Race, Sex and the Trials of a Young Explorer

Race, Sex and the Trials of a Young Explorer

The New York Times
2011-02-13

Richard Conniff

In 1859, Paul Du Chaillu, a young explorer of French origin and adopted American nationality, wandered out of the jungle after a four-year expedition in Gabon.  He brought with him complete specimens of 20 gorillas, an animal almost unknown outside West Africa.  The gorilla’s resemblance to humans astonished many people, especially after Darwin published “On the Origin of Species” later that year.  The politician Edwin M. Stanton was soon calling Abraham Lincoln “the original gorilla” and joking that Du Chaillu was a fool to have gone to Africa for what he could as easily have found in Springfield, Ill.

But the more common way to deal with our resemblance to monkeys and apes then was to fob it off onto other ethnic groups—typically black people, or sometimes the Irish.  A few white scientists even purported to find physiological evidence, in the configuration of the skull, for classifying other races as separate species, not quite as far removed as Caucasians from our primate cousins.  This undercurrent of scientific racism would play out to devastating effect in Du Chaillu’s own life.

When Du Chaillu arrived in London for the 1861 publication of his book, “Explorations and Adventures in Equatorial Africa,” he became the most celebrated figure of the season, and then, overnight, the most notorious.  He was, by all accounts, a charismatic presence, about 30 years old, with a thick moustache, a prominent brow, and bright, flashing eyes.  He also had a gift for colorful lectures about hunting fierce animals and befriending cannibals…

…But as I was researching my book “The Species Seekers,” I kept coming across hints of an uglier motive for the attack on Du Chaillu, based on race. A merchant in Gabon made the cryptic assertion that he possessed “from reliable sources, information the most exact as to [Du Chaillu’s] antecedents.”  Others whispered, as The New York Times reported, that “the suspicion of negro sympathies hangs around him in many ways.”  Du Chaillu presented himself as a white man, born in Louisiana, and an almost compulsive awareness of race runs through his book:  “’You are the first white man that settled among us, and we love you,’” a village chieftain declares at one point.  “To which all the people answered, ‘Yes, we love him! He is our white man, and we have no other white man.’”

But the truth seems to be that his mother was a woman of mixed race, possibly a slave, on the Indian Ocean island of Réunion, where his father had been a merchant and slaveholder.  Concealing this background, the historian Henry H. Bucher Jr. has written, was “an understandable choice during the heyday of scientific racism.” In fact, Du Chaillu’s expedition to Gabon had been sponsored by the Academy of Natural Sciences in Philadelphia, then the center of scientific racism. (Samuel G. Morton kept a vast collection of skulls there, “the American Golgotha,” for the purpose of racial comparisons.) The “mysterious and rapid” end to Du Chaillu’s close association with the Academy in 1860 may have resulted, says Bucher, from “a committee member’s discovery of his maternal ancestry.”

A letter sent to an English friend in the thick of the Du Chaillu controversy supports this theory.  George Ord, an officer of the academy, wrote that some of his learned colleagues had taken note when Du Chaillu was in Philadelphia of “the conformation of his head, and his features” and detected “evidence of a spurious origin.”  Ord added:  “If it be a fact that he is a mongrel, or a mustee, as the mixed races are termed in the West Indies, then we may account for his wondrous narratives; for I have observed that it is a characteristic of the negro race, and their admixtures, to be affected to habits of romance.”…

…Curiously, the same issues of The Athenaeum in which the attack on Du Chaillu was playing out also featured a running plagiarism fight about a stage melodrama called “The Octoroon.”  It told the story of a dazzling New Orleans beauty “educated in every refinement and luxury” who was “almost a perfect white, her mother being a quadroon.”  In all three contesting versions of this tale, an “underhanded Yankee overseer” seeks to possess the heroine on the slave market.  And in each case, a dashing sea captain foils the nefarious plot and carries the beauty off to freedom.  Audiences apparently felt comfortable taking the heroine’s side because she was seven-eighths white.  But what if the sexes had been reversed, with a white woman falling for a mixed-race man—a man like Du Chaillu, say?…

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