‘The Beautiful Faces of my Black People’: race, ethnicity and the politics of Colombia’s 2005 census

Posted in Articles, Caribbean/Latin America, Census/Demographics, Media Archive, Politics/Public Policy, Social Science on 2017-01-06 02:22Z by Steven

‘The Beautiful Faces of my Black People’: race, ethnicity and the politics of Colombia’s 2005 census

Ethnic and Racial Studies
Volume 36, 2013 – Issue 10: Rethinking Race, Racism, Identity, and Ideology in Latin America
Pages 1544-1563
DOI: 10.1080/01419870.2013.791398

Tianna S. Paschel, Assistant Professor of African American Studies
University of California, Berkeley

The recent multicultural turn in Latin America has made the census a key site of struggle for both recognition and resources. Drawing on document analysis and ethnographic methods, this paper examines the politics around Colombia’s 2005 census. I argue that Afro-Colombian organizations were successful in pressuring the state to move beyond the purely cultural notions of blackness institutionalized in the 1991 constitution and toward a broader ethno-racial Afro-Colombian category in the 2005 census. However, their success required them not only to situate their claims in international mandates and domestic law, but also to grapple with competing definitions of blackness within the movement itself. In this way, the Afro-Colombian movement has been an important actor in shaping how ‘official’ ethno-racial categories are made and remade in Colombia. This case not only sheds light on the politics of multiculturalism in Latin America more generally, but raises questions about how we understand ‘race’ versus ‘ethnicity’.

Read the entire article here.

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Guest DJ Xenia Rubinos Spins Music From Solange To Ravel

Posted in Articles, Arts, Audio, Latino Studies, Media Archive, United States on 2017-01-06 02:06Z by Steven

Guest DJ Xenia Rubinos Spins Music From Solange To Ravel

alt.Latino: Latinx Arts and Culture
National Public Radio
2017-01-04

Felix Contreras, Host


Xenia Rubinos plays Guest DJ on this week’s episode of Alt.Latino.
Courtesy of the artist

Vocalist Xenia Rubinos ended 2016 with a bang: Her album Black Terry Cat was singled out in best-of-the-year lists by NPR Music, The New York Times and Rolling Stone. That kind of recognition is a major deal for an independent artist with a one-of-a-kind artistic vision.

Alt.Latino first recognized that vision back in 2012, when we featured a track from Rubinos’ first self-released EP, Magic Trix. After we first heard Black Terry Cat earlier this year, we rushed her and her band into our office for a mesmerizing Tiny Desk concert that only hints at the magic of her live show…

Read the entire article and listen to the show here.

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The Latinos of Asia: How Filipino Americans Break the Rules of Race [Review]

Posted in Articles, Asian Diaspora, Book/Video Reviews, Latino Studies, Media Archive, Social Science, United States on 2017-01-06 01:49Z by Steven

The Latinos of Asia: How Filipino Americans Break the Rules of Race [Review]

Sociology of Race and Ethnicity
Volume 3, Issue 1, (January 2017)
pages 145-146
DOI: 10.1177/2332649216676788

Emily Walton, Assistant Professor of Sociology
Dartmouth College, Hanover, New Hampshire

Anthony Christian Ocampo, The Latinos of Asia: How Filipino Americans Break the Rules of Race. Stanford, CA: Stanford University Press, 2016. 272 pp. $22.95. ISBN 978-0-8047-9754-2

“For the first time ever, I felt like I was reading about my life,” my Filipina student told me when returning my copy of The Latinos of Asia. Her reaction highlights a major strength of Anthony Ocampo’s new book: It weaves an untold story. Though Filipinos are one of America’s longest-residing ethnic groups, academic and popular discourse provide little understanding of factors shaping their identity. Ocampo highlights the lived experiences of Filipino Americans as they navigate the multiple structures influencing their identities—legacies of colonization by both Spain and the United States, neighborhood environments, and educational institutions—structures that operate differently depending on one’s stage in the life course. On this front, The Latinos of Asia is a considerable achievement. Because of its broad accessibility, Ocampo’s book fills an important gap in our knowledge about an often-overlooked group while also providing a foundation for understanding the “unwritten rules of race.”

Ocampo’s book begins with a historical analysis of four centuries of colonial and dictatorial regimes in the Philippines. Having spent more than 300 years as a colony of Spain, today the Philippines is the only majority Roman Catholic society in Asia, Spanish words are embedded in Filipino languages, and there is a deep cultural focus on family as the center of social life. The subsequent 50 years of U.S. colonial rule resulted in continued subjection to extensive “civilization” projects for “America’s little brown brothers.” Most consequential was the complete overhaul of the educational system, which established English as the primary language of instruction. Independence from colonialism in 1946 was ultimately bittersweet, however, as it ushered in a period of poverty in the Philippines. Centuries of colonial rule had depleted the country’s rich natural resources, facilitated the underdevelopment of the national economy, and created a large pool of educated workers facing limited labor market opportunities. Dictator Ferdinand Marcos stepped in with promises of economic reform and established a labor migration program that funneled skilled Filipino workers throughout the world…

Read the entire review here.

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National Colors: Racial Classification and the State in Latin America [Review]

Posted in Articles, Book/Video Reviews, Caribbean/Latin America, Media Archive, Politics/Public Policy, Social Science on 2017-01-06 01:16Z by Steven

National Colors: Racial Classification and the State in Latin America [Review]

Sociology of Race and Ethnicity
Volume 3, Issue 1, (January 2017)
pages 141-145
DOI: 10.1177/2332649216676789

Mark Q. Sawyer, Associate Professor of Political Science
University of California, Los Angeles

Mara Loveman, National Colors: Racial Classification and the State in Latin America. Oxford, UK: Oxford University Press, 2014. 376 pp. $26.95. ISBN 978-0-19-933736-1

States, and in particular Latin American states, have been classified by race. National Colors: Racial Classification and the State in Latin America by Mara Loveman seeks to answer how and why states do so. The book is remarkable for its depth and scope, analyzing several countries essentially from some of the earliest colonial attempts at measurement driven by central authorities to contemporary census policies that may follow the dictates of social movements and international organizations.

Loveman rightly argues that states do not make race out of nothing but rather pick recognizable signs of human variation and endow them with characteristics and also use these axes as a means of allocating social value, either formally or informally. Loveman notes there can be slippage between state, personal, and socially recognized categorization, given all parties have different ideologies and incentives with regard to categorization. However, out of the cacophony emerge dominant discourses and ideas that define race for groups of people that come to be defined as discrete populations. But the Latin American story is not without complications at various historical points. Different logics have driven state categorization, and the state may not formally categorize at all.

Mara Loveman argues that the census first reflected colonial issues and concerns. It buttressed national projects developed by state elites. Colonial administrators saw populations as “key resources” to be enumerated. Racial categories imposed by colonial authorities identified the civilized and the uncivilized and in many cases outlined castes and detailed racial-ethnic mixtures and hierarchies that in different forms have remained part of the racial lexicon in Latin America. Loveman follows what has become the growing orthodoxy applied to historical and contemporary race in Latin America. She correctly finds that colonial authorities constructed and maintained elaborate racial hierarchies, which related to forced labor, land dispossession, and social and economic discrimination. Categories thus had material and symbolic consequences.

Loveman joins scholars like Michael Hanchard, Edward Telles, Peter Wade, Melissa Nobles, Tianna Paschel, Christina Sue, and Tanya Golash-Boza, who document both the ways in which white elites maintained racial hierarchies using the state, and how blacks, Indians, and mixed-raced individuals resisted categorization and racial discrimination in big and small ways…

Read the entire review here.

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Ruth Negga: ‘Stories about race and identity pique my interest… I have always felt like a fish out of water’

Posted in Articles, Arts, Europe, Interviews, Media Archive, United Kingdom on 2017-01-06 00:24Z by Steven

Ruth Negga: ‘Stories about race and identity pique my interest… I have always felt like a fish out of water’

The Belfast Telegraph
2016-12-31

Patricia Danaher


Starring role: Ruth Negga’s career is going from strength to strength

Nominated for a Golden Globe, tipped for an Oscar and on the cover of Vogue, Ruth Negga is the woman of the moment. Here, the actress tells Patricia Danaher how growing up mixed race in the Republic helped her inhabit the role that’s made her a star

It seems somewhat fitting that, as the cover star of US Vogue’s January edition, Ruth Negga wears an Alexander Wang blouse covered in red roses. After all, back home in Ireland it’s for her role as Rosie in Love/Hate that Ruth is perhaps best known.

That part, as the star-crossed lover of the show’s original protagonist Darren (played by Robert Sheehan) was, of course, just one of the many times the Limerick woman has graced TV screens in recent years. The chameleon-like actress has also featured in such diverse productions as Neil Jordan’s Breakfast on Pluto, edgy Channel 4 show Misfits, and big-budget US series Agents of Shield and Preacher.

In the UK, she works almost continuously on video games, in theatre and on TV – winning critical acclaim for her portrayal of Ophelia at the National Theatre and of Shirley Bassey in a BBC biopic about the singer. Despite these numerous prominent roles, however, 35-year-old Ruth has managed to stay mostly under the radar in her long career.

Until now, that is. Nominated earlier this month for a Golden Globe and hotly tipped for an Oscar, she’s gone from jobbing actor to Vogue cover girl in the blink of an eye. In Hollywood, those who have just discovered Ruth through her role in new movie Loving are calling her “an overnight success, 10 years in the making”…

Read the entire article here.

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