When I learned more about his family, I understood a bit more not just the pressures he must have felt in passing for white, but also the strange, unsettling feeling it must have been to identify with a group of people historically known as Free People of Color, or Mulatto, or Creoles.

Michael Tisserand: When I learned more about his family, I understood a bit more not just the pressures he [George Herriman] must have felt in passing for white, but also the strange, unsettling feeling it must have been to identify with a group of people historically known as Free People of Color, or Mulatto, or Creoles… a group that constantly was seeing its very identity being changed legally and linguistically and culturally. And then for Herriman to work in a genre so deeply influenced by the masks of minstrelsy! When I read a classic Krazy Kat line such as “lenguage is that we may mis-unda-stend each udda,” it seems pretty clear that Herriman had a deep understanding of what we now consider to be modern notions of the slipperiness of language and a sort of permeability of identity…

Paul Tumey,“A “Konversation” with George Herriman’s Biographer, Michael Tisserand (Part One),” The Comics Journal, November 14, 2016. http://www.tcj.com/a-konversation-with-george-herrimans-biographer-michael-tisserand-part-one/.

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