Felton is in many ways a historical hiccup, a throwback to a bygone racial trope: the “tragic mulatto” of books like Mark Twain’s “Pudd’nhead Wilson” and William Faulkner’s “Light in August.” Like so many terrorists, he was a man at war not just with the government but with history itself.

[Leo] Felton’s subterranean journey into whiteness came during a historical moment in which many Americans, particularly those of his generation, were redefining their races in a very different way from the way Felton did: identifying themselves, in growing numbers, as multiracial. Multiracial activism flourished during the 90’s, with marches in Washington, magazines dedicated to interracial couples and a successful lobbying effort to include more complicated definitions of race on the 2000 Census form. (Seven million Americans ultimately chose to identify themselves by more than one race in that census.) Felton is in many ways a historical hiccup, a throwback to a bygone racial trope: the “tragic mulatto” of books like Mark Twain’sPudd’nhead Wilson” and William Faulkner’sLight in August.” Like so many terrorists, he was a man at war not just with the government but with history itself.

Paul Tough, “The Black Supremacist,” The New York Times Magazine, May 25, 2003. http://www.nytimes.com/2003/05/25/magazine/the-black-supremacist.html.

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