Call for papers for the special issue of The Journal of Early Adolescence: “Biracial, Multiracial, and Multiethnic Adolescents”

Posted in Family/Parenting, Forthcoming Media, Identity Development/Psychology, Social Science, Social Work, United States, Wanted/Research Requests/Call for Papers on 2018-08-10 03:13Z by Steven

Call for papers for the special issue of The Journal of Early Adolescence: “Biracial, Multiracial, and Multiethnic Adolescents”

Editor in Chief: Alexander T. Vazsonyi
University of Kentucky

Guest Editors: Adrienne Nishina and Melissa Witkow

Because of their ethnic/racial ambiguity, multiethnic youth (youth from more than one ethnic/racial background) are still sometimes ignored in developmental research. Yet, by the year 2060, multiethnic youth are projected to comprise almost 10% of the total youth population in the United States, rendering subsample deletion impractical.

The Journal of Early Adolescence invites papers that explicitly examine early adolescents from multiethnic/multiracial backgrounds. We are particularly interested in papers that use a variety of methods to identify these youth. As such, papers should include clear descriptions of how multiethnic/multiracial status was identified, and why a particular method was chosen.

In terms of content, papers can be methodological or descriptive in focus – for example, providing and assessing conceptual frameworks on how and when to classify multiethnic youth as their own group as opposed to a different classification. Papers can also be process-oriented (e.g., how better understanding multiethnic youth can help the field understand more basic developmental processes related to ethnicity). In this respect, papers can focus solely on multiethnic youth, or it can be comparative in nature.

All papers should include a section labeled “Practical Recommendations” in the discussion that provides recommendations for researchers moving forward, as well as the rationale on which these recommendations are based.

Authors of potential submissions can contact Adrienne Nishina (anishina@ucdavis.edu) or Melissa Witkow (mwitkow@willamette.edu) if they have questions about the suitability of their study for this special issue.

Submissions for this special issue are due December 15, 2018.

Submit your manuscript today: http://mc.manuscriptcentral.com/earlyadolescence

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‘Two or More’: Would you listen to a podcast about multiracial issues?

Posted in Articles, United States, Wanted/Research Requests/Call for Papers on 2018-08-10 03:12Z by Steven

‘Two or More’: Would you listen to a podcast about multiracial issues?

Lindsey Leake, Multimedia Journalist
American University, Washington, D.C.

2018-08-03

DJdohQxW4AAnf41.jpg

Hello! My name is Lindsey Leake (@NewsyLindsey) and I’m a graduate journalism student at American University in Washington, D.C. I’m considering launching a podcast called “Two or More,” focusing on issues that multiracial Americans and their families face as the country’s racial and ethnic makeup becomes increasingly diverse. Above all, I want to learn about and tell the stories of other multiracial individuals like myself.

The questions will help me understand my potential audience and gauge the interest level for “Two or More.” Thank you for taking a few minutes to assist with my research!

Please respond to the questionnaire here.

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The photographs remind us, repeatedly, that the racial delineations imposed by society are often arbitrary and flimsy, always fraught.

Posted in Excerpts/Quotes on 2018-08-10 02:48Z by Steven

The express ornaments of black culture that appear in some of [Genevieve] Gaignard’s images—braids and Afros, head wraps and African prints—like all surfaces, can be borrowed. The photographs remind us, repeatedly, that the racial delineations imposed by society are often arbitrary and flimsy, always fraught.

Katie Ryder, “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17, 2018. https://www.newyorker.com/culture/photo-booth/an-artists-costumed-alter-egos-cross-racial-lines.

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An Artist’s Costumed Alter Egos Cross Racial Lines

Posted in Articles, Arts, Literary/Artistic Criticism, Media Archive, United States on 2018-08-10 02:41Z by Steven

An Artist’s Costumed Alter Egos Cross Racial Lines

The New Yorker
2018-07-17

Katie Ryder


“Synchronized,” 2018.Photographs by Genevieve Gaignard / Courtesy Shulamit Nazarian

Counterfeit Currency,” a show of self-portrait photography, installation, and collage by Genevieve Gaignard, at the FLAG Art Foundation, in Chelsea, opens with a large photo of the artist on a Florida beach at dusk. As in each of her pictures, Gaignard portrays a character of her own invention, here with long, blond hair and jet-black roots, outfitted in regional strip-mall kitsch. She is stretching a towel behind her, printed to resemble a huge hundred-dollar bill; concealing her torso is a trompe-l’oeil T-shirt showing a cartoon, bikini-clad body, whose peach-beige skin tone closely resembles that of her own.

Gaignard, a woman of mixed race (her father is black, her mother white), makes photographs that play with the outward signifiers and stereotypes of race, class, and femininity, combining and remixing them into sometimes exaggerated but steadily ambiguous costumes. From character to character, she undergoes significant but not quite Shermanian transformations, with no facial prosthetics and minimal makeup, and with each portrait hinging in part on Gaignard’s ability to cross legible boundaries…

Read the entire article here.

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Mulata Nation: Visualizing Race and Gender in Cuba

Posted in Books, Caribbean/Latin America, Forthcoming Media, History, Literary/Artistic Criticism, Monographs, Women on 2018-08-10 02:18Z by Steven

Mulata Nation: Visualizing Race and Gender in Cuba

University Press of Mississippi
2018-08-15
248 pages (approx.)
58 color illustrations
6 x 9 inches
Hardcover ISBN: 9781496814432

Alison Fraunhar, Associate Professor of Art and Design
Saint Xavier University, Chicago, Illinois

A vivid exploration of the key role played by multi-racial women in visualizing and performing Cuban identity

Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty.

This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure’s role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender.

Fraunhar’s study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.

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Meet the woman who’s finally getting us talking about mixed race identity

Posted in Articles, Arts, Identity Development/Psychology, Media Archive, United Kingdom on 2018-08-10 02:16Z by Steven

Meet the woman who’s finally getting us talking about mixed race identity

METRO.co.uk
2018-01-31

Miranda Larbi, Senior lifestyle reporter

Mixed race identity is complicated, to say the least.

You’re neither one thing or the other while simultaneously being both. Try speaking about your identity (online at least) and you inevitably met with criticism – whether it’s from ‘colour-blind’ types dismissing the need to talk about race at all, or from people accusing you of choosing a side to identify more with.

According to National Statistics, mixed race people will be the largest minority group in the UK by 2020…and while it might still be in vogue to favour racially ambiguous beauty (literally in the case of Adua Aboa), very little attention is paid to the experience behind the curly hair and tanned skin.

Being mixed race is far more than simply being half black and white. It’s an identity that covers all fractions, and all kinds of mixes.

Which is why Susan Dale has set up the Haluhalo Project

Read the entire article here.

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HaluHalo Gives Mixed Race Identities A Fresh Narrative Online & IRL

Posted in Arts, Identity Development/Psychology, Media Archive, United Kingdom on 2018-08-10 01:28Z by Steven

HaluHalo Gives Mixed Race Identities A Fresh Narrative Online & IRL

Bustle
2018-08-01

Salma Haidrani


Source: HaluHalo

A cursory glance at pop culture today and you wouldn’t be mistaken for thinking that mixed race identities have never been more visible. Take the likes of Jorja Smith, Mabel, and Raye. And less than two months ago, Meghan Markle made history as the first mixed race royal in the British monarchy. While it’s problematic enough that representations rarely deviate from the “acceptable” face of mixed race (light-skinned and complete with Eurocentric features or at the very least, “ambiguous”), the dialogue surrounding the complexities of mixed race identities remains absent from the mainstream.

It’s this that motivated London-based photographer Susan Dale to launch HaluHalo, the first photo series of its kind to explore the lesser-known intricacies of mixed race identity. “Thanks to social media, there’s a visual representation of mixed race people compared to when I was growing up but there’s still a lack of public discourse on what it means to be mixed race,” she tells me. “I was curious to find out if anyone else felt the way I did or shared my experiences.”

Dale likens HaluHalo to Humans of New York, albeit with a multi-racial lens. While initially she didn’t encounter any issues approaching complete strangers of mixed ethnicities, ages and genders to share their experiences and how they self-identify – “I started with the most basic method by sliding into their DMs on Instagram!” – she found that they would either hesitate or completely disappear when it came to answering her interview questions…

Read the entire article here.

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Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship

Posted in Asian Diaspora, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2018-08-10 00:06Z by Steven

Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship

Small Axe: A Caribbean Journal of Criticism
Volume 22, Number 2 (56)
2018-07-01
pages 35-56
DOI: 10.1215/07990537-6985666

Tao Leigh Goffe, Assistant Professor of Africana Studies and Feminist, Gender, & Sexuality Studies
Cornell University, Ithaca, New York

Issue Cover

This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship. In the art examined, personal visual archives are used to respond to the lacuna of Caribbean Chinese familial intimacies from the colonial archive. Engaging shared themes of migration and racialized ideas of reproduction, three contemporary diasporic visual artists—Albert Chong, Richard Fung, and Tomie Arai—mine oral histories and family archives to blend aural and visual narratives. These artists rupture the surface of family images to trouble the bourgeois, heteronormative, and colorist scripts that often police the formation of family. The family album is rearranged and marked up; thus it becomes rendered as flesh inscribed with silent narratives. Through different forms of remixing, they engage with the affect and entanglements of family photography to form a visual vocabulary of diasporic kinship. In doing so, the artwork—collages, documentaries, installations—interrogates the afterlife of the nineteenth-century European colonial experiment of Chinese indenture, designed to install a discreet “buffer race” between the white minority and the black majority in the Caribbean after abolition. The experiment, which depended on the capacity for the Chinese to develop bourgeois domesticity in the Caribbean after abolition, failed because of sexual intimacies between people of African descent and people of Asian descent, beyond the imperial order’s imagining. Another future of familial intimacies in the diaspora is present in the artists’ aesthetic of fragmentation and collage.

Read or purchase the article here.

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Rebecca Hall To Make Directorial Debut With ‘Passing’; Tessa Thompson & Ruth Negga Star In Adaptation Of 1920s Novel

Posted in Articles, Arts, Passing, United States, Women on 2018-08-07 03:40Z by Steven

Rebecca Hall To Make Directorial Debut With ‘Passing’; Tessa Thompson & Ruth Negga Star In Adaptation Of 1920s Novel

Deadline Hollywood
2018-08-06

Amanda N’Duka

Rebecca Hall Tessa Thompson Ruth Negga
Shutterstock

EXCLUSIVE: Rebecca Hall has set up Passing, an adaptation based on Nella Larsen’s 1920s Harlem Renaissance novel that explores the practice of racial passing, a term used for a person classified as a member of one racial group who seeks to be accepted by a different racial group. Hall has penned the script and will direct in her feature helming debut, with Westworld star Tessa Thompson and Oscar nominee Ruth Negga attached to star in the film.

Margot Hand of Picture Films and Oren Moverman of Sight Unseen are producing, with Angela Robinson serving as executive producer.

First published in 1929, Passing follows the unexpected reunion of two high school friends, Clare Kendry (Negga) and Irene Redfield (Thompson), whose renewed acquaintance ignites a mutual obsession that threatens both of their carefully constructed realities…

Read the entire article here.

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Color that Matters: A Comparative Approach to Mixed Race Identity and Nordic Exceptionalism

Posted in Books, Europe, Forthcoming Media, Identity Development/Psychology, Monographs, Social Science on 2018-08-04 01:36Z by Steven

Color that Matters: A Comparative Approach to Mixed Race Identity and Nordic Exceptionalism

Routledge
2018-09-30
240 pages
Hardback ISBN: 9781138050143

Tony Sandset, Junior Research Fellow
University of Oslo, Norway

Color that Matters: A Comparative Approach to Mixed Race Identity and Nordic Exceptionalism (Hardback) book cover

This book examines the ways in which mixed ethnic identities in Scandinavia are formed along both cultural and embodied lines, arguing that while the official discourses in the region refer to a ‘post-racial’ or ‘color blind’ era, color still matters in the lives of people of mixed ethnic descent. Drawing on research amongst people of mixed ethnic backgrounds, the author offers insights into how color matters and is made to matter, and in the ways in which terms such as ‘ethnic’ and ‘ethnicity’ remain very much indebted to their older, racialized grammar.

Color that Matters moves beyond the conventional Anglo-American focus of scholarship in this field, showing that while similarities exist between the racial and ethnic discourses of the US and UK and those found in the Nordic region, Scandinavia, and Norway in particular, manifests important differences, in part owing to a tendency to viewed itself as exceptional or outside the colonial heritage of race and imperialism. Presenting both a contextualisation of racial discourses since World War II based on documentary analysis and new interview material with people of mixed ethnic backgrounds, the book acts as a corrective to the blind spot within Scandinavian research on ethnic minorities, offering a new reading of race for the Nordic region that engages with the idea that color has been emptied of legitimate cultural content.

Table of Contents

  • Acknowledgements
  • Series Editor’s Preface
  • 1. Introduction
  • Part I: Methodology and Theory: Towards Grounding the Book
    • 2. Research Horizons: Inspirations and Tensions
    • 3. Theoretical Inspirations and Methodological Tools
  • Part II: Epistemic Documents, Racialized Knowledge and Mundane Language
    • 4. From Race to Ethnicity: The Purification of a Discourse; UNESCO and Norway’s Western Others
  • Part III: In Living Colour; The Lived Life of Mixed Colours
    • 5. Discourses of Race And Ethnicity: A Difficult Deployment Of Colour
    • 6. Performing Mixed Ethnic Identities: Colours That Matter
  • Part IV
    • 7. No Guarantees, Just Paradoxes to Offer: In Lieu Of The Typical Conclusion
  • Appendix: List of Peopled Interviewed
  • Bibliography
  • Index
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