Get Out Perfectly Captures the Terrifying Truth About White Women

Get Out Perfectly Captures the Terrifying Truth About White Women

Cosmopolitan
2017-02-28

Kendra James
New York, New York


Blumhouse Productions

There are many scary things about the movie, but scariest of all is its realistic depiction of racism.

Major spoilers ahead.

In Get Out, writer-director Jordan Peele takes 90 minutes to meditate on a lesson Kim Kardashian once spelled out for America via snake emojis and Taylor Swift: White women are not to be trusted.

I’ll let you decide how offended you want to be by that thesis while I spoil the hell out of this movie.

Get Out draws on the terrifying elements you might expect to find in your typical February horror movie release. There’s hypnotism, multiple jump-scares, a Deliverance-style redneck, and an illicit basement surgery where a doctor operates on people’s brains without their consent. As scary as any of these things are, they’re tropes we can all recognize as pure fiction, for the most part. They’re things we’re still more likely to run into in film, books, or television rather than in our everyday lives.

Unfortunately, the horrors of racism and white womanhood aren’t confined to imagination and pop culture. In using both realities in his movie, Peele brings Get Out to a higher level of horror, at least for any person of color in the audience. We’re all keenly aware of how possible it is…

…Jordan Peele is married to and expecting a child with a white woman, Brooklyn Nine-Nine’s Chelsea Peretti. He’s also biracial; his mother is white. But as he reaffirms in his latest Nerdist interview with Chris Hardwick, Peele sees himself — and experiences the world — as a black man. American history is littered with the bodies of black men jailed, beaten, and killed due to the simple words of white women. “A few months later… two negro boys, ages 8 and 9 were arrested, tried, and sent to reform school for allegedly kissing or allowing themselves to be kissed by a neighborhood playmate, a 7-year-old white girl!” Langston Hughes wrote in 1962. ..

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