Mixed Race Studies

Scholarly perspectives on the mixed race experience.

Miscegenation and passing provide the primal scenes of American racial anxiety. In Boy, Snow, Bird they become more than themes: miscegenation and passing also drive the novel’s fundamental imagination and its modes of narration. The novel is replete with sly passing metaphors. One character describes another as “seventy percent all right and thirty percent pain in the neck” as if the deep logic of hypodescent—the discriminatory assignment of racialized identities based on a pseudoscientific calculus of “blood percentages”—has been displaced onto a casual personality assessment. Passing appears in other forms as well: Bird, the sister who does not pass racially, nonetheless possesses a gift for vocal mimicry that allows her to pass sonically; a woman named Boy desperately tries to perform motherhood; and extraordinary violence, such as pulling the eyes out of captured animals for no apparent reason, or simply punching your child in the kidneys as you walk by, passes as quotidian practice.

Anne Anlin Cheng, “Passing Beauty,” Public Books, July 1, 2014. http://www.publicbooks.org/passing-beauty/.

2009 Mixed Roots Film & Literary Festival

The Mixed Roots Film & Literary Festival 2009 (2009-06-12 to 2009-06-13)

The Mixed Roots Film & Literary Festival is an annual free public event celebrating stories of the Mixed [race] experience through films, readings, workshops and live performance. The Festival is an inclusive event which brings together film and book lovers, innovative and emerging artists, and multiracial/multicultural individuals, families and friends.

Tags: Fanshen Cox, Heidi Durrow, Heidi W. Durrow, Mixed Roots Film & Literary Festival

This entry was posted on Friday, June 12th, 2009 at 21:15Z and is filed under Live Events, Media Archive, United States. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

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