Mixed Race Studies

Fade to Black and White: Interracial Images in Popular Culture

Rowman & Littlefield
May 2009
250 pages
Cloth: 0-7425-6079-1 / 978-0-7425-6079-6
Paper: 0-7425-6080-5 / 978-0-7425-6080-2

Erica Chito Childs, Associate Professor of Sociology
Hunter College, City University of New York

There is no teasing apart what interracial couples think of themselves from what society shows them about themselves. Following on her earlier ground-breaking study of the social worlds of interracial couples, Erica Chito Childs considers the larger context of social messages, conveyed by the media, that inform how we think about love across the color line. Examining a range of media—from movies to music to the web—Fade to Black and White offers an informative and provocative account of how the perception of interracial sexuality as “deviant” has been transformed in the course of the 20th century and how race relations are understood today.

Table of Contents

• Introduction: Fade to Black and White
• 1. Historical Realities and Media Representations of Race and Sexuality
• 2. The Prime-Time Color-Line: Interracial Couples and Television
• 3. It’s a (White) Man’s World
• 4. When Good Girls Go Bad
• 5. Playing the Color-Blind Card: Seeing Black and White in News Media
• 6. Multiracial Utopias: Youth, Sports and Music
• Conclusion

Critical mixed race studies (CMRS) is transracial, transdisciplinary, and transnational in scope. It places the concept of mixed race at the critical center of focus such that multiracial individuals become subjects of historical, social, and cultural processes rather than simply objects of analysis. This involves the study of racial consciousness among racially mixed people, the world in which they live, and the ideological forces that inform their identity and experience. CMRS also stresses the critical analysis of the institutionalization of social, cultural, and political structures based on dominant conceptions of race. In keeping with sociologists Michael Omi’s and Howard Winant’s racial formation theory, CMRS acknowledges that the concept of race invokes biologically-based human characteristics, but the selection of specific human features for the purposes of racial signification is a constantly changing sociohistorical process. Accordingly, CMRS emphasizes the constructed nature of race and the notion that racial categories are unstable and decentered structures of sociocultural meanings that are continuously being created, inhabited, contested, transformed, and destroyed. Finally, CMRS underscores the mutability of race and the porosity of racial boundaries in order to critique local and global systemic injustices rooted in processes of racialization and social stratification based on race, as well as the interlocking nature of racial phenomena with sex, gender, sexuality, class, and other categories of difference.

—G. Reginald Daniel

Mixed Roots Film & Literary Festival^® is Moving On and Making Room

2013-03-18

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Mixed Roots Film & Literary Festival^® lives on, but only in our own hearts, voices and its original mission.

The Mixed Roots Film & Literary Festival^® celebrated its final event in June 2012. I hope that you will honor its original mission, and all of the ways in which it touched the Mixed community and beyond by celebrating its accomplishments and continuing its mission through your own vital organizations and activities. If you are looking for ways to continue to celebrate the Mixed experience, here are just a few of the wonderful places to turn to:

• Critical Mixed Race Studies
• MixedRaceStudies.org
• Mixed Heritage Center
• Mixed & Happy
• Swirl
• Hip Hapa Homeez
• Mixed in Canada
• Mixed Roots Japan
• KhanishaFoster.tumbler.com
• Multiracial Americans of Southern California (MASC)
• LOMA
• Multicultural Familia
• MixedRootsStories.org (launching April 1st)
• MixedAmericanLife
• Jennifer Frappier is making a documentary: chillthedocumentary.com
• Mixed Marrow 
• Hapa Japan Conference

I am doing anti-racist and racial identity work with my solo show and documentary: OneDropofLove.org, and Heidi Durrow has applied for a number of trademarks associated with continued work in the Mixed community; however, she may not use our registered trademark Mixed Roots Film & Literary Festival^® in connection with any of her activities (this includes on the @mxroots twitter account and the www.mxroots.org website). If you have any questions whatsoever or would like further information, please do not hesitate to contact me: fanshenmc(at)gmail(dot)com.

Hardships for Filipino mixed-race children

Al Jazeera
2013-02-26

Jamela Alindogan

Thousands of mixed-race children grow up without their fathers in the Philippines. Most of them are of Korean or American descent.

Many often end up living on the streets without any support.

Al Jazeera’s Jamela Alindogan reports from Manila.

POWER: Post-racial Canada still a dream

The Chronicle Herald
Halifax, Nova Scotia
2013-03-17

Megan Power

And we’re reluctant to face it, says Hill

Calling Canada a multicultural paradise is simply delusional, says author Lawrence Hill.
 
He made his comments prior to a public reading in Halifax last week, in which he was candid and forthright about the state of race relations in Canada. He doesn’t agree with Toronto Life magazine’s high-profile March cover story—the feature describes his book Black Berry, Sweet Juice as “quaint”—which proclaims Toronto the first post-racial city and declaring the end of single ethnicity status in the country’s megalopolis.
 
“I detest that idea. I find it quite repulsive. … It’s just not true. Ask a thousand black students in high schools across Canada if they’ve escaped the challenges of race and I’m pretty sure that 995 of them will tell you absolutely not. I feel that it’s kind of self-serving and self-congratulatory to talk about a post-racial world.
 
“I’m not talking about myself. I’ve had a very fortunate life. But I’m not convinced that many black kids in society today are living in a post-racial world. Acting as if Toronto is some nirvana and everybody is happy and mixed, I think, is a slide into la la land.”…

…Hill was in town to give two readings at the Canadian Museum of Immigration at Pier 21. The morning session featured a reading from Black Berry, Sweet Juice: On Being Black and White in Canada, his 2001 non-fiction book about racial identity. The afternoon session featured his blockbuster, prize-winning novel The Book of Negroes (2008)….

Read the entire article here.

I am a Negro. My skin is white, my eyes are blue, my hair is blond. The traits of my race are nowhere visible upon me.

Walter White, “Why I Remain a Negro,” The Saturday Review of Literature, October 11, 1947: 13

Am I Black? Hell yeah! I have light green eyes, when I had hair it was curly and blonde. My complexion is café au lait.

Billy Calloway, “Am I Black? Hell Yeah!,” (1)ne Drop Project, (January 16, 2013). http://1nedrop.com/am-i-black-hell-yeah-by-billy-calloway/

The year 1967 becomes the temporal landmark for the beginning of an interracial nation. That year, the United States Supreme Court ruled state antimiscegenation laws unconstitutional in Loving v. Virginia. In addition to outlawing interracial marriage, these restrictive laws had created a presumption of illegitimacy for historical claims of racial intermixture. Not all states had antimiscegenation laws, but the sting of restriction extended to other states to forge a collective forgetting of mixed race. Defenders of racial purity could depend on these laws to render interracial relationships illegitimate. Looking back to Loving as the official birth of Multiracial America reinforces the prevailing memory of racial separatism while further underscoring the illegitimacy of miscegenations past. By establishing racial freedom in marriage, Loving also sets a misleading context for the history of mixed race in America. Even though Loving instigates the open acceptance of interracialism, it unintentionally creates a collective memory that mixed race people and relationships did not exist before 1967…

Kevin Noble Maillard, “The Multiracial Epiphany of Loving.” Fordham Law Review. May 2008, Volume 76, Number 6 pages 2709-2733. http://fordhamlawreview.org/wp-content/uploads/assets/pdfs/Vol_76/Maillard_Vol_76_May.pdf.

This book examines two of the most insidious ideas in American history. The first is the belief that interracial marriage is unnatural.  The second is the belief in white supremacy. When these two ideas converged, with the invention of the term “miscegenation” in the 1860s, the stage was set for the rise of a social, political, and legal system of white supremacy that reigned through the 1960s and, many would say, beyond.

[Page 1, Paragraph 1]

Pascoe, Peggy. What Comes Naturally: Miscegenation Law and the Making of Race in America. (New York, London: Oxford University Press, 2008). 1.

Similarly, the idea that racial identity can be freely chosen appeals to the high value Americans place on individualism.  The novelty of a mixed racial identity makes one stand out against dominant modes of identification. At the same time, the elaboration of sense of a multiracial group identity makes one feel as if one belongs to a community where one is, if only in one’s perceived marginality, just like everyone else.  The irony here is that while the discourse of choice in racial identification suggests we as individuals are determining for ourselves who we want to be, in fact we are “choosing” within a given set of epistemological, social, and political conditions that make only certain choices possible.

DaCosta, Kimberly McClain, Making Multiracials: State, Family, and Market in the Redrawing of the Color Line, (Palo Alto: Stanford University Press, 2007), 179.