I identify in a category not formalized or accepted in colonial census charts or western ways of understanding the other, as a black South Asian. I am an Indian who lays claim to the global community of black consciousness, and I reside between so many worlds of belonging and unbelonging.

Posted in Excerpts/Quotes on 2018-05-20 01:33Z by Steven

I identify in a category not formalized or accepted in colonial census charts or western ways of understanding the other, as a black South Asian. I am an Indian who lays claim to the global community of black consciousness, and I reside between so many worlds of belonging and unbelonging. In racializing colorism and politicizing my own experience of antipathy witnessed toward the color of my skin, I crafted my own passport into marooned and shapeshifting black communities that gave credence to ontologies and a posteriori narratives over normative constructions of race, ethnicities, and nationalities.

Shreerekha, “In the Wake of His Damage,” The Rumpus, May 12, 2018. http://therumpus.net/2018/05/in-the-wake-of-his-damage/.

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Mixed Korean: Our Stories

Posted in Anthologies, Asian Diaspora, Books on 2018-05-20 01:26Z by Steven

Mixed Korean: Our Stories

Truepeny Publishing Company
2018
ISBN: 978-0-692-06959-2

Edited by: Cerrissa Kim, Katherine Kim, Soon Kim-Russell, and Mary-Kim Arnold

From the struggles of the Korean War, to the modern dilemmas faced by those who are mixed race, comes an assortment of stories that capture the essence of what it is to be a mixed Korean. With common themes of exclusion, and recollections of not looking Korean enough, black enough, white enough, or “other” enough, this powerful collection features works by award-winning authors Alexander Chee, Michael Croley, Heinz Insu Fenkl, alongside pieces composed by prominent writers, poets and scholars. Interwoven between known literary names, are the voices of newcomers with poignant memories that have never been captured before. Collectively, these stories will resonate with anyone who has ever stood on the outside of a group, longing for inclusion. They are a testament to the courage, strength and resilience of mixed people everywhere.

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The Chat With Chelene Knight

Posted in Articles, Autobiography, Canada, Interviews, Media Archive on 2018-05-20 00:59Z by Steven

The Chat With Chelene Knight

49th Shelf
2018-05-09

Trevor Corkum

dearcurrentoccupant

Chelene Knight’s debut memoir Dear Current Occupant (Bookt*ug) takes a closer look at childhood trauma and the uncertain idea of home. It’s a haunting, experimental, and deeply moving book which follows the author as she returns to many of the apartments she lived in as a young girl.

The Toronto Star calls Knight “one of the storytellers we need most right now” and calls the writing in Dear Current Occupant “lush, lyrical…mesmerizing.”

Chelene Knight was born in Vancouver, and is currently the Managing Editor of Room Magazine. A graduate of The Writers’ Studio at SFU, Chelene has been published in various Canadian and American literary magazines. Her debut book, Braided Skin, was published in 2015. Dear Current Occupant is her second book. Chelene is also working on a historical novel set in the 1930s and 40s in Vancouver’s Hogan’s Alley.

Trevor Corkum: Can you tell us more about the inspiration behind Dear Current Occupant?

Chelene Knight: While I was writing my first book, Braided Skin (Mother Tongue Publishing 2015), I felt that there was an unfinished thread. Something wasn’t complete. I actually started working on Dear Current Occupant in 2013, but quickly tucked it away because the realization that I was not ready to re-experience everything was quite apparent. I was not ready to write these stories.

When it comes to childhood and trauma, there’s a certain amount of healing that needs to occur, you have to distance yourself a bit, step back from the table. Every day on my way to work I’d pass ride the Sky Train and just before the train pulled into Broadway Station, I’d get this twinge as I passed one of the buildings I used to live in as a young girl. Then I’d pass another, and another, and another and the same twinges poked and prodded under my skin. Then I knew I was ready to start the work, to put the pieces together.

I stood out front of as many of the houses as I could remember and I just wrote. It was winter and I was cold. I didn’t have gloves on and the snow was coming down, but I couldn’t stop. Memories and fragments came back like lightening. There was something about being there in the space. Even though I was outside those walls I knew so well, I will still there, back in time. I had no idea the effect this book would have on people. I have received nothing but stories of change, emails, tweets, messages, and posts about how this book changed them.

And at the end of the day isn’t that what a book is supposed to do? Change the reader…

Read the entire interview here.

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“You say they’ll be cool with it, but seriously, Harry, you don’t know how white people can get about this stuff.”

Posted in Excerpts/Quotes on 2018-05-20 00:44Z by Steven

“You say they’ll be cool with it, but seriously, Harry, you don’t know how white people can get about this stuff. I really don’t want to show up to the royal goddamned wedding and suddenly the Queen, Prince Charles, and Camilla Little-Miss-Perfect Duchess of Cornwall are being all weird! I wonder what could make them act like that, huh? Oh, God—please say your brother Prince William at least knows.” —“Meghan Markle

Furious Meghan Markle Can’t Believe Harry Hasn’t Told Family She’s Black Yet,” The Onion, May 17, 2018. https://www.theonion.com/furious-meghan-markle-can-t-believe-harry-hasn-t-told-f-1826104835.

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