Race-ing Performativity through Transculturation, Taste and the Mulata Body

Scholarly perspectives on the mixed race experience.

While Goldberg and Gilroy have alluded to mixed-race metaphors in their recent work, Lewis Gordon has written more extensively about the attempts to establish ‘critical’ mixed-race studies. Reflecting on the historical discrimination and colourism in an anti-black world, Gordon has argued that it is understandable – if not morally justifiable – for working-class individuals and darker-skinned individuals to be distrustful of middle-class individuals and lighter-skinned individuals who claim to be progressive. Gordon’s use of slime to describe the aims of a wide variety of mixed-race activists and ‘sensitive’ scholars – who talk politely about racial transcendence while denying the facticity of their privileged position in an anti-black world – is a particularly interesting term since it evokes animalistic behaviour, infantile play, salesmen pitching new, hip commodities for a polyethnic culture. It also offers a transracial, transdisciplinary and transnational engagement with Francophone theory. Aside from adapting Fanon’s critique of European man, Gordon’s analysis of multiracial celebration draws on Sartre’s ontology of slime (a sticky, viscoelastic material that resists shear flow and strain linearly with time when a stress is applied,) and reminds us of Barthes’s famous description of neither-norism (a ‘mythological figure which consists in stating two opposites and balancing the one by the other so as to reject them both… It is on the whole a bourgeois figure, for it relates to a modern form of liberalism… one flees from intolerable reality … one no longer needs to choose, but only to endorse.’)

Daniel McNeil, “‘Mixture is a Neoliberal Good’: Mixed-Race Metaphors and Post-Racial Masks,” Darkmatter, Volume 9, Issue 1, (Post-Racial Imaginaries), July 2, 2012. http://www.darkmatter101.org/site/2012/07/02/mixture-is-a-neoliberal-good-mixed-race-metaphors-and-post-racial-masks/

Race-ing Performativity through Transculturation, Taste and the Mulata Body

Race-ing Performativity through Transculturation, Taste and the Mulata Body

Theatre Research International
Volume 27, Number 2 (2002)
pages 136-152
DOI: 10.1017/S0307883302000226

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

A Cuban cocktail called mulata inspires an examination of the mulata body. Beyond an analysis of the cocktail as a commercial commodity, the mulata body can be placed within an intercultural space shaped by the processes of colonization, slavery and race relations. By examining the grammars in the mulata cocktail, the discussion moves the subject through other texts and discourses in order to mediate the mulata’s embodied genealogy as a form of transculturation. As a hybrid body that inhabits a ‘racialized’ performativity, the mulata’s subaltern agency is imagined beyond the exoticism charged to its presence in the Latin American and Caribbean contexts. A closer look at the mulata body helps to trace not only the process of objecthood affected by masculinist power and desire, but also by the way the process of subjecthood is performatively achieved.

Read or purchase the article here.

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