Queering Mestizaje: Transculturation and Performance

Queering Mestizaje: Transculturation and Performance

University of Michigan Press
2006
256 pages
6 x 9. 29 illustrations
Cloth ISBN: 978-0-472-09955-9
Paper ISBN: 978-0-472-06955-2

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

  • Winner of the Outstanding Book Award for 2008 from the Association for Theatre in Higher Education (ATHE)
  • Co-winner of the 2007 Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies

Rethinking mestizaje and how it functions as an epistemology of colonialism in diverse sites from Aztlán to Manila, and across a range of cultural materials

Queering Mestizaje employs theories of postcolonial cultural studies (including performance studies, queer and feminist theory) to examine the notion of mestizaje—the mixing of races, and specifically indigenous peoples, with European colonizers—and how this phenomenon manifests itself in three geographically diverse spaces: the United States, Latin America, and the Philippines. Alicia Arrizón argues that, as an imaginary site for racialized, gendered, and sexualized identities, mestizaje raises questions about historical transformation and cultural memory across Spanish postcolonial sites.

ArrizĂłn offers new, queer readings of the hybrid, the intercultural body, and the hyphenated self, building on the work of Gloria AnzaldĂşa, Antonio Benitez-Rojo, Walter Mignolo, and Vera Kutzinski, while challenging accepted discourses about the relationship between colonizer and colonized. Queering Mestizaje is unique in the connections it makes between the Spanish colonial legacy in the Philippines and in the Americas. An engagingly eclectic array of cultural materials—including examples from performance art, colonial literature, visual art, fashion, and consumer products—are discussed, and included in the book’s twenty-nine illustrations.

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