LTAM 140 – Topic in Culture and Politics: Being Brazilian: Race, Cannibalization and Animality in Brazilian Cultural Discourse

Posted in Anthropology, Brazil, Caribbean/Latin America, Course Offerings, Media Archive, United States on 2013-01-17 23:18Z by Steven

LTAM 140 – Topic in Culture and Politics: Being Brazilian: Race, Cannibalization and Animality in Brazilian Cultural Discourse

University of California, San Diego
Winter 2010

Alexandra Isfahani-Hammond, Associate Professor of Comparative Literature and Luso-Brazilian Studies

This course provides an introduction to Brazilian culture through essays, poetry, fiction, music and films that consider the meaning of “being Brazilian” (brasilidade). Our focus will be on texts that construct Brazil as a mixed-race (mestiço) nation. As the two largest post-slavery countries in the Americas, Brazil and the U.S. have long been engaged in comparative evaluations of one another. For this reason, we will also look at U.S. interpretations of Brazil as a Racial Democracy, as an “exotic” relic of the plantation era–replete with carnival, soccer, and enticing women of color advertising the nation’s beaches–or, alternatively, as a “tropical hell” characterized by unending violence, an image that reproduces nineteenth-century ideas about race and criminality. We will investigate Brazilian discourses of hybridization in the context of Latin American mestizo projects, the concept of cultural cannibalism and the human/animal dialectic that sustains postcolonial power. The course will be particularly concerned with how otherness is interpreted, and how specific representations come to be accepted as fact. Who is observing and assessing?  How does ethnography produce an unequal relation between the subject who analyzes and the object that is written up as text?

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LTAM 110 (A00) – Latin American Literature in Translation: “Brazilian Humanimals: Species, Race and Gender in Brazilian Literature”

Posted in Brazil, Caribbean/Latin America, Course Offerings, Media Archive, United States on 2013-01-17 23:14Z by Steven

LTAM 110 (A00) – Latin American Literature in Translation: “Brazilian Humanimals: Species, Race and Gender in Brazilian Literature”

University of California, San Diego
Spring 2012

Alexandra Isfahani-Hammond, Associate Professor of Comparative Literature and Luso-Brazilian Studies

How do gender, race and species intersect in Brazilian literary representations? What is at stake in scrutinizing the ethical dimensions of human/ animal relations? How might such questioning be relevant for understanding dominant ideas about race, racial mixing and nation that shape Brazilian cultural identity? This course focuses on a series of Brazilian texts that place animals at center stage. Situating our readings vis-à-vis other media—essays, cinema—we will consider the animal not simply as metaphor for “human” experience; instead, we will focus on the ways that a series of Brazilian authors have challenged anthropocentrism (human-centeredness) in relation to other dialectics including black/white, periphery/center and female/ male. Though we will focus principally on Brazilian texts, we will situate them in the context of cross-cultural discussions in ecocriticism and species studies.

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White Negroes

Posted in Course Offerings, Literary/Artistic Criticism, Media Archive, United States on 2013-01-17 16:37Z by Steven

White Negroes

Guy Foster, Assistant Professor of English

Bowdoin College, Brunswick, Maine
Africana Studies/Gender and Women’s Studies
Spring 2013

Close readings of literary and filmic texts that interrogate widespread beliefs in the fixity of racial categories and the broad assumptions these beliefs often engender. Investigates “whiteness” and “blackness” as unstable and fractured ideological constructs. These are constructs that, while socially and historically produced, are no less “real” in their tangible effects, whether internal or external. Includes works by Charles Chesnutt, Nella Larsen, Norman Mailer, Jack Kerouac, John Howard Griffin, Sandra Bernhard, and Warren Beatty.

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Interracial Narratives

Posted in Course Offerings, Literary/Artistic Criticism, Media Archive, United States on 2013-01-17 16:29Z by Steven

Interracial Narratives

Bowdoin College, Brunswick, Maine
Africana Studies
Fall 2012

Guy Foster, Assistant Professor of English

Examines the stories that Americans have told about intimate relationships that cross the color line in twentieth- and twenty-first-century imaginative and theoretical texts. Considers how these stories have differed according to whether the participants are heterosexual or homosexual, men or women, Black, White, Asian, Latino, or indigenous. Explores the impact historically changing notions of race, gender, sexuality, and U.S. citizenship have had on the production of these stories. Texts include literature, film, Internet dating sites, and contemporary debates around mixed-race identity and the United States census.

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Afro-Asian Encounters: Reading Comparative American Racial Experiences

Posted in Asian Diaspora, Course Offerings, Media Archive, United States on 2013-01-17 16:24Z by Steven

Afro-Asian Encounters: Reading Comparative American Racial Experiences

Bowdoin College, Brunswick, Maine
Africana Studies/Asian Studies
Spring 2013

Wendy Thompson Taiwo, Andrew W. Mellon Postdoctoral Fellow in Africana Studies

Surveys a breadth of historical and contemporary encounters between African Americans and Asian Americans in the United States. Begins with the earliest waves of Asian immigration in the mid-nineteenth century and ends with contemporary critiques of Blackness and Asianness in what some call a post-racial era. Students learn how various political, economic, and social shifts have contributed to the racial positioning of Black and Asian peoples in relation to dominant white American culture and to each other and what this means in relation to the stratification of racial identities in America. Readings center on themes of shared experiences with and conflict over labor, community-building, interracial relationships, foodways, popular representations, and public perception.

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