Mother of Orphans: The True and Curious Story of Irish Alice, A Colored Man’s Widow

Posted in Biography, Books, Family/Parenting, Forthcoming Media, History, Monographs, United States, Women on 2019-07-12 19:02Z by Steven

Mother of Orphans: The True and Curious Story of Irish Alice, A Colored Man’s Widow

2Leaf Press
July 2019
250 pages
6 x 9
Print ISBN: 978-1-940939-78-0
eBook ISBN: 978-1-940939-87-2

Dedria Humphries Barker

Introduction by:

Cathy J. Schlund-Vials, Professor of English; Professor of Asian/Asian American Studies
University of Connecticut

Mother of Orphans is the compelling true story of Alice, an Irish-American woman who defied rigid social structures to form a family with a black man in Ohio in 1899. Alice and her husband had three children together, but after his death in 1912, Alice mysteriously surrendered her children to an orphanage. One hundred years later, her great-grand daughter, Dedria Humphries Barker, went in search of the reasons behind this mysterious abandonment, hoping in the process to resolve aspects of her own conflicts with American racial segregation and conflict.

This book is the fruit of Barker’s quest. In it, she turns to memoir, biography, historical research, and photographs to unearth the fascinating history of a multiracial community in the Ohio River Valley during the early twentieth century. Barker tells this story from multiple vantage points, frequently switching among points of view to construct a fragmented and comprehensive perspective of the past intercut with glimpses of the present. The result is a haunting, introspective meditation on race and family ties. Part personal journey, part cultural biography, Mother of Orphans examines a little-known piece of this country’s past: interracial families that survived and prevailed despite Jim Crow laws, including those prohibiting mixed-race marriage. In lyrical, evocative prose, this extraordinary book ultimately leaves us hopeful about the world as our children might see it.

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The Inheritance of Haunting, Poems

Posted in Books, Gay & Lesbian, Latino Studies, Media Archive, Poetry, United States on 2019-07-12 18:46Z by Steven

The Inheritance of Haunting, Poems

University of Notre Dame Press
March 2019
108 pages
6.00 x 9.00in
Paperback ISBN: 9780268105389
Hardcover ISBN: 9780268105372
eBook (PDF) ISBN: 9780268105396
eBook (EPUB) ISBN: 9780268105402

Heidi Andrea Restrepo Rhodes

The Inheritance of Haunting

Winner of the 2018 Andrés Montoya Poetry Prize, The Inheritance of Haunting, by Heidi Andrea Restrepo Rhodes, is a collection of poems contending with historical memory and its losses and gains carried within the body, wrought through colonization and its generations of violence, war, and survival.

The driving forces behind Rhodes’s work include a decolonizing ethos; a queer sensibility that extends beyond sexual and gender identities to include a politics of deviance; errantry; ramshackled bodies; and forms of loving and living that persist in their wild difference. Invoking individual and collective ghosts inherited across diverse geographies, this collection queers the space between past, present, and future. In these poems, haunting is a kind of memory weaving that can bestow a freedom from the attenuations of the so-called American dream, which, according to Rhodes, is a nightmare of assimilation, conquest, and genocide. How love unfolds is also a Big Bang emergence into life—a way to, again and again, cut the future open, open up the opening, undertake it, begin.

These poems are written for immigrants, queer and transgender people of color, women, Latin Americans, diasporic communities, and the many impacted by war.

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As a key figure of national and transnational desire, the mulata was famed for her corporal functions—sex and dance. Beginning in the 1970s, Brazilian governmental tourism agencies utilized the image of the sexually available mulata for the promotion of Brazil as a tourist destination.

Posted in Excerpts/Quotes on 2019-07-12 18:02Z by Steven

As a key figure of national and transnational desire, the mulata was famed for her corporal functions—sex and dance. Beginning in the 1970s, Brazilian governmental tourism agencies utilized the image of the sexually available mulata for the promotion of Brazil as a tourist destination. From the 1970s to the 1990s, white Rio de Janeiro businessman Oswaldo Sargentelli, a self-described mulatólogo (mulata expert), presented samba spectacles of scantily clad dancing women to the Brazilian elite and tourists alike. With the branding of brasilidade as a sexual paradise of mulatas, the archetype of the sensual sexually available mulata who dances with abandon became a thematic fixture memorialized in popular Brazilian cultural politics and in the international imagination.

Jasmine Mitchell, “Sensual Not Beautiful: The Mulata as Erotic Spectacle,” ReVista: Harvard Review of Latin America, Spring 2017. https://revista.drclas.harvard.edu/book/sensual-not-beautiful.

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Hollywood at the Intersection of Race and Identity

Posted in Anthologies, Asian Diaspora, Books, Communications/Media Studies, Forthcoming Media, Passing, Social Science, United States, Women on 2019-07-12 17:45Z by Steven

Hollywood at the Intersection of Race and Identity

Rutgers University Press
2019-11-15
314 pages
31 b-w photographs
6 x 9
Paperback ISBN: 978-0-8135-9931-1
Cloth ISBN: 978-0-8135-9932-8
PDF ISBN: 978-0-8135-9935-9
EPUB ISBN: 978-0-8135-9935-9

Edited by:

Delia Malia Caparoso Konzett, Professor of English, Cinema/American/Women’s Studies
University of New Hampshire, Durham

Contributions by: Ruth Mayer, Alice Maurice, Ellen C. Scott, Delia Malia Caparoso Konzett, Jonna Eagle, Ryan Jay Friedman, Charlene Regester, Matthias Konzett, Chris Cagle, Dean Itsuji Saranillio, Graham Cassano, Priscilla Peña Ovalle, Ernesto R Acevedo-Muñoz, Mary Beltrán, Jun Okada, and Louise Wallenberg.

Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?

Table of Contents

  • Introduction
  • Hollywood Formulas: Codes, Masks, Genre, and Minstrelsy
    • Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s / Ruth Mayer
    • The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise / Alice Maurice
    • MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936) / Ellen C. Scott
    • Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937) / Delia Malia Konzett
  • Genre and Race in Classical Hollywood
    • “A Queer, Strangled Look”: Race, Gender, and Morality in The Ox-Bow Incident / Jonna Eagle
    • By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell / Ryan Jay Friedman
    • Disruptive Mother-Daughter Relationships: Peola’s Racial Masquerade in Imitation of Life (1934) and Stella’s Class Masquerade in Stella Dallas (1937) / Charlene Regester
    • The Egotistical Sublime: Film Noir and Whiteness / Matthias Konzett
  • Race and Ethnicity in Post-World War II Hollywood
    • Women and Class Mobility in Classical Hollywood’s Immigrant Dramas / Chris Cagle
    • Orientalism, Diaspora, and Indigeneity in Go for Broke! (1951) / Dean Itsuji Saranillio
    • Savage Whiteness: The dialectic of racial desire in The Young Savages (1961) / Graham Cassano
    • Rita Moreno’s Hair / Priscilla Peña Ovalle
  • Intersectionality, Hollywood, and Contemporary Popular Culture
    • “Everything Glee in ‘America’”: Context, Race, and Identity Politics in the Glee Appropriation of West Side Story / Ernesto R. Acevedo-Muñoz
    • Hip Hop “Hearts” Ballet: Utopic Multiculturalism and the Step Up Dance Films / Mary Beltrán
    • Fakin da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film / Jun Okada
    • “Let Us Roam the Night Together”: On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989) / Louise Wallenberg
  • Acknowledgments
  • Selected Bibliography
  • Contributors
  • Index
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Black Judas: William Hannibal Thomas and “The American Negro”

Posted in Biography, Books, Forthcoming Media, History, Literary/Artistic Criticism, Monographs, United States on 2019-07-12 17:44Z by Steven

Black Judas: William Hannibal Thomas and “The American Negro”

University of Georgia Press
2019-11-15
416 pages
Paperback ISBN: 9-780-8203-5626-6

John David Smith, Charles H. Stone Distinguished Professor of American History
University of North Carolina, Charlotte

The classic biography of the infamous black Negrophobe William Hannibal Thomas, with a new preface by the author

William Hannibal Thomas (1843-1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act.

Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary “Negro problem” and argued that the race required radical redemption based on improved “character,” not changed “color.” Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas.

Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book’s significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on self-hatred, to assess Thomas’s metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas’s life history of exposure to white racism and intense physical pain.

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Three-Fifths, A Novel

Posted in Books, Forthcoming Media, Identity Development/Psychology, Novels, Passing, United States on 2019-07-12 17:43Z by Steven

Three-Fifths, A Novel

Agora (an imprint of Polis Books)
2019-09-10
240 pages
5.5” x 8’5”
Hardcover ISBN: 978-1-947993-67-9
eBook ISBN: 978-1-947993-82-2

John Vercher

The very first title from Agora, the new Polis Books imprint dedicated to crime fiction from diverse and underrepresented voices. Available in hardcover and ebook September 10, 2019.

A compelling and timely debut novel from an assured new voice: Three-Fifths is about a biracial black man, passing for white, who is forced to confront the lies of his past while facing the truth of his present when his best friend, just released from prison, involves him in a hate crime.

Pittsburgh, 1995. The son of a black father he’s never known, and a white mother he sometimes wishes he didn’t, twenty-two-year-old Bobby Saraceno is passing for white. Raised by his bigoted maternal grandfather, Bobby has hidden his truth from everyone, even his best friend and fellow comic-book geek, Aaron, who has just returned home from prison a hardened racist. Bobby’s disparate worlds collide when his and Aaron’s reunion is interrupted by a confrontation where Bobby witnesses Aaron assault a young black man with a brick. Fearing for his safety and his freedom, Bobby must keep his secret from Aaron and conceal his unwitting involvement in the hate crime from the police. But Bobby’s delicate house of cards crumbles when his father enters his life after more than twenty years.

Three-Fifths is a story of secrets, identity, violence and obsession with a tragic conclusion that leave all involved questioning the measure of a man, and was inspired by the author’s own struggles with identity as a biracial man during his time as a student in Pittsburgh amidst the simmering racial tension produced by the L.A. Riots and the O.J. Simpson trial in the mid-nineties.

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Reaching for the Moon: The Autobiography of NASA Mathematician Katherine Johnson

Posted in Autobiography, Books, Forthcoming Media, Monographs, United States, Women on 2019-07-12 17:42Z by Steven

Reaching for the Moon: The Autobiography of NASA Mathematician Katherine Johnson

Atheneum Books for Young Readers (an imprint of Simon and Schuster)
September 2019
288 pages
Hardcover ISBN 13: 9781534440838
eBook ISBN 13: 9781534440852

Katherine Johnson

The inspiring autobiography of NASA mathematician Katherine Johnson, who helped launch Apollo 11.

Throughout Katherine Johnson’s extraordinary career, there hasn’t been a boundary she hasn’t broken through or a ceiling she hasn’t shattered. In the early 1950s, she joined the organization that would one day become NASA, and which had only just begun to hire black mathematicians. Her job there was to analyze data and calculate the complex equations needed for successful space flights. As a black woman in an era of brutal racism and sexism, Katherine faced daily challenges and often wasn’t taken seriously by the scientists and engineers she worked with. But her colleagues couldn’t ignore her obvious gifts—or her persistence. Soon she was computing the trajectory for Alan Shepard’s first flight and working on the Apollo 11 mission that landed the first men on the moon. Katherine’s life has been a succession of achievements, each one greater than the last.

Katherine Johnson’s story was made famous in the bestselling book and Oscar-nominated film Hidden Figures. Now in Reaching for the Moon she tells her own story for the first time, in a lively autobiography that will inspire young readers everywhere.

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Color Me In, A Novel

Posted in Books, Forthcoming Media, Judaism, Novels, Passing, Religion, United States on 2019-07-12 17:42Z by Steven

Color Me In, A Novel

Delacorte Press (an imprint of Penguin Random House)
2019-08-20
384 pages
Hardcover ISBN: 9780525578239
eBook ISBN: 9780525578246
Audiobook ISBN: 9781984889140

Natasha Díaz

Color Me In

Debut YA author Natasha Díaz pulls from her personal experience to inform this powerful coming-of-age novel about the meaning of friendship, the joyful beginnings of romance, and the racism and religious intolerance that can both strain a family to the breaking point and strengthen its bonds.

Who is Nevaeh Levitz?

Growing up in an affluent suburb of New York City, sixteen-year-old Nevaeh Levitz never thought much about her biracial roots. When her Black mom and Jewish dad split up, she relocates to her mom’s family home in Harlem and is forced to confront her identity for the first time.

Nevaeh wants to get to know her extended family, but one of her cousins can’t stand that Nevaeh, who inadvertently passes as white, is too privileged, pampered, and selfish to relate to the injustices they face on a daily basis as African Americans. In the midst of attempting to blend their families, Nevaeh’s dad decides that she should have a belated bat mitzvah instead of a sweet sixteen, which guarantees social humiliation at her posh private school. Even with the push and pull of her two cultures, Nevaeh does what she’s always done when life gets complicated: she stays silent.

It’s only when Nevaeh stumbles upon a secret from her mom’s past, finds herself falling in love, and sees firsthand the prejudice her family faces that she begins to realize she has a voice. And she has choices. Will she continue to let circumstances dictate her path? Or will she find power in herself and decide once and for all who and where she is meant to be?

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Shape Shifters: Journeys across Terrains of Race and Identity

Posted in Anthologies, Books, Forthcoming Media, History, Identity Development/Psychology on 2019-07-12 17:41Z by Steven

Shape Shifters: Journeys across Terrains of Race and Identity

University of Nebraska Press
January 2020
444 pages
8 photos, index
Hardcover ISBN: 978-1-4962-0663-3

Edited by:

Lily Anne Y. Welty Tamai, Curator of History
Japanese American National Museum, Los Angeles, California

Ingrid Dineen-Wimberly, Professor of History
University of La Verne, Point Mugu, California

Paul Spickard, Distinguished Professor of History
University of California, Santa Barbara

Shape Shifters

Shape Shifters presents a wide-ranging array of essays that examine peoples of mixed racial identity. Moving beyond the static “either/or” categories of racial identification found within typical insular conversations about mixed-race peoples, Shape Shifters explores these mixed-race identities as fluid, ambiguous, contingent, multiple, and malleable. This volume expands our understandings of how individuals and ethnic groups identify themselves within their own sociohistorical contexts.

The essays in Shape Shifters explore different historical eras and reach across of the globe, from the Roman and Chinese borderlands of classical antiquity to Medieval Eurasian shape-shifters, the Native peoples of the missions of Spanish California, and racial shape-shifting among African Americans in the post–civil rights era. At different times in their lives or over generations in their families, racial shape-shifters have moved from one social context to another. And as new social contexts were imposed on them, identities have even changed from one group to another. This is not racial, ethnic, or religious imposture. It is simply the way that people’s lives unfold in fluid sociohistorical circumstances.

With contributions by Ryan Abrecht, George J. Sanchez, Laura Moore, and Margaret Hunter, among others, Shape Shifters explores the forces of migration, borderlands, trade, warfare, occupation, colonial imposition, and the creation and dissolution of states and empires to highlight the historically contingent basis of identification among mixed-race peoples across time and space.

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The Allure of Blackness among Mixed-Race Americans, 1862-1916

Posted in Biography, Books, Forthcoming Media, History, Monographs, United States on 2019-07-12 17:41Z by Steven

The Allure of Blackness among Mixed-Race Americans, 1862-1916

University of Nebraska Press
October 2019
320 pages
7 photos, 3 drawings, index
Hardcover ISBN: 978-1-4962-0507-0

Ingrid Dineen-Wimberly, Professor of History
University of La Verne, Point Mugu, California

The Allure of Blackness among Mixed-Race Americans, 1862-1916

In The Allure of Blackness among Mixed-Race Americans, 1862–1916, Ingrid Dineen-Wimberly examines generations of mixed-race African Americans after the Civil War and into the Progressive Era, skillfully tracking the rise of a leadership class in Black America made up largely of individuals who had complex racial ancestries, many of whom therefore enjoyed racial options to identity as either Black or White. Although these people might have chosen to pass as White to avoid the racial violence and exclusion associated with the dominant racial ideology of the time, they instead chose to identify as Black Americans, a decision which provided upward mobility in social, political, and economic terms.

Dineen-Wimberly highlights African American economic and political leaders and educators such as P. B. S. Pinchback, Theophile T. Allain, Booker T. Washington, and Frederick Douglass as well as women such as Josephine B. Willson Bruce and E. Azalia Hackley who were prominent clubwomen, lecturers, educators, and settlement house founders. In their quest for leadership within the African American community, these leaders drew on the concept of Blackness as a source of opportunities and power to transform their communities in the long struggle for Black equality.

The Allure of Blackness among Mixed-Race Americans, 1862–1916 confounds much of the conventional wisdom about racially complicated people and details the manner in which they chose their racial identity and ultimately overturns the “passing” trope that has dominated so much Americanist scholarship and social thought about the relationship between race and social and political transformation in the nineteenth and twentieth centuries.

Table of Contents

  • List of Illustrations
  • Introduction
  • Chapter 1. “As a Negro I will be Powerful”: The Leadership of P.B.S. Pinchback
  • Chapter 2. Post-Bellum Strategies to Retain Power and Status: From Political Appointments to Property Ownership
  • Chapter 3. New Challenges and Opportunities for Leadership: From Domestic Immigration to “The Consul’s Burden”
  • Chapter 4. “Lifting as We Climb”: The Other Side of Uplift
  • Conclusion
  • Bibliography
  • Index
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