These are the beautiful, complex Blaxicans of Los Angeles

Posted in Articles, Arts, Latino Studies, Media Archive, United States on 2015-10-01 02:23Z by Steven

These are the beautiful, complex Blaxicans of Los Angeles

Fusion
2015-09-24

Jorge Rivas, National Affairs Correspondent

Back when Walter Thompson-Hernandez was in graduate school, his friends and family would give him blank stares as he explained what he was studying.

Finally, in an effort to make his work more accessible, he started an Instagram account dedicated to his research: @BlaxicansOfLA.

Thompson-Hernandez, who grew up in Los Angeles, identifies as Blaxican—his mother is Mexican, and his father is black.

“The term Blaxican is really is an example of the reinvention of language that exist in the U.S,” said Thompson-Hernandez, now a researcher at the University of Southern California who studies the impacts of interracial mixing between African Americans and Latinos in South Los Angeles

Read the entire article here.

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Incidents in the Life of a Slave Girl, Written by Herself

Posted in Autobiography, Books, Media Archive, Monographs, Slavery, United States, Women on 2015-10-01 01:54Z by Steven

Incidents in the Life of a Slave Girl, Written by Herself

Thayer and Eldridge
1861

Harriet Ann Jacobs (1813-1897)

Edited by Lydia Maria Child (1802-1880)

Read the entire book here or here.

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Obama and hip-hop: a breakup song

Posted in Anthropology, Articles, Barack Obama, Literary/Artistic Criticism, Media Archive, Politics/Public Policy on 2015-10-01 00:50Z by Steven

Obama and hip-hop: a breakup song

The Washington Post
2015-09-25

Erik Nielson, Assistant Professor of Liberal Arts
University of Richmond

Travis L. Gosa, Assistant Professor of Africana Studies
Cornell University, Ithaca, New York

Erik Nielson is an assistant professor of liberal arts at the University of Richmond. Travis L. Gosa is an assistant professor of Africana studies at Cornell University. Their book, “The Hip Hop & Obama Reader,” will be published in October.

In 2008, Barack Obama flipped the script on more than three decades of conventional wisdom when he openly embraced hip-hop — a genre typically viewed as politically radioactive because of its frequently controversial themes and anti-establishment ethos — in his campaign. Equally remarkable was the extent to which hip-hop artists and activists, often highly skeptical of national politicians, embraced him in return. As a result, for the first time it appeared we were witnessing a burgeoning relationship between hip-hop and national politics.

As we approach the 2016 election, however, this relationship is all but gone. Ironically, Obama — often called the first “hip-hop president” — largely is to blame.

This is especially disappointing in light of Obama’s 2008 run for office, when he encouraged artists such as Jay Z and Sean “Diddy” Combs to campaign for him, referenced rap music in his interviews and speeches, played rap at his events and openly contemplated a space for hip-hop in an Obama White House. In one of the lasting images of the campaign, Obama stood in front of an audience in Raleigh, N.C., and referenced Jay Z’s 2003 track “Dirt Off Your Shoulder” to raucous applause. In that moment, voters had every reason to believe that hip-hop indeed would have a seat at the table in an Obama administration…

Read the entire article here.

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