satire.

In Invisible Man, Ralph Ellison explored not only overt expressions of racism but also its more hidden, corrosive elements. African-Americans suffered from metaphysical wounds. They were “invisible,” seen not for who they were as individuals but for what they represented as a group. Blackness was a kind of impenetrable mask. Appearance was all. Historically, many African-Americans have tried to escape from this prison. Some whitened their skin or straightened their hair. Others took up the white-skirt profession of nursing. Still others made a fetish of blackness by wearing enormous Afros. Usually, however, one mask was merely being exchanged for another. The poster boy for such psychic wounds is, of course, Michael Jackson.

In a captivating small show at the Whitney Museum of American Art, Ellen Gallagher is now exhibiting a portfolio of 60 prints, called “DeLuxe,” that makes serious sport of this effort to fashion a new appearance that can pass inspection. Gallagher searched through black magazines such as Sepia and Our World, mostly from the years before the civil-rights era, looking for material on the theme. Often, she picked advertisements. Ads from old magazines are always fascinating—usually, things look simpler and more innocent, which is an appealing illusion. Here, the proffered promises are often poignant. A skin whitener is an elixir: You will be “Made for Kisses,” with “The Lighter, Smoother Skin Men Adore.” A presentation of wigs allows you to pick a ready-made identity, from “cutie” and “supreme freedom” to “semi-Afro” and “curly gypsy.”…

Read the entire article here.

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Ten-Minute Talk: MoMA Conservator Scott Gerson on Ellen Gallagher’s Deluxe

Posted in Arts, Media Archive, Videos on 2012-12-02 03:41Z by Steven

Ten-Minute Talk: MoMA Conservator Scott Gerson on Ellen Gallagher’s Deluxe

Museum of Modern Art
New York, New York
2012-03-05

Sarah Kennedy, Associate Educator, Lab Programs

Janelle Grace, Adult & Academic Programs 12-month Intern

This week’s Ten-Minute Talk features Scott Gerson, Associate Conservator in MoMA’s Department of Conservation who discusses the materials and processes explored in Ellen Gallagher’s featured work Deluxe on display in the Printin’ exhibition.

As part of Print Studio, we offer a weekly series of short talks focusing on issues related to the medium of print and the sustainability of ideas within the context of modern and contemporary art. During these Ten-Minute Talks, a variety of MoMA staff—from conservators to librarians and archivists—as well as guest artists and educators, share their expertise, offering insight on a variety of topics and a special behind-the-scenes look at MoMA’s engagement with the medium of print and selected Print Studio projects.

For more information, click here.

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Eurasian Hybridity in Chinese Utopian Visions: From “One World” to “A Society Based on Beauty” and Beyond

Posted in Articles, Asian Diaspora, Literary/Artistic Criticism, Media Archive on 2012-12-02 03:24Z by Steven

Eurasian Hybridity in Chinese Utopian Visions: From “One World” to “A Society Based on Beauty” and Beyond

positions: east asia cultures critique
Volume 14, Number 1, Spring 2006
pages 131-163

Emma Jinhua Teng, T.T. and Wei Fong Chao Professor of Asian Civilizations; Associate Professor of Chinese Studies
Massachusetts Institute of Technology

 “Can Mixed-Blood Hybrids Really Improve the Chinese Race?” This provocative question appeared in chinesenewsweek.com in August 2001. Columnist and on-line pundit Shangguan Tianyi began his essay by contrasting the racialist thinking of the past with contemporary attitudes:

In the past, the German Nazis promoted the idea of Aryan superiority on the basis of the notion of racial purity…. Ironically, nowadays there are people who are taking an avid interest in racial intermixing and hybridity as a means of improving the Chinese race [Zhongguo renzhong], and of producing a more intelligent new generation….decades after [the Nazi era], the mixed-blood hybrid has unexpectedly become a figure of admiration…. In concrete terms, are we talking about interbreeding with Blacks, American Indians, Australian Aborigines or Pacific Islanders? The answer in each case is, no. Essentially, the scope of intermixing is limited to Whites, preferably Americans.

Shangguan then proceeded, in equally inflammatory terms, to critique what he identifies as a new interest in intermarriage as a tool for genetically reengineering the Chinese race and the fetishization of Eurasians as the breed of choice. This fascination is readily apparent in the Chinese media, particularly the entertainment industry where Eurasian models, actors, and athletes have become hot commodities, purported to be not only exceptionally beautiful and physically superior, but also more intelligent. Declaring this type of “blind faith” in Eurasian physical and mental superiority absurd, Shangguan asserts that only a geneticist in a lab could create the ideal child.

Shangguan’s (rather cantankerous) critique stands in sharp contrast to the celebratory discourses on hybridity current in both postcolonial studies and the emerging field of multiracial studies. The theoretical concept of hybridity as a metaphor for the new transcultural forms produced by the colonizer/colonized relation has become fashionable in academic circles since the late 1980s, thanks, among others, to the influential work of Homi Bhabha. Indeed, hybridity has become one of the most widely employed (and hotly disputed) concepts in postcolonial studies, and is frequently cited as a defining characteristic of “the postcolonial condition.” For example, the editors of The Post-Colonial Studies Reader write: “Hybridity and the power it releases may well be seen to be the characteristic feature and contribution of the post-colonial, allowing a means of evading the replication of the binary categories of the past and developing new anti-monolithic models of cultural exchange and growth.”

Whereas within postcolonial studies hybridity is largely conceptualized in cultural or discursive terms, multiracial studies concerns itself with hybridity in racial or bodily terms. Multiracial studies has emerged over the past decade in tandem with the growth of a multiracial movement in the United States, and related movements in Britain and elsewhere, dedicating itself to the analysis of the “multiracial experience” and “multiracial identity.” Largely due to its association with multiracial activism, multiracial studies tends to construct racial intermixing as a socially progressive and liberal phenomenon. As in postcolonial theory, hybridity is treated as a disruptive or destabilizing force, with mixed-race identity promising to break down racial boundaries and bring an end to racism, which is equated with the ideology of racial purity. As one of the leading voices of this emergent field, Maria Root, asserts: “The presence of racially mixed persons defies the social order predicated upon race, blurs racial and ethnic group boundaries, and challenges generally accepted proscriptions and prescriptions regarding intergroup relations. Furthermore, and perhaps most threatening, the existence of racially mixed persons challenges long-held notions about the biological, moral, and social meaning of race.” Hybridity, then, seemingly holds the promise of moving us beyond the old identity politics of white and black, colonizer and colonized, toward a boundaryless future where indeterminacy…

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Biology, race and politics explored in upcoming Chancellor’s Lecture

Posted in Articles, Health/Medicine/Genetics, Media Archive, United States on 2012-12-02 03:14Z by Steven

Biology, race and politics explored in upcoming Chancellor’s Lecture

Vanderbilt News
Vanderbilt University
2012-10-10

Kara Furlong

Is race a biological category written in our genes? Or are genomic scientists and biomedical researchers mistakenly using race to explain away health disparities among different population groups?
 
Dorothy Roberts, the Penn Integrates Knowledge Professor at the University of Pennsylvania, will explore this issue in an upcoming Chancellor’s Lecture at Vanderbilt University. Her talk, titled “Fatal Invention: The New Biopolitics of Race,” is scheduled from 5:30 to 6:30 p.m. Tuesday, Oct. 30, in Vanderbilt’s Sarratt Cinema…

…Roberts is the author of Fatal Invention: How Science, Politics and Big Business Re-create Race in the Twenty-First Century. A book signing and reception will precede her lecture from 4:30 to 5:30 p.m. in the Sarratt Cinema Lobby.
 
An acclaimed scholar of race, gender and the law, Roberts pored over scores of scientific studies and interviewed dozens of geneticists whose work claims that race is visible in our genes. As a result, biotechnology and pharmaceutical companies are tailoring medications and other patented products to treat illnesses seemingly prevalent among certain populations.
 
Roberts argues that race is and always has been a political system, that health disparities exist because of social inequalities, and to further the myth that race is a biological category does irreparable damage to social progress in the United States…

…In July 2012, Roberts became the 14th Penn Integrates Knowledge Professor at the University of Pennsylvania with joint appointments in the Department of Sociology and the Law School, where she is the inaugural Raymond Pace and Sadie Tanner Mosell Alexander Professor of Civil Rights. From 1998 to 2012, she was a professor of law, African American studies and sociology at Northwestern University…

Read the entire article here.

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