Hybrid Details: Honoring Fred Wah: with Fred Wah, Wo Chan, Mark Nowak and Jeff Derksen

Posted in Asian Diaspora, Live Events, Media Archive, United States on 2016-04-12 22:53Z by Steven

Hybrid Details: Honoring Fred Wah: with Fred Wah, Wo Chan, Mark Nowak and Jeff Derksen

Asian American Writers’ Workshop
112 West 27th Street, 6th Floor
New York, New York 11366
Wednesday, 2016-04-13, 19:00 EDT (Local Time)

Poet Fred Wah is a living legend in Canada, but he remains woefully under-read in this country. To remedy that, we’re celebrating Fred’s oeuvre–a jazzy, radical exploration of place and racial hybridity–and the publication of Scree: The Collected Earlier Poems, 1962–1991 (Talonbooks 2016). We’ll have Fred himself, on a rare visit from Canada, and acclaimed poets Wo Chan, Mark Nowak, and Jeff Derksen.

A hapa poet who grew up in his father’s Chinese restaurant, Fred is the winner of the Governor General’s Award (Canada’s highest literary award), served as the country’s fifth Parliamentary Poet Laureate, and was named an Officer of the Order of Canada in 2013. He has been compared to the American experimental poets–like the Language Poets and Objectivists Charles Olson and Robert Creeley, with whom he studied–but Fred’s work is informed by his identity growing up in a Chinese-Irish-Scots and Swedish household and his relationship to the countryside of British Columbia. A self-described “Kootenay boy,” Wah has said, “My writing has been sustained, primarily, by two interests: racial hybridity and the local, the landscape of the Kootenays in southeastern BC; it mountains, lakes, and forests.” The editor of several important Canadian literary journals (TISH, Open Letter, West Coast Line), Fred is the author of more than twenty books of poetry and prose, including Waiting For Saskatchewan (Turnstone 1985) (this Governor’s General award-winner explores Saskatchewan, “a place that held, for me,” Fred states, “the complications of a mixed-race family history and the geographical site for an Asian-European intersection”) and Diamond Grill (Edmonton: NeWest Press, 1996), a coming-of-age collection based on childhood memories working at his father’s Chinese restaurant. Scree collects almost a half century of work, ranging from visual poetry and jazzy riffs to Black Mountain-style open poems about the Canadian landscape to new narrative prose poems and Haibun. As the poet Rob McLennan writes, “The dialogue between Fred Wah’s earlier works tests the possibilities of a poetics of place, of a syntactic dynamism opened by the North American postwar experiments in form and a push against the Western box of knowledge (a push that is threaded through 1960s counterculture up to the globalization of the early 1990s).”

Three award-winning poets will read and comment on Fred’s poems: Wo Chan and Mark Nowak. A queer Fujianese poet and drag performer, Wo Chan was a 2015 AAWW Margins Fellow, as well as the recipient of fellowships from Poets House, Kundiman, and Lambda Literary; read Wo’s poems Such as and Chopped in The Margins. Guggenheim Fellow and former labor organizer Mark Nowak is the author of Shut Up Shut Down (Coffee House Press 2004, afterword by Amiri Baraka), named a The New York Times “Editor’s Choice,” and the acclaimed book on coal mining disasters in the US and China, Coal Mountain Elementary (Coffee House Press 2009), which Howard Zinn called “a stunning educational tool.”

Moderated by Simon Fraser University Professors Jeff Derksen. A poet and theorist at the nexus of geography, cultural production, and globalization, Jeff co-founded Vancouver’s writer-run centre, the Kootenay School of Writing. He has written several books including The Vestiges (2013), Transnational Muscle Cars (2010) and Annihilated Time: Poetry and Other Politics (2010), all from Talonbooks.

Co-sponsored by the Manhattanville MFA program

For more information, click here.

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Seeing Baltimore’s Native Americans Clearly

Posted in Articles, Arts, Interviews, Media Archive, Native Americans/First Nation, Tri-Racial Isolates, United States on 2016-04-12 22:46Z by Steven

Seeing Baltimore’s Native Americans Clearly

BmoreArt
Baltimore, Maryland
2015-05-26

Cara Ober, Founding Editor

An Inverview with Ashley Minner about her Exquisite Lumbee Project, currently on display at Trickster Gallery

Ashley Minner is a community based visual artist from Baltimore, Maryland. She holds a BFA in Fine Art, an MA and an MFA in Community Art, which she earned at MICA. A member of the Lumbee Tribe of North Carolina, she has been active in the Baltimore Lumbee community for many years. Her involvement in her community informs and inspires her studio practice. Ashley is currently a PhD in American Studies student at University of Maryland College Park, where she is studying vernacular art as resistance in tri-racial isolate communities of the U.S. South and Global South

Read the entire interview here.

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What Jefferson did to Hemings was rape.

Posted in Excerpts/Quotes on 2016-04-12 22:26Z by Steven

By all accounts, [Thomas] Jefferson’s sexual relationship with [Sally] Hemings spanned several decades, beginning when Hemings was a teenager and Jefferson was in his 40s. It was not, in any sense of the word, consensual: Hemings was a child, and Jefferson literally owned her; she was not in any position to give or withhold consent. What Jefferson did to Hemings was rape.

Constance Grady, “Thomas Jefferson spent years raping his slave Sally Hemings. A new novel treats their relationship as a love story.Vox, April 8, 2016. http://www.vox.com/2016/4/8/11389556/thomas-jefferson-sally-hemings-book.

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Raising mixed-race kids who feel secure in their identity

Posted in Articles, Family/Parenting, Identity Development/Psychology, Media Archive, United States on 2016-04-12 22:19Z by Steven

Raising mixed-race kids who feel secure in their identity

NewsWorks
WHYY
Philadelphia, Pennsylvania
2016-04-11

Lori L. Tharps, Assistant Professor of Journalism
Temple University, Philadelphia, Pennsylvania

I’m black American. My husband is from Spain. Before we started a family, the race of my future children never gave me cause for concern or worry. I guess I just assumed that since we lived in the United States, they’d be black like me. I did spend a lot of time researching the most successful ways to raise bilingual children. I actually thought the fact that my children were going to speak two different languages was going to be the biggest difference between us. I was wrong.

My children aren’t just black. They have a Spanish father. So that makes them biracial. And while finding the perfect label or identity box to check off on government forms is hardly a critical issue in my parenting routine, raising children who are secure in their ethnic identity often feels like a struggle.

Living in a country as race obsessed as the United States makes identity politics a necessary evil to explore when family members in the same household are different races. Please note, I firmly believe there is only one human race and that the false construct of race that was invented in the 18th century with intentions of creating a hierarchy of man, is complete and utter hogwash. Unfortunately, because as a nation we subscribe to said hogwash, I would be a bad parent if I did not address these issues with my children who will face questions and challenges about their racial identity. But the questions they face will be and are different from mine. These aren’t the kind of things they teach you how to deal with in a Parenting 101 class…

Read the entire article here.

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Uncovering Hidden Histories: Hobbs Discusses Her Award-Winning Book

Posted in Articles, History, Media Archive, Passing, United States on 2016-04-12 22:01Z by Steven

Uncovering Hidden Histories: Hobbs Discusses Her Award-Winning Book

The Colgate Maroon-News
Hamilton, New York
2016-03-31

Megan Leo, Section Editor

On Monday, March 21, Colgate students and faculty gathered in the Persson Auditorium to listen to Assistant Professor of History at Stanford University Allyson Hobbs, who gave a lecture about her book A Chosen Exile: A History of Racial Passing in American Life.

Racial passing occurs when a member of a certain racial group is also accepted as a member of another racial group. In the context of her book and lecture, Hobbs specifically examined the phenomenon of African Americans passing as Caucasian to escape systematic racism in the United States.

“[Passing is fundamentally] a social act, with enormous social consequences,” Hobbs said…

…Assistant Professor of History Daniel Bouk was instrumental in bringing Hobbs to speak at Colgate.

“Professor Heather Roller and I dreamed up a plan of inviting Professor Hobbs out to campus after we decided to assign her book to both our introductory history workshop classes and our senior honors seminar. We were thrilled when Hobbs said yes and when we won the support of the History Department, the Africana and Latin American Studies Program and the Sio Chair in Diversity in Community, which made the visit possible,” Bouk said.

Bouk provided some background as to why he made the decision to assign A Chosen Exile to Colgate students.

“We assigned Hobbs’s book because we thought it was a model for writing cultural history – it is beautifully crafted and draws on sources in very clear ways to tell its story. We hoped to inspire our history students to commit themselves in similar ways to telling the stories of people who are often lost to history,” Bouk said…

Read the entire article here.

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Becoming Melungeon: Making an Ethnic Identity in the Appalachian South by Melissa Schrift (review)

Posted in Anthropology, Articles, Book/Video Reviews, History, Media Archive, Tri-Racial Isolates, United States on 2016-04-12 02:30Z by Steven

Becoming Melungeon: Making an Ethnic Identity in the Appalachian South by Melissa Schrift (review)

Journal of American Folklore
Volume 129, Number 511, Winter 2016
pages 102-103

Jim Clark

Melissa Schrift, Becoming Melungeon: Making an Ethnic Identity in the Appalachian South (Lincoln: University of Nebraska Press, 2013)

In the thorough but concise introduction to her book Becoming Melungeon: Making an Ethnic Identity in the Appalachian South, East Tennessee State University Anthropology Professor Melissa Schrift comes quickly to the following conclusion: “Thus, in my research, interviews with individuals living in Melungeon-related areas resulted in an overwhelming lack of oral history evidence that being Melungeon related to any kind of experiential reality distinct from being Appalachian” (p. 22). The archival material, as well, she says, reinforces the conclusion that “there is simply no evidence that Melungeons existed as a culturally bounded group of people” (p. 22). This being the case, and admitted so early on, one might wonder why she would bother to complete her book about Melungeon identity. Schrift’s purpose, as she states, is to examine the social construction of Melungeon identity especially through the complex and sometimes contradictory lenses of race and class. Specifically, Schrift claims:

In this book I argue that the contemporary revitalization of Melungeon identity borrows from the past to create a new white ethnicity that capitalizes on the cache [sic] of the cultural exotic while underplaying stigmatized aspects of heritage. I trace the ways in which individuals employ genealogy, blood metaphors, narratives of oppression, and physiological traits as they become Melungeon. In this way the process of becoming Melungeon reflects a kind of racial passing from a collectively imagined whiteness to a more desirable non-white, or, perhaps, off-white, otherness.

(p. 28)

In chapters 1 and 2, Schrift explores early media representations of the Melungeons, a mysterious, dark-skinned, presumably mixed-race people living in Hancock County, in northeast Tennessee. Schrift ties these writings, the earliest dating from about 1880, to the literary “local color” movement, an early, nationalistic phase of the progression toward literary realism that focused on the quaint, the atmospheric, the colorful, and the unusual, in language that typically featured large amounts of equally colorful and unusual dialect. “The effect of local color writing in Appalachia, and elsewhere,” Schrift writes, “was to create images of an exotic otherness” (p. 33). One of the earliest and most popular writers to depict the Melungeons was “a female Nashville reporter named Will Allen Dromgoole” who had indeed actually visited Hancock County and talked with the natives. “Dromgoole’s articles were sensationalistic and ethnocentric,” Schrift says, “producing a national template for future media coverage on Melungeons” (p. 38). Continuing in chapter 2 with an analysis of the media representation of Melungeons over the next 100 years, roughly speaking, Schrift reaches a startling conclusion:

A critical analysis of hundreds of Melungeon articles yields an incredible truth—the Melungeon story is a respindled yarn with little or no basis in ethnographic reality. As I examine the context in which the earliest Melungeon articles were written, I argue that the media manufactured a Melungeon legend that has little to do with any lived experiences of an identifiable group of people.

(p. 53)

Much like other perennial mysteries—UFOs, the Loch Ness Monster, Atlantis, the Bermuda Triangle, Bigfoot—the Melungeon legend is largely a socially constructed “media phantasm” (p. 68).

However, this is hardly the end of this fascinating story. In the late 1960s and early 1970s, an outdoor drama about the Melungeons, Walk Toward the Sunset, was produced in Hancock County. The brainchild of some members of the Hancock County Resource Development Committee, working with Carson Newman College Professors Gary Farley and Joe Mack High in 1966, the play was regionally popular. It was, however, somewhat controversial locally, especially owing to short-lived bus tours through Vardy Valley, in Hancock County, organized by local businessman and Development Committee member Claude Collins, during which it was suggested that tourists might be able to catch a glimpse of an actual Melungeon. Nevertheless, the impact of the drama on the Melungeon legend, as well as on Hancock County, was large. As Schrift points out: “With the drama, Melungeonness secured a public presence in the community for the first time, and the media gained a foothold to talk about Melungeons in a tangible way” (p. 69).

In chapters 4 and 5, Schrift shifts her focus “from media representations of Melungeons to social constructions of Melungeon identity vis-à-vis…

Read or purchase the article here.

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Coiled Serpent: Poems that Protect, in New Anthology

Posted in Articles, Book/Video Reviews, Latino Studies, Media Archive, United States on 2016-04-12 02:13Z by Steven

Coiled Serpent: Poems that Protect, in New Anthology

KCET
Burbank, California
2016-04-01

Mike Sonksen


The coiled serpent serves as a poetic totem to protect the City of Angels. Published by Tia Chucha Press

Over the last five years, a number of books and anthologies have been published to spotlight literary Los Angeles and its rich landscape of poets and writers. The newest anthology is the most extensive yet. Tia Chucha Press has just released, “Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles.” Edited by Neelanjana Banerjee, Daniel A. Olivas and Ruben J. Rodriguez, this collection includes 160 poets from well-known seasoned scribes like Wanda Coleman, Kamau Daaood, Michael C. Ford, California State Poet Laureate Dana Gioia, Peter J. Harris, Ruben Martinez, S. Pearl Sharp, Amy Uyematsu and Terry Wolverton to up-and-coming younger bards like Xochitl-Julisa Bermejo, F. Douglas Brown, Jessica Ceballos, Chiwan Choi, Francisco Escamilla, William Gonzalez, Douglas Kearney, Traci Kato-Kiriyama, Teka Lark, Karineh Mahdessian, Jeffrey Martin, Luivette Resto and Vickie Vertiz.

The book is dedicated to three great writers who have died in the last few years: Wanda Coleman, John Trudell and Francisco Alarcon. The volume’s four-page “Introduction,” is written by Los Angeles Poet Laureate Luis Rodriguez and it goes a long way to describe the collection’s spirit…

Read the entire review here.

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Alumni Interview: Miranda Brawn Esq

Posted in Articles, Autobiography, Interviews, Law, Media Archive, United Kingdom, Women on 2016-04-12 01:58Z by Steven

Alumni Interview: Miranda Brawn Esq

The University of Law
Future Lawyers Network
Guildford, Surrey, United Kingdom
2015-04-30

Since qualifying as a Barrister, Miranda Brawn has not looked back. Currently, Director of Legal and Transaction Management at Daiwa Capital Markets and specialising in finance, she has worked with top investment banks such as Goldman Sachs, JPMorgan, and Citigroup. Passionate about promoting diversity within the profession she is patron for Black British Academics and a Board member for various diversity organisations such as the Black Cultural Archives and the City Women Network.

Do you believe there are greater challenges for women and people from ethnic backgrounds to succeed in law?

I think there are challenges for everyone regardless of their gender and race to succeed in law as it is one of the most competitive fields to enter which includes investment banking. I have managed to succeed in both of these fields, which have in the past been considered to be a male dominated industry. That said, being a female and from an ethnic background, I have proven that it is possible to overcome challenges with the right amount of drive, intelligence and determination…

Finally, tell us something about yourself that people might not know

I have a family history of law and politics where I am related to Sir Thomas Bellot, 2nd Bt. 1 (1651-1709), who studied at Oxford University, was admitted to Lincoln’s Inn in 1670, succeeded to the title of 2nd Baronet Bellot in 1674 and was a Member of Parliament (MP) for Newcastle-under-Lyme from 1679 until 1681…

Read the entire interview here.

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Tonight: Syfy Premieres New Alien Terrorist Series, ‘Hunters’

Posted in Articles, Arts, Media Archive on 2016-04-12 01:42Z by Steven

Tonight: Syfy Premieres New Alien Terrorist Series, ‘Hunters’

Shadow and Act: On Cinema Of The African Diaspora
2016-04-11

Tambay A. Obenson


Britne OlfordHUNTERS

Tonight, Syfy premieres the first season of “Hunters” it’s new fantastical procedural thriller produced by Universal Cable Productions (in association with Valhalla Entertainment and Atlas Entertainment, respectively).

Britne Oldford (“American Horror Story“) plays the female lead in the 13-episode loose adaptation of Whitley Strieber’s best-selling novel “Alien Hunter,” which tells the story of a brilliant police detective’s obsessive investigation into the mysterious disappearance of his wife, which he eventually concludes wasn’t at all voluntary, even though it initially appears that way. Somebody is taking people and making it look like they walked out on their own. As the detective gets closer to the truth, his work comes to the attention of a Special Agent, a member of the most secret police unit on the planet, tasked with seeking out the most brilliant and lethal criminals, but from another world – alien terrorists. The Special Agent leads the detective into a hidden fantastical world of extraordinary challenge and danger, as they take on the most difficult police assignment ever known to man…

Read the entire article here.

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Sacramento’s Mexican genealogists trace their roots to Aztec empire

Posted in Anthropology, Articles, Caribbean/Latin America, History, Latino Studies, Media Archive, Mexico, United States on 2016-04-12 01:29Z by Steven

Sacramento’s Mexican genealogists trace their roots to Aztec empire

The Sacramento Bee
Sacramento, California
2016-04-10

Stephen Magagnini

Highlights

  • Mexican Americans use Catholic Church records, other documents to map family roots
  • Some trace family history to Aztecs, colonial Mexico
  • Interest in Mexican family histories is growing as Latinos become biggest group in California

Maria Cortez dug deep into Catholic Church records and family histories and struck gold.

The retired state-worker-turned-genealogist managed to trace her roots back to two of the most famous figures in Mexican history: Miguel Hidalgo, who declared independence from Spain in 1810 with “el grito de Dolores,” and the Aztec emperor Moctezuma II. “You’d be amazed; I think everyone has fascinating stories to be discovered,” said the 55-year-old, who co-founded the Sacramento-based Nueva Galicia Genealogical Society, thought to be the oldest Mexican genealogical club in California.

Cortez and 20 other Mexican Americans with roots in the states of Jalisco, Zacatecas and Aguascalientes gathered Saturday at the Sacramento Family History Center for the club’s quarterly meeting, scanning church records, Mexican census data and border-crossing information to excavate secrets of the past. Interest in exploring Mexican roots is surging, now that Latinos are the state’s largest ethnic group, genealogy TV shows are hot and DNA research is becoming more exact, Cortez said.

Mexican Americans can trace their DNA to as many as five continents, said Cortez, who was born in Guadalajara, Jalisco.

As thrilled as she was to learn that Hidalgo was her seventh cousin four times removed, and that evidence shows Moctezuma was her 12th-great-grandfather, Cortez was shocked to learn the blood of a dozen nations flows through her veins. She said DNA tests show she’s not only 41 percent Native American and 30 percent Iberian, but also 2 percent North African, a little less than 1 percent Bantu from southeastern Africa, 4 percent west Asian, 3 percent Middle Eastern, 1 percent European Jewish, 9 percent Greek and Italian, 5 percent Irish, another 5 percent from Great Britain, along with some roots in southern and central Asia and northwestern Russia.

“We’re the most mixed race in the world, and I’m a child of the world,” said Cortez, noting that other club members have made similar discoveries after researching their DNA. “In Mexico, you’re not taught about slavery, but slavery existed there. … They didn’t disappear. They married and mixed in with the rest of the population, so a lot of us have African ancestry.”…

Read the entire article here.

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