The Rise and Demise of the Gens De Couleur Libre Artists in Antebellum New Orleans

The Rise and Demise of the Gens De Couleur Libre Artists in Antebellum New Orleans

University of Florida
2012
173 pages

Karen Burt Coker

A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS

The gens de couleur libres of New Orleans occupied a unique position as worldly practitioners of the arts. This situation was created by social, legal and cultural circumstances. Louisiana, as a French colony, implemented the “Code Noir,” to control the large population of free people of color. These laws, although designed to control, granted opportunities for free people of color. This led to a three-caste social system with the gens de couleur libres occupying the central position, between whites and enslaved peoples.

Restrictions forbidding the marriage of free people of color to whites, or enslaved blacks, combined with the fact that free women of color outnumbered free men of color, led to the system of plaçage, an extralegal system of common-law marriage between white men and women of color. When children resulted from plaçage unions, additional laws sought to hinder those children from obtaining an education. This was remedied by the custom of wealthy white fathers sending their sons to Paris for schooling. This education frequently concentrated on the fine arts.

New Orleans was a rapidly growing city, eager to prove its sophistication and dispel any reputation as a backwater colony. The newly French-educated artists were eagerly received by Francophile New Orleans patrons keen for the newest demonstration of the superior culture of their motherland.

This thesis explores the work of these artists, while focusing upon the rise and fall of the tri-caste system that created a positive environment for artists of color when most free blacks faced open hostility elsewhere.

Read the entire thesis here.

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