The Mixed Marriage

Posted in Anthropology, Articles, Arts, Family/Parenting, Interviews, Media Archive, Religion, United States on 2014-01-12 16:18Z by Steven

The Mixed Marriage

The New York Times
2014-01-11

Interview by Lise Funderburg

Lise Funderburg, a journalist, interviewed Yael Ben-Zion, a photographer raised in Israel, about her new book, “Intermarried,” published by Kehrer, which features families from the Washington Heights neighborhood where she lives with her French husband and 5-year-old twins.

Q. What inspired this project?

A. I saw an Israeli television campaign that showed faces on trees and bus stops, like missing children ads. A voice-over said, “Have you seen these people? Fifty percent of young Jewish people outside of Israel marry non-Jews. We are losing them.” I happen to be married to a person who is not Jewish. And, so for me it was, “Aah, they’re losing me.” I’m not religious, but this campaign made me wonder more generally why people choose to live with someone who is not from their immediate social group, and what challenges they face.

Q. How did you establish your taxonomy for what qualified as mixed?

A. I wasn’t going to go in the street and ask couples if they were mixed. I didn’t grow up here; I didn’t even know what terminology to use. But I live in a very diverse Manhattan community that has an online parent list with more than 2,000 families on it. I put up an ad saying I was looking for couples that define themselves as mixed. I said it could be different religion, ethnicity or social background. I didn’t use the word race, because I wasn’t sure how politically correct that was. All the couples who responded are either interfaith or interracial or both, but my goal from the beginning wasn’t to create some statistical visual document. For example, I have hardly any Asian people, and I don’t think there are any Muslims, and the reason is that they didn’t approach me…

Read the entire interview and view the slide shows here.

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Intermarried

Posted in Arts, Books, Family/Parenting, Media Archive, Monographs, Religion, United States on 2014-01-12 15:59Z by Steven

Intermarried

Kehrer Verlag Heidelberg
2013
128 pages
57 color ills.
24 x 29.5 cm
English
Hardcover ISBN 978-3-86828-418-8

Photography by: Yael Ben-Zion

Text by: Amy Chua, Maurice Berger, Yael Ben-Zion

Yael Ben-Zion uses photography and text to reflect on intermarriage.

Following her award-winning monograph 5683 miles away (Kehrer 2010), in Intermarried Yael Ben-Zion fixes her camera on another personal but politically charged theme: intermarriage. Ben-Zion initiated the project in 2009 by contacting an online parent group in Washington Heights, her Manhattan neighborhood, inviting couples who define themselves as “mixed” to participate. Her own marriage “mixed,” she was interested in the many challenges faced by couples who choose to share their lives regardless of their different origins, ethnicities, races or religions.

Through layered images and revealing texts (including excerpts from a questionnaire she asked her subjects to fill out), Intermarried weaves together fragments of reality to compose a subtle narrative that deals with the multifaceted issues posed by intermarriage.

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Afro-Vietnamese Orphans Tell Their Stories in ‘Indochina: Traces of a Mother’

Posted in Articles, Asian Diaspora, Autobiography, Media Archive, Videos on 2014-01-12 02:58Z by Steven

Afro-Vietnamese Orphans Tell Their Stories in ‘Indochina: Traces of a Mother’

Black Film Center/Archive
Indiana University, Bloomington
2012-04-25

A new(er) documentary film by Idrissou Mora-Kpai follows the stories of Afro-Vietnamese orphans born of Vietnamese mothers and West African fathers – tirailleurs sénégalais – brought by the French to fight la sale guerre, mostly in today’s Viet Nam. The synopsis:

Through the story of Christophe, a 58-year-old Afro-Vietnamese man, the film reveals the little known history of African colonial soldiers enlisted to fight for the French in Indochina. Christophe was one of seven Afro-Vietnamese orphans adopted by one of those soldiers when he returned to Benin after the war. The film explores the long lasting impact of bringing together two populations who previously had no ties and sheds light on a frequent practice within colonial history, that of using one colonized people to repress the independence claims of another colonized people.

Told in Vietnam and Benin, the film gives space for the grown Afro-Vietnamese orphans to tell their stories, but also to explore the contradictions of the colonial order…

Read the entire article here.

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