Her way. The new way.

Posted in Articles, Arts, Media Archive, Social Justice, United States on 2018-10-08 00:22Z by Steven

Her way. The new way.

The Washington Post
2018-10-04

Ann Hornaday, Movie Critic


Amandla Stenberg, the 19-year-old star of “The Hate U Give.” (Marvin Joseph/The Washington Post)

Amandla Stenberg is redefining fame for a time when the personal, the professional and the political have never been more fused.

On a recent visit to the National Museum of African American History and Culture, actress Amandla Stenberg made a beeline for “Watching Oprah,” an exhibit dedicated to the TV-icon-turned-all-of-it-icon.

Oprah was very integral in my household,” she said, peering at the biographical information on the walls. “My mom used to be a journalist. . . . She worked at Elle magazine and then moved into celebrity journalism. The irony is not lost on me.”…

…Biracial in ethnic derivation, nonbinary in gender identification, gay in sexual orientation, multi-hyphenate in creative aspiration, Stenberg embodies a similar blurring of boundaries. She grew up in Los Angeles with her African American mother and Danish father, commuting from their modest Leimert Park neighborhood to the far tonier Wildwood School. Her first movie role was in “Colombiana,” as a young version of Zoe Saldana. “The Hunger Games” — just her second film — was seen by tens of millions of people around the world. But it was a video she made for history class in 2015 that became a watershed: Called “Don’t Cash Crop My Cornrows,” the 4-minute-30-second tutorial explained the most offensive dynamics of cultural appropriation. After Stenberg posted the video on Tumblr, it became a viral sensation…

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Forwards and Backwards

Posted in Articles, Asian Diaspora, Identity Development/Psychology, Media Archive on 2018-10-08 00:01Z by Steven

Forwards and Backwards

Hapa Japan
2018-09-30

Fredrick Cloyd

Whenever I think of living in the world as writer, as thinker, as cultural worker, as identities-in-motion and identities-in-between, I think of the projections we are placed into by others, and by ourselves to ourselves. How others put their own ideas onto us, their assumptions and judgements that follow, align with or compete with the same things we do to ourselves, according to the cultural and language frames we use for ourselves—the labels and concepts of what we learn and think we know. And in addition, there is the reality of a fixed identity or thought that interferes with reality. If we are “hāfu” then we cannot be “pure” or “white” or democrat, republican, woman, man, etc. And then the “human” label also plays its role. “I am human therefore you are wrong in labeling me such-and-such….”

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