Mixed Race Studies

Why More Races Could Appear on the 2020 Census

PolicyMic
2013-01-07

Justine Gonzalez

The U.S. Census is re-evaluating how they measure race for the 2020 Census. Our country is rapidly diversifying, both culturally and racially, which makes the Census’ job that much more critical and complicated. As the 2010 Census has shown, Latinos, who often have difficulty assigning themselves a particular “race,” have replaced African Americans as the nation’s largest minority group, with 50 million in 2010 (challenging the appropriateness of the use of the term “minority”).

The U.S. Census currently officially recognizes five racial categories: white, black or African-American, Asian, American Indian/Alaska Native and Pacific Islander. Census data is used for a variety of purposes such as determining the makeup of voting districts, monitoring discriminatory practices in hiring, and racial disparities in education and health. The data also informs and validates the work of many community-based organizations, and allows researchers to analyze and assess the social, health and economic status of specific population groups.

Race has always been difficult to understand and many disagree on the actual benefits of assigning/ defining race as we do. The concept of race in the United States is heavily influenced by the end of slavery, segregation, waves of immigration from all over the world, and intermarriage. Our current racial categories do not recognize currently growing racial and ethnic diversity, nor do they acknowledge the current immigration trends and how they may change over time…

…The term “Latino” (or “Hispanic”) is a contested term that attempts to broadly unite a group of people who are different culturally and racially but united by (perhaps) a language, though sometimes not even that. In the 2010 Census, this problem of grouping can be seen in that the “some other race” category ranked as the third-largest racial category, and NPR claims that 97% of those respondents were of Hispanic descent.

Another trend among darker-skinned Latinos and Afro-Latinos is to check “Black” as Race along with checking “Latino.” I have always done this—on college applications, the Census and other official documents—yet it does not fully capture the complexity of my racial composition. As a Puerto Rican, born and raised in New York City (aka a Nuyorican), checking ‘Black’ is an homage to my African roots—and for others, a recognition of my dark skin. In America, the definition of white still very much implies white purity. Just one ounce of “black blood” defines someone as black. Nonetheless, on a personal level, I do not see my race as ‘Black’; that is just how society would define me. My race is inextricably connected to my ethnicity in a way that no combination of box-checking can accurately describe…

Read the entire article here.

Midnight at the Barrelhouse: The Johnny Otis Story

University of Minnesota Press
2010
272 pages
23 b&w plates, 6 x 9
cloth ISBN: 978-0-8166-6678-2

George Lipsitz, Professor of Black Studies and Sociology
University of California, Santa Barbara

Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. In this first biography of Otis, George Lipsitz tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, “black by persuasion.”

Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including “Willie and the Hand Jive.” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton.

Otis also wrote a column for the Sentinel, one of L.A.’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians.

Midnight at the Barrelhouse is a chronicle of a life rich in both incident and inspiration, as well as an exploration of the complicated nature of race relations in twentieth-century America. Otis’s total commitment to black culture and transcendence of racial boundaries, Lipsitz shows, teach important lessons about identity, race, and power while encapsulating the contradictions of racism in American society.

Discovery of his roots leads him to track history of Chinese in Mexico

UCLA Today
Faculty and Staff News
2010-12-06

Letisia Marquez

Growing up in a predominantly white Los Angeles County suburb, Robert Chao Romero, an assistant professor of Chicana and Chicano studies, learned to hide his Chinese background.
 
The son of a Chinese mother and Mexican father, Romero recalled starting the first grade in Hacienda Heights and a classmate telling him an anti-Chinese joke.
 
“It was just a dumb kid’s joke, but it sort of sent the message to me that being Chinese is bad,” he added…

…One tidbit that had always intrigued Romero was that his parents knew a Chinese family who had lived in Mexico for many years. He decided to look into the history of Chinese Mexicans and discovered that although Spanish professors had written about the population, he could not find a book about Chinese Mexicans in English.
 
“The more I explored the topic, the more I realized this is a rich history that’s a forgotten history for the most part,” Romero said. “And I think a large part of the reason it’s forgotten is because it’s a dark chapter, unfortunately.”
 
Years later, Romero completed “The Chinese in Mexico, 1882-1940,” (University of Arizona, 2010) book which details the tragic history of Chinese immigrants in Mexico…

Read the entire article here.

“Chino-Chicano”: A Biblical Framework for Diversity (Part I)

Jesus for Revolutionaries: A Blog About Race, Social Justice, and Christianity
2013-01-03

Robert Chao Romero, Associate Professor of Chicana/o Studies and Asian American Studies
University of California, Los Angeles

I’m a “Chino-Chicano.” I was born in East Los Angeles and raised in the small town of Hacienda Heights. My dad is an immigrant from Chihuahua, Mexico and my mom an immigrant from Hubei in central China. The Romeros lost their family fortune during the Mexican Revolution by siding with Pancho Villa, and eventually immigrated to El Paso, Texas. They moved to East Los Angeles in the 1950’s and we’ve been here in Southern California ever since. My mom’s family immigrated to Los Angeles from China via Hong Kong and Singapore in the 1950’s. My maternal grandfather, Calvin Chao, was a famous pastor in China who launched the first Chinese branch of Intervarsity Christian Fellowship. The Chaos fled their native land because my grandfather was on a communist “hit list.” As an interesting side note, my Mom’s family traces directly back to the founding emperor of the Song Dynasty!

Growing up “mixed,” I had a lot of struggles with racial identity. I was very proud of my Mexican heritage, but at a young age got sent the message that being Chinese was a bad thing. On the first day of first grade a kid walked up to me, pretended to hold an imaginary refrigerator in his hands, and said, “Here’s a refrigerator, open it up. Here’s a coke, drink it. Me Chinese, me play joke, me do pee-pee in your Coke.” Kids are so mean.  I was so scarred by that event that I denied my Chinese heritage for the next 18 years.  Once I even remember telling a friend that my mom was our housekeeper because I was embarrassed that she came to pick me up from school…

Read the entire article here.