Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity

Scholarly perspectives on the mixed race experience.

Because the “presumption of freedom [arose] from color [white]” and the “black color of the race [raised] the presumption of slavery,” whiteness became a shield from slavery, a highly volatile and unstable form of property. In the form adopted in the United States, slavery made human beings market-alienable and in so doing, subjected human life and personhood—that which is most valuable—to the ultimate devaluation. Because whites could not be enslaved or held as slaves, the racial line between white and Black was extremely critical; it became a line of protection and demarcation from the potential threat of commodification, and it determined the allocation of the benefits and burdens of this form of property. White identity and whiteness were sources of privilege and protection; their absence meant being the object of property.

Slavery as a system of property facilitated the merger of white identity and property. Because the system of slavery was contingent on and conflated with racial identity, it became crucial to be “white,” to be identified as white, to have the property of being white. Whiteness was the characteristic, the attribute, the property of free human beings.

Cheryl I. Harris, “Whiteness as Property,” Harvard Law Review, (Volume 106, Number 8, June 1993). 1720-1721.

Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity

Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity

Michigan State University Press
August 2015
134 pages
6 in x 9 in
Paperback ISBN: 9781611861686

P. Khalil Saucier, Associate Professor of Africana Studies and Sociology
Rhode Island College

Necessarily Black is an ethnographic account of second-generation Cape Verdean youth identity in the United States and a theoretical attempt to broaden and complicate current discussions about race and racial identity in the twenty-first century. P. Khalil Saucier grapples with the performance, embodiment, and nuances of racialized identities (blackened bodies) in empirical contexts. He looks into the durability and (in)flexibility of race and racial discourse through an imbricated and multidimensional understanding of racial identity and racial positioning. In doing so, Saucier examines how Cape Verdean youth negotiate their identity within the popular fabrication of “multiracial America.” He also explores the ways in which racial blackness has come to be lived by Cape Verdean youth in everyday life and how racialization feeds back into the experience of these youth classified as black through a matrix of social and material settings. Saucier examines how ascriptions of blackness and forms of black popular culture inform subjectivities. The author also examines hip-hop culture to see how it is used as a site where new (and old) identities of being, becoming, and belonging are fashioned and reworked. Necessarily Black explores race and how Cape Verdean youth think and feel their identities into existence, while keeping in mind the dynamics and politics of racialization, mixed-race identities, and anti-blackness.

This entry was posted on Thursday, June 9th, 2016 at 20:37Z and is filed under Anthropology, Books, Media Archive, Monographs, Social Science, United States. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.

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Mixed Race Studies

Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity

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