Romance and Race: Coloring the Past

Posted in Books, Literary/Artistic Criticism, Media Archive, Monographs, Passing on 2022-04-14 22:12Z by Steven

Romance and Race: Coloring the Past

ACMRS Press
April 2022
160 pages
6″ x 9″
Hardcover ISBN: 9780866986946
Paperback ISBN: 9780866986595

Margo Hendricks, Professor Emerita
University of California, Santa Cruz

This study brings race and the literary tradition of romance into dialogue.

Romance and Race: Coloring the Past explores the literary and cultural genealogy of colorism, white passing, and white presenting in the romance genre. The scope of the study ranges from Heliodorus’ Aithiopika to the short novels of Aphra Behn, to the modern romance novel Forbidden by Beverly Jenkins. This analysis engages with the troublesome racecraft of “passing” and the instability of racial identity and its formation from the premodern to the present. The study also looks at the significance of white settler colonialism to early modern romance narratives. A bridge between studies of early modern romance and scholarship on twenty-first-century romance novels, this book is well-suited for those interested in the romance genre.

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The Devil’s Half Acre: The Untold Story of How One Woman Liberated the South’s Most Notorious Slave Jail

Posted in Biography, Books, History, Media Archive, Monographs, Slavery, United States, Virginia, Women on 2022-04-14 22:11Z by Steven

The Devil’s Half Acre: The Untold Story of How One Woman Liberated the South’s Most Notorious Slave Jail

Seal Press (an imprint of Basic Books)
2022-04-12
352 pages
Hardcover ISBN-13: 9781541675636
eBook ISBN-13: 9781541675629
Audiobook ISBN-13: 9781549193354

Kristen Green

The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs

In The Devil’s Half Acre, New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.” When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities.

A sweeping narrative of a life in the margins of the American slave trade, The Devil’s Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.

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Woman, Eating: A Literary Vampire Novel

Posted in Asian Diaspora, Books, Media Archive, Novels, United Kingdom on 2022-04-14 22:10Z by Steven

Woman, Eating: A Literary Vampire Novel

HarperVia (an imprint of HarperCollins)
2022-04-12
240 pages
5.5 x 0.85 x 8.25 inches
Hardcover ISBN: 9780063140882
E-book ISBN: 9780063140905
Digital Audio, MP3 ISBN: 9780063140912

Claire Kohda

A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch.

Lydia is hungry. She’s always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside – the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can’t eat any of these things. Her body doesn’t work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs’ blood in London – where she is living away from her vampire mother for the first time – is much more difficult than she’d anticipated.

Then there are the humans – the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can’t bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for – perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry – always hungry.

As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her – between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans – if she is to find a way to exist in the world. Before any of this, however, she must eat.

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