One Drop of Love at New York University

Posted in Arts, Autobiography, Census/Demographics, History, Live Events, Media Archive, Social Science, United States on 2015-04-16 23:10Z by Steven

One Drop of Love at New York University

New York University’s Skirball Center for the Performing Arts
566 LaGuardia Place
New York, New York 10012
Friday, 2015-04-17, 20:00 EDT (Local Time)

One Drop of Love is a multimedia solo show written and performed by Fanshen Cox DiGiovanni. It asks audiences to consider: how does our belief in ‘race’ affect our most intimate relationships? The show travels near and far, in the past and present, to explore family, race, love and pain – and a path towards reconciliation. Audiences will go on a journey from the 1700s to the present, to cities all over the U.S, and to West and East Africa, where both the narrator and her father spent time in search of their racial roots.

Produced by Ben Affleck, Matt Damon, and Fanshen Cox DiGiovanni.

One Drop of Love is the closing program for NYU Ally Week.

For more information click here. To purchase tickets, click here.

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Jennifer Lisa Vest to explore ‘post-racial present’ at Women’s and Gender Studies Symposium

Posted in Articles, Arts, Gay & Lesbian, Literary/Artistic Criticism, Media Archive, Social Justice, United States, Women on 2015-04-16 23:09Z by Steven

Jennifer Lisa Vest to explore ‘post-racial present’ at Women’s and Gender Studies Symposium

Report: Faculty/Staff Newsletter
Illinois State University
2015-04-02

Rachel Hatch, Editor

Performing artist and scholar Jennifer Lisa Vest will be the keynote speaker for the 20th annual Women’s and Gender Studies (WGS) Symposium.

Vest will present Black Lives Matter: [Trans]Gender Violence, Disability, and Women in a ‘Post-racial,’ ‘Post-Sexist’ Present at 1 p.m. Friday, April 17, in the Bone Student Center. The talk is free and open to the public.

In celebration of the event, there will be a poetry reading at 7 p.m. Thursday April 16, at the University Galleries, 11 Uptown Circle, Normal.

Vest is a self-described “mixed-race queer feminist philosopher, poet, and artivist whose philopoetic works combine philosophy, poetry and feminist theories to provide intersectional analyses of social justice issues by explicating raced, gendered, and sexualized components of privilege, ablelism, and oppression.”…

Read the entire article here.

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Afro-Iran | The Unknown Minority

Posted in Articles, Arts, Media Archive on 2015-04-16 22:59Z by Steven

Afro-Iran | The Unknown Minority
2015-04-16

Mahdi Ehsaei, Photographer

The photographic series shows a side of Iran, which is unknown by even Iranians. A trip to a place which is inhabited and dominated by the descendants of slaves and traders from Africa.

The Hormozgan province in the Persian Gulf is a traditional and historical region with a diverse and unexplored population. It is framed with unique landscapes and people with profound personalities. Iranians, who still have African blood in them and continue their African heritage with their clothing style, their music, their dance and their oral traditions and rituals.

The resulting portraits reveal new facets and unfamiliar faces, which are not typical for the common picture of Iran. They show details documenting the centuries-long history of this ethnic minority. A confrontation between the Persian culture and the, for Iran unusual, African consciousness.

A surprisingly new experience for the viewer, which shows the current presence of Afro-Iranians in Iran.

For more information, click here.

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The Life of William Apess, Pequot

Posted in Biography, Books, Monographs, Native Americans/First Nation, Religion, United States on 2015-04-16 22:53Z by Steven

The Life of William Apess, Pequot

University of North Carolina Press
March 2015
216 pages
1 halftone, notes, bibl., index
6.125 x 9.25
Cloth ISBN: 978-1-4696-1998-9

Philip F. Gura, William S. Newman Distinguished Professor of American Literature and Culture
University of North Carolina, Chapel Hill

The Pequot Indian intellectual, author, and itinerant preacher William Apess (1798–1839) was one the most important voices of the nineteenth century. Here, Philip F. Gura offers the first book-length chronicle of Apess’s fascinating and consequential life. After an impoverished childhood marked by abuse, Apess soldiered with American troops during the War of 1812, converted to Methodism, and rose to fame as a lecturer who lifted a powerful voice of protest against the plight of Native Americans in New England and beyond. His 1829 autobiography, A Son of the Forest, stands as the first published by a Native American writer. Placing Apess’s activism on behalf of Native American people in the context of the era’s rising tide of abolitionism, Gura argues that this founding figure of Native intellectual history deserves greater recognition in the pantheon of antebellum reformers. Following Apess from his early life through the development of his political radicalism to his tragic early death and enduring legacy, this much-needed biography showcases the accomplishments of an extraordinary Native American.

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Breast cancer and racialized medicine

Posted in Articles, Health/Medicine/Genetics, Media Archive, United States on 2015-04-16 22:17Z by Steven

Breast cancer and racialized medicine

Race, Racism & Human Genetics IDS 243: Race, Racism, and Human Genetics
Willamette University
Salem, Oregon
2014-11-28

Stephanie Matsuura

Katie Herr

Camille Debreczeny

Race, Racism & Human Genetics IDS 243: Race, Racism, and Human Genetics is an interdisciplinary course taught at Willamette University by Emily Drew and Chris Smith. This blog represents the work of students enrolled in the course, and their reactions to current scholarly and popular work relating to the biology of human difference.

Racial disparities in breast cancer are often attributed to biology uncritically, without considering social factors. In many genetic studies, rhetorical framing of human diversity conflates differences between populations with racial categories. An unconscious complicity in the racial worldview informs these studies, which are then used to justify racialized explanations for disparities in breast cancer. Many researchers recognize that individualized, complete genome analysis would provide better care for patients, but lack the technological and economic resources to make this a realistic goal. Instead they rely on racialized medicine, which has serious consequences for women of color with breast cancer.

Racialized medicine occurs when the U.S. racial worldview goes unchallenged in the way it shapes medical research, health care practices, and public health policy. It is a way of making inequalities in health and illness seem natural by erroneously linking them to “innate” and “biological” differences between racial groups. In the U.S., women of color are disproportionately affected by breast cancer. Black women in particular have higher breast cancer mortality rates than any other racial/ethnic group in the country (Happe 2006). In this blog we aim to cover the main possible explanations for observed racial disparities in both incidence and prognosis of breast cancer. Studies have attributed racial disparities in both incidence and prognosis to the genetics underlying breast cancer as well as to social factors…

Read the entire article here.

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Kwame Anthony Appiah: The Complexities of Black Folk

Posted in Articles, Identity Development/Psychology, Media Archive, Philosophy, United States on 2015-04-16 21:34Z by Steven

Kwame Anthony Appiah: The Complexities of Black Folk

The Stone
The New York Times
2015-04-16

George Yancy, Professor of Philosophy
Duquesne University, Pittsburgh, Pennsylvania

Kwame Anthony Appiah, Professor of Law and Philosophy
New York University


Kwame Anthony Appiah

This is the 10th in a series of interviews with philosophers on race that I am conducting for The Stone. This week’s conversation is with Kwame Anthony Appiah, who teaches in New York University’s department of philosophy and its school of law. He has been the president of the American Philosophical Association, Eastern Division, and of the PEN American Center. He is the author of numerous books, including, most recently, “Lines of Descent: W.E.B. Du Bois and the Emergence of Identity.” — George Yancy

George Yancy: How did you become interested, philosophically, in the question of race? Did it grow out of something like a conceptual problem of reference, or did it come more out of lived experience? Or, perhaps this disjunction is a false start?

Kwame Anthony Appiah: I’m always skeptical when intellectuals give accounts of how they came about their interests! So you should take what I have to say as a set of hypotheses about my own past, not as the results of introspection, which yields nothing about this.

When I first started teaching in the United States in 1981 I had a joint appointment at Yale, in African and African-American studies, on the one hand, and philosophy, on the other, and I was casting about for things to do on the African and African-American side of my work, both as a teacher and as a scholar. I had been an undergraduate student at Cambridge in medical sciences for one year, and philosophy for two, and I was puzzled, as a newcomer to the United States, by the fact that many people appeared to think “race” was a biological concept, whereas I had been taught in my brief career in the life sciences to think it was not.

G.Y.: In your new book, “Lines of Descent,” you write that W.E.B. Du Bois saw himself as an American and a Negro (as opposed to an African-American). You state correctly how being an “American” and being a “Negro” did not fit well for him. I’m reminded of Du Bois’s encounter in “The Souls of Black Folk” with the tall (white) newcomer and how she refused to exchange visiting cards with him and how this signified early on in his life a deep tension in his sense of “racial” identity. Do you think contemporary African-Americans also find themselves possessed by, as Du Bois describes it, “two warring ideals in one dark body, whose dogged strength alone keeps them from being torn asunder”?

K.A.A.: I think that Du Bois’s way of thinking about this, which was informed by 19th- century German social philosophy, can be put like this: Each people, each Volk, has a soul, a Geist, that is the bearer of a folk culture and of what he called spiritual “strivings.” American Negroes were possessed of the soul of America and the soul of the Negro. Since America’s folk culture was racist, they were possessed by a spirit that was, in some respects, hostile to them. The Negro soul gave them the resources for a positive sense of self, which helped to resist this, but it also gave them various other gifts…

…K.A.A.: Well, I should begin by saying that I think that a background of class privilege on both sides of my family has protected both my sisters and me from some of the worst challenges of living in a racist world. (They have also had the advantage of living much of their lives in various parts of Africa!) I was born in London but moved with my family to Ghana when I was 1. My sisters were all born there. When I was an undergraduate at college in England, Skip Gates and I and a Nigerian philosophy student we knew were the only black people in our college. But I had white upper-middle-class high school friends and upper-middle-class English cousins around, so I guess I didn’t feel that there was any question as to my right to be there, and I don’t think anyone else thought so either. (And I wouldn’t have cared if they did!)

As a young person in Ghana, many people I met in my daily life in my hometown knew my family, and knew why I was brown and not black. They knew my mother was an Englishwoman (and white) and my father was Ashanti (and black). And throughout my childhood in Ghana the Asantehene, the king of Ashanti, whose capital was my hometown, was my great-uncle by marriage. (To those who didn’t know me, though, I was a “broni kokoo,” a red [skinned] foreigner; “broni” is often mistranslated these days as “white person.”) So, in a way, the most interesting “problem” for me, having been in America and then an American citizen for much of my adult life (since 1997), has been how to figure out a black identity, having come from two places where my color had a very different significance.

One of the things that I have always been most grateful to this country for is the sense of welcome I have often felt from African-Americans as a person of African descent. There’s no necessity about this: my ancestors — and not so many generations back — were in the business of capturing and selling other black people into the Atlantic slave trade (and some of my mother’s kinfolk back then were no doubt in the business of buying and shipping them). So one thing that race does in the world is bring black people together in spite of these divided histories. But I suppose that the main effect of my being black has been to draw me to black subject matter, black issues, and to give me an interest — in both senses of the term, an intellectual engagement and a stake — in pursuing them. Without this connection to the world of Africa and her diaspora I would just be someone else…

Read the entire article here.

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IDS 243 Race, Racism, & Human Genetics

Posted in Course Offerings, Health/Medicine/Genetics, Media Archive, Social Science, United States on 2015-04-16 21:15Z by Steven

IDS 243 Race, Racism, & Human Genetics

Willamette University
Salem, Oregon
Fall 2014

What accounts for human difference, and what does the biology of human variation tell us about race and the “life changes” of racial groups in contemporary society? This course examines the relationship between genes, geography, skin color and what we have come to understand as “race.” It will focus upon patterns of human genetic variation and consider how the completion of the Human Genome Project and the increasing availability of genomic data have changes our understanding of human population genetics. It will also address the historical role of science in taking the socially-constructed concept of race and turning it into scientific “fact,” and explore how this past history both shapes and constrains contemporary research in the biology of human diversity. The course will consider contemporary case studies in which race becomes—and is ascribed to—biology in ways that both reflect and contribute to dominant racial ideology. By bringing together the research about race from the natural and social sciences, the course seeks to understand how biological and social factors interact to shape racial reality and explores the political and social implications for scientific inquiry.

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Lines of Descent: W. E. B. Du Bois and the Emergence of Identity

Posted in Biography, Books, Europe, Literary/Artistic Criticism, Media Archive, Monographs, Philosophy on 2015-04-16 19:29Z by Steven

Lines of Descent: W. E. B. Du Bois and the Emergence of Identity

Harvard University Press
February 2014
240 pages
4-3/8 x 7-1/8 inches
Hardcover ISBN: 9780674724914

Kwame Anthony Appiah, Professor of Law and Philosophy
New York University

W. E. B. Du Bois never felt so at home as when he was a student at the University of Berlin. But Du Bois was also American to his core, scarred but not crippled by the racial humiliations of his homeland. In Lines of Descent, Kwame Anthony Appiah traces the twin lineages of Du Bois’ American experience and German apprenticeship, showing how they shaped the great African-American scholar’s ideas of race and social identity.

At Harvard, Du Bois studied with such luminaries as William James and George Santayana, scholars whose contributions were largely intellectual. But arriving in Berlin in 1892, Du Bois came under the tutelage of academics who were also public men. The economist Adolf Wagner had been an advisor to Otto von Bismarck. Heinrich von Treitschke, the historian, served in the Reichstag, and the economist Gustav von Schmoller was a member of the Prussian state council. These scholars united the rigorous study of history with political activism and represented a model of real-world engagement that would strongly influence Du Bois in the years to come.

With its romantic notions of human brotherhood and self-realization, German culture held a potent allure for Du Bois. Germany, he said, was the first place white people had treated him as an equal. But the prevalence of anti-Semitism allowed Du Bois no illusions that the Kaiserreich was free of racism. His challenge, says Appiah, was to take the best of German intellectual life without its parochialism—to steal the fire without getting burned.

Table of Contents

  • Introduction
  • 1. The Awakening
  • 2. Culture and Cosmopolitanism
  • 3. The Concept of the Negro
  • 4. The Mystic Spell
  • 5. The One and the Many
  • Notes
  • Acknowledgments
  • Index
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White Parents, Becoming a Little Less White

Posted in Anthropology, Articles, Asian Diaspora, Census/Demographics, Family/Parenting, Media Archive, United States on 2015-04-16 19:07Z by Steven

White Parents, Becoming a Little Less White

Motherlode: Living the Family Dynamic
The New York Times
2015-04-15

Jack Cheng


Amy Crosson

Former Gov. Jeb Bush made news recently because he checked “Hispanic” on a voter registration form. This is obviously ridiculous from a scion of the Bush family (and Mr. Bush has said he made a mistake). Yet, I understand, because the family he raised is not unlike mine.

A few years ago, in fact, my wife casually mentioned that she doesn’t consider herself 100 percent white any more. She has blond hair, blue eyes and fair skin, and as far back as anyone can remember, all of her ancestors have been Irish.

She was white when we were married. I know that because I’m Chinese and that made us an interracial couple. My wife jokes (I think she’s joking) that she married me in part because my increased melanin would protect her children from skin cancer.

She became less white when our son, and then our daughter, were born. I think the first bit of doubt surfaced the day we were on the subway with our newborn and a woman came up to my wife and said: “Oh, he’s so cute! When did you adopt him?” I was livid: Did it not occur to this woman that the father was sitting right next to his wife and child? It turned out that the woman really just wanted to talk about her own adopted granddaughter but somewhere in that moment my wife was identified as the mother of a nonwhite child…

…While it will take 18 years for that mixed race baby to vote, there is a parent in that family who suddenly has an altered perspective on the culture and policies of the United States. White mothers who realize that their sons will be victims of racial profiling, white fathers who suddenly feel a little squeamish about the fact that “Asian” is a category of pornography. There are white parents whose children look vaguely Middle Eastern and will face harder times getting onto airplanes…

Read the entire article here.

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First Listen: Alabama Shakes, ‘Sound & Color’

Posted in Articles, Arts, Audio, Media Archive, United States on 2015-04-16 17:10Z by Steven

First Listen: Alabama Shakes, ‘Sound & Color’

First Listen
National Public Radio
2015-04-12

Ann Powers, NPR Music Critic


The Alabama Shakes’ new album, Sound & Color, comes out April 21.
Brantley Gutierrez/Courtesy of the artist

In the six years I’ve lived in the region, I’ve developed a mantra: Southern freaks are the best freaks. For me, the word “freak” can be both positive and downright spiritual. It describes serious individualists who are tolerant of others whose own paths may diverge from their own; people whose ways of thinking connect to form an antidote to the deep conventionality that often surrounds them. Southern freaks, like the four young musicians in Alabama Shakes, face multiple challenges: not only the love of tradition (and defensive attitude about it) that their neighbors nurture, but also the prejudices of those who live elsewhere and expect Southerners to be somehow limited by their native surroundings. Southern freaks are the best freaks because they have the resilience to flourish in a home that can feel foreign, while also recognizing that legacies can’t be simply processed. They must be lived, confronted and altered from within.

Brittany Howard expresses this more fancifully in “Gemini,” the first song the band recorded for its boundary-leaping second album, Sound & Color. “On a planet not so far away, we were born together,” she sings, maybe to her lost sister, a lover or a best friend, in a voice that contains shadows of Richmond, Virginia‘s son, D’Angelo. Howard’s imagined pair washes up in Athens, Alabama, “suckled on the honey of the Tennessee,” whose wet banks are both adorned with the flower whose name she’s playing with and rife with the snakes she mentions in the next verse. The dream Howard spins in “Gemini” could have come from the pen of South Carolina native Dorothy Allison. The thick, expansive bed of druggy funk the band creates to convey it recalls the deepest experiments of Denton, Texas, native Sly Stone. The resonance the band achieves with the help of producer Blake Mills turns the track into serious funk: something George Clinton, born in North Carolina and now living in Tallahassee, would enjoy…

Read the article here. Listen to the story here.

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