“My mother understood she was raising two black children to be black women.”

Posted in Excerpts/Quotes on 2019-03-29 02:59Z by Steven

“My mother understood she was raising two black children to be black women,” [Kamala] Harris said in the interview, a line she has often used to settle questions on the subject. Shyamala Gopalan Harris encouraged her daughter to go to Howard [University], a school her mother knew well, having guest lectured there and having friends on the faculty.

“There was nothing unnatural or in conflict about it at all,” Harris said. “There were a lot of kids at Howard who had a background where one parent was maybe from the Philippines and the other might be from Nairobi,” she added. “Howard encompasses the [African] diaspora.”

Evan Halper, “A political awakening: How Howard University shaped Kamala Harris’ identity,” The Los Angeles Times, March 19, 2019. https://www.latimes.com/politics/la-na-pol-kamala-harris-howard-university-20190319-story.html.

Tags: , , , , , , , ,

A political awakening: How Howard University shaped Kamala Harris’ identity

Posted in Articles, Biography, Media Archive, Politics/Public Policy, United States, Women on 2019-03-29 02:47Z by Steven

A political awakening: How Howard University shaped Kamala Harris’ identity

The Los Angeles Times
2019-03-19

Evan Halper

A political awakening: How Howard University shaped Kamala Harris’ identity
Kamala Harris, right, protests South African apartheid with classmate Gwen Whitfield on the National Mall in November 1982. (Photo courtesy of Kamala Harris)

The war on drugs had erupted, apartheid was raging, Jesse Jackson would soon make the campus a staging ground for his inaugural presidential bid. Running for student office in 1982 at Howard University — the school that nurtured Thurgood Marshall, Toni Morrison and Stokely Carmichael — was no joke.

Sen. Kamala Harris (D-Calif.) has been known to break the ice with voters by proclaiming the freshman-year campaign in which she won a seat on the Liberal Arts Student Council her toughest political race. Those who were at the university with her are not so sure she is kidding.

It was at Howard that the senator’s political identity began to take shape. Thirty-three years after she graduated in 1986, the university in the nation’s capital, one of the country’s most prominent historically black institutions, also serves as a touchstone in a campaign in which political opponents have questioned the authenticity of her black identity.

“I reference often my days at Howard to help people understand they should not make assumptions about who black people are,” Harris said in a recent interview…

Read the entire article here.

Tags: , , , , , , , ,

My First School Talk On Raising Mixed Kids

Posted in Articles, Identity Development/Psychology, Media Archive, Teaching Resources, United States on 2019-03-29 02:35Z by Steven

My First School Talk On Raising Mixed Kids

Sharon Chang: author | photographer | activist
2019-03-21

Sharon H. Chang

SHC Event Flyer All CD

I gave the first, dedicated talk I’ve ever given on raising Mixed Race children in Seattle, Tuesday, March 5: “Raising Mixed Kids: Multiracial Identity & Development.”…

Read the entire article here.

Tags: , , , ,

Mixed Up: ‘Racism made me feel sub-human. I used to pretend to be anything but black’

Posted in Articles, Autobiography, Identity Development/Psychology, Media Archive, United Kingdom on 2019-03-29 02:25Z by Steven

Mixed Up: ‘Racism made me feel sub-human. I used to pretend to be anything but black’

METRO.co.uk
2019-03-20

Natalie Morris, Senior lifestyle Writer


(Picture by Jerry Syder for Metro.co.uk)

Welcome to Mixed Up, a series that aims to elevate the under-heard narratives of mixed-race people

Billie Dee Gianfrancesco is half white and half black Caribbean.

She spent her childhood hating and denying her blackness, until a total breakdown in her mid 20s forced her to reassess her identity.

‘My mother was born in Hackney in London, my grandmother was a part of the Windrush generation and came to London from Dominica to be an NHS nurse,’ Billie tells Metro.co.uk.

‘We aren’t sure who my grandfather is or where he came from, but DNA tests show that he was black and that he probably came from somewhere in the Caribbean.

‘My father is white Australian, and I was born in Sydney. My parents divorced when I was five and I moved to Norfolk in the UK in 1998 when I was eight, with my mother, Italian-Australian step-dad, and younger sister.

‘I spent my entire life, up until the last few years, really struggling with my identity.’…

Read the entire article here.

Tags: , , ,

Mixed Up: ‘I have been accepted by black people and distanced by white people’

Posted in Articles, Autobiography, Identity Development/Psychology, Media Archive, United Kingdom on 2019-03-29 02:09Z by Steven

Mixed Up: ‘I have been accepted by black people and distanced by white people’

METRO.co.uk
2019-03-13

Natalie Morris, Senior lifestyle Writer


(Picture by Jerry Syder for Metro.co.uk)

Elliott Reid is an osteopath with English and Jamaican heritage. He doesn’t believe in the concept of race – he sees it as nothing more than a social construct.

‘Specifically, I descend from the Maroons, the freedom fighters of Jamaica who resided in the eastern mountains of the island,’ explains Elliott.

‘My family names are chiselled into the Emancipation War Monument in Sam Sharpe Square in Montego bay; a monument to all those who fought in the greatest fight for freedom in the British Caribbean, as 60,000 Africans fought the English on Christmas Day, 1831

Read the entire article here.

Tags: , , ,

Black for a Day: White Fantasies of Race and Empathy [Kuryla Review]

Posted in Articles, Book/Video Reviews, History, Media Archive, Passing, United States on 2019-03-29 01:39Z by Steven

Black for a Day: White Fantasies of Race and Empathy [Kuryla Review]

Journal of American History
Volume 105, Issue 4, March 2019
pages 1073–1074
DOI: 10.1093/jahist/jaz127

Peter Kuryla, Associate Professor of History
Belmont University, Nashville, Tennessee

Black for a Day: White Fantasies of Race and Empathy. By Alisha Gaines. (Chapel Hill: University of North Carolina Press, 2017. xvi, 213 pp. Cloth, $80.00. Paper, $27.95.)

In Black for a Day Alisha Gaines shows the limitations of a specific kind of white liberal empathy. If liberalism requires that political space include others that are imagined as reasonable and therefore capable of persuasion, then empathy seems central to the project. How should people imagine these others? How should they enact their understanding of the others around them, and how does empathy work amid the tangled, complex history of race and racism in the United States? What happened when white liberals took too literally one of Gunnar Myrdal’s central conclusions in An American Dilemma (1944)—that racism was a white problem? Gaines…

Read or purchase the review here.

Tags: , ,

Dwayne Johnson identifies as both ‘Black and Samoan’

Posted in Articles, Arts, Media Archive on 2019-03-25 14:33Z by Steven

Dwayne Johnson identifies as both ‘Black and Samoan’

IOL News
2019-03-20


Producer and cast member Dwayne Johnson poses at the premiere of the film “Fighting With My Family” during the 2019 Sundance Film Festival, Monday, Jan. 28, 2019, in Park City, Utah. Picture: AP

Dwayne ‘The Rock’ Johnson responded to a social media debate between fans to confirm that he identifies as both Black and Samoan.

The Hollywood star and former WWE champion responded to a social media debate between wrestling fans regarding his ethnicity and how he was portrayed on screen, with one arguing that Johnson – whose father Rocky was Black Canadian and whose mother Ata came from a Samoan family – identified with the latter professionally…

Read the entire article here.

Tags: , , , ,

Quiet as its Kept: Passing Subjects, Contested Identities

Posted in History, Identity Development/Psychology, Live Events, Media Archive, Passing, Social Science, United States on 2019-03-25 14:18Z by Steven

Quiet as its Kept: Passing Subjects, Contested Identities

Vassar College
Poughkeepsie, New York
Friday, 2019-04-05 through Sunday, 2019-04-07

Passing Beyond Passing

The phrase “passing for white” first appears in advertisements for the return of runaway slaves. Abolitionist fiction later adopts the phenomenon of racial passing (together with the figure of the “white slave”) as a major literary theme. The term continued to enjoy currency in literature in the postbellum era and during the Harlem Renaissance. Today, “passing” has various manifestations and applications. Not limited to race, the term may indicate subversions of gender, sexuality, religion, ability and class, among other identity coordinates.

This conference responds to renewed interest in passing that derives from the popularity of genetic genealogy tests, sensational cases of racial fraud (i.e., Rachel Dolezal), the idea of “realness” appropriated from ball culture, racial ambiguity in a surveillance state, public fascination with celebrities like Meghan Markle, and the construction (and manipulation) of online identities (i.e., catfishing and blackfishing). Interdisciplinary perspectives on passing, miscegenation, authenticity, sexuality, kinship, and racial ambiguity in the arts, law, memory, popular culture, and the racial state are invited. Themes may include betrayal, secrecy, dissimulation, subjectivity, masquerade, visibility/invisibility, surveillance, fraud, and belonging.

At Vassar College, interest in this topic has reemerged since the publication of Karin Tanabe’s novel The Gilded Years (2016), about Anita Hemmings’ experience as the first black woman known to attend the College. In 1900, poet, novelist, lyricist Paul Laurence Dunbar modeled one of his musical characters (Parthenia Jenkins in Uncle Eph’s Christmas) after Anita Hemmings. By placing a character with Hemmings’ stature in a farce, Dunbar lampoons class / caste based distinctions. More importantly, he associates Hemmings – a racial performer celebrated for her respectability – with less-respected, equally assertive performers of race. Hemmings’s story is currently being adapted into a film, A White Lie, starring Zendaya and produced by Reese Witherspoon and Zendaya. This conference provides an opportunity to reflect on Hemmings’ experience – and those of other black women – who integrated women’s colleges.

This conference is also an occasion to rethink identity categories that have long been naturalized or taken for granted. From critical race theorists, sociologists, and social psychologists like Cheryl I. Harris, George Lipsitz, and Claude Steele to labor historians and feminist scholars such as David Roediger and Ruth Frankenberg, many intellectuals have examined whiteness as a social formation to which disparate ethnic groups (i.e., Jewish, Italian, and Irish) have assimilated. This conference (and concomitant art show at the Frances Lehman Loeb Art Center) can facilitate careful rethinking of assumptions about identity formations and affiliations. All are welcome.

For more information, click here.

Tags: , , , , , , ,

Taxing Blackness: Free Afromexican Tribute in Bourbon New Spain

Posted in Books, Caribbean/Latin America, Europe, History, Media Archive, Mexico, Monographs on 2019-03-25 13:59Z by Steven

Taxing Blackness: Free Afromexican Tribute in Bourbon New Spain

University of Alabama Press
February 2019
312 pages
9 B&W figures / 3 maps / 23 tables
Trade Cloth ISBN: 978-0-8173-2007-2
eBook ISBN: 978-0-8173-9220-8

Norah L. A. Gharala, Colonial Latin Americanist and Assistant Professor of World History
Georgian Court University, Lakewood, New Jersey

A definitive analysis of the most successful tribute system in the Americas as applied to Afromexicans

During the eighteenth century, hundreds of thousands of free descendants of Africans in Mexico faced a highly specific obligation to the Spanish crown, a tax based on their genealogy and status. This royal tribute symbolized imperial loyalties and social hierarchies. As the number of free people of color soared, this tax became a reliable source of revenue for the crown as well as a signal that colonial officials and ordinary people referenced to define and debate the nature of blackness.

Taxing Blackness:Free Afromexican Tribute in Bourbon New Spain examines the experiences of Afromexicans and this tribute to explore the meanings of race, political loyalty, and legal privileges within the Spanish colonial regime. Norah L. A. Gharala focuses on both the mechanisms officials used to define the status of free people of African descent and the responses of free Afromexicans to these categories and strategies. This study spans the eighteenth century and focuses on a single institution to offer readers a closer look at the place of Afromexican individuals in Bourbon New Spain, which was the most profitable and populous colony of the Spanish Atlantic.

As taxable subjects, many Afromexicans were deeply connected to the colonial regime and ongoing debates about how taxpayers should be defined, whether in terms of reputation or physical appearance. Gharala shows the profound ambivalence, and often hostility, that free people of African descent faced as they navigated a regime that simultaneously labeled them sources of tax revenue and dangerous vagabonds. Some free Afromexicans paid tribute to affirm their belonging and community ties. Others contested what they saw as a shameful imposition that could harm their families for generations. The microhistory includes numerous anecdotes from specific cases and people, bringing their history alive, resulting in a wealth of rural and urban, gender, and family insight.

Tags: , , , , ,

The Chinaberry Tree: A Novel of American Life

Posted in Books, Media Archive, Novels, Passing, United States, Women on 2019-03-25 13:36Z by Steven

The Chinaberry Tree: A Novel of American Life

Dover Publications
2013-11-21 (Originally published in 1931)
352 pages
5.5 x 1 x 8.5 inches
ISBN: 978-0486493220

Jessie Redmon Fauset

Adultery, incest, and questions of racial identity simmer beneath the tranquil surface of suburban life in this novel, set in a small New Jersey town of the early 1900s. Lovely young Laurentine is obsessed with her “bad blood,” inherited from a common-law interracial union. Proud and independent, she longs for the respectability of a conventional marriage. Laurentine’s vivacious and self-confident cousin, Melissa, also aspires to “marry up.” But a family secret shadows Melissa’s dreams and ambitions as she approaches an explosive revelation.

African-American editor, poet, essayist, and novelist Jessie Redmon Fauset (1882–1961) was a prominent figure of the Harlem Renaissance. An editor of the NAACP magazine The Crisis, she was also an editor and co-author of the African-American children’s magazine, The Brownies’ Book. Her third novel, The Chinaberry Tree, draws upon elements of Greek tragedy in its powerful depiction of interracial love and marriage. The tale also offers a modern perspective on the struggle of its African-American heroines toward self-knowledge.

Reprinted from the Frederick A. Stokes Company, New York, 1931 edition.

Tags: , , , ,