In‐and‐out‐of‐race: The story of Noble Johnson

In‐and‐out‐of‐race: The story of Noble Johnson

Women & Performance: a journal of feminist theory
Volume 15, Issue 1, 2005
pages 33-52
DOI: 10.1080/07407700508571487

Jane Gaines, Professor of Film Studies
Columbia University School of the Arts

Noble Johnson’s story is a very American story, a story more typical than we have historically wanted to admit. It is the story of race loyalty and race betrayal, of family belonging and disconnection. It is a mysterious story of disappearance, a chronicle of the way a public person became a “missing person.” His is also the story of someone who was more than one—a sort of man with a thousand faces and a range of identities. We claim him as an important African American while acknowledging that he chose to think of himself and to live in terms of other equally raced categories during different portions of his long life.

The case for owning his African American heritage was continually made to Johnson by his brother George in correspondence during the later years of his life. George’s history is one of deep affiliation with the African American community. A booster for black enterprise from his years as a real estate agent in the all-black town of Muskogee, Oklahoma, in his later years George started a black entertainment clippings service in Los Angeles, where he moved from Omaha, Nebraska, in 1926. But the glory for George was in the formation, in 1916, of the Lincoln Motion Picture Company, a business made possible by Noble Johnson’s Los Angeles connections but also George’s industrious work building a distribution…

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