Surveying the Intersection: Pathology, Secrecy, and the Discourses of Racial and Sexual Identity

Posted in Articles, Gay & Lesbian, Literary/Artistic Criticism, Media Archive, Passing on 2011-01-26 21:14Z by Steven

Surveying the Intersection: Pathology, Secrecy, and the Discourses of Racial and Sexual Identity

Journal of Homosexuality
Volume 26, Issue 2 & 3 (December 1993)
pages 1-20
DOI: 10.1300/J082v26n02_01

Marylynne Diggs

“Surveying the Intersection: Pathology, Secrecy, and the Discourses of Racial and Sexual Identity” cautions against the risks of metaphorical imperialism in readings of codified gay and lesbian representation. Taking issue with Foucault’s suggestion that the secret of the nineteenth century was the secret of sex, I suggest that, in the nineteenth-century American culture, where African-American identity and equality were among the most controversial issues of the century, the secrets of identity were secrets of race as well. Because scientific and literary representations of pathological and/or secret, essential identities are sites of intersection in the discources of homosexual and mixed-race identity, they should be investigated as intersections, rather than read as codifications of sexual difference. Surveying the discourses of scientific racism, genetics, and eugenics, and doing readings of Frances E. W. Harper’s Iola Leroy and Alice Dunbar-Nelson’s The Stones of the Village, I suggest that Harper’s representation of the mulatto leader can be read as an act of resistance to the representation of the mulatto as a degenerate, hybrid species; and that in Dunbar-Nelson’s story, the thematics of passing, secrecy, and the fear of detection, while having a recognizable homoerotic quality, should not be read simply as a codification of homosexual difference and panic. I conclude with a call for more work on historicizing the intersection of racial and sexual identity in the discouces of pathology and degeneration.

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Passing

Posted in Books, Literary/Artistic Criticism, Media Archive, Novels, Passing, Women on 2009-10-26 20:23Z by Steven

Passing

W. W. Norton & Company
September 2007
584 pages
5.2 × 8.4 in
Paperback ISBN: 978-0-393-97916-9

Nella Larsen

Edited by

Carla Kaplan, Davis Distinguished Professor of American Literature
Northeastern University

Nella Larsen is a central figure in African American, Modernist, and women’s literature.

Larsen’s status as a Harlem Renaissance woman writer was rivaled by only Zora Neale Hurston’s. This Norton Critical Edition of her electrifying 1929 novel includes Carla Kaplan’s detailed and thought-provoking introduction, thorough explanatory annotations, and a Note on the Text. An unusually rich “Background and Contexts” section connects the novel to the historical events of the day, most notably the sensational Rhinelander/Jones case of 1925. Fourteen contemporary reviews are reprinted, including those by Alice Dunbar-Nelson, Mary Griffin, and W. E. B. Du Bois. Published accounts from 1911 to 1935—by Langston Hughes, Juanita Ellsworth, and Caleb Johnson, among others—provide a nuanced view of the contemporary cultural dimensions of race and passing, both in America and abroad. Also included are Larsen’s statements on the novel and on passing, as well as a generous selection of her letters and her central writings on “The Tragic Mulatto(a)” in American literature. Additional perspective is provided by related Harlem Renaissance works. “Criticism” provides fifteen diverse critical interpretations, including those by Mary Helen Washington, Cheryl A. Wall, Deborah E. McDowell, David L. Blackmore, Kate Baldwin, and Catherine Rottenberg. A Chronology and Selected Bibliography are also included.

Table of Contents

Acknowledgments
Introduction
A Note on the Text
The Text of Passing
Backgrounds and Contexts
REVIEWS

  1. Mary Rennels – “Passing” Is Novel of Longings (April 27, 1929)
  2. Beyond the Color Line (April 28, 1929)
  3. Margaret Cheney Dawson – The Color Line (April 28, 1929)
  4. The Dilemma of Mixed Race: Another Study of Color-line in New York (May 1, 1929)
  5. Alice Dunbar-Nelson – As In a Looking Glass (May 3, 1929)
  6. W. B. Seabrook – Touch of the Tar-brush (May 18, 1929)
  7. Esther Hyman – Passing by Nella Larsen (June 1929)
  8. Aubrey Bowser – The Cat Came Back (June 5, 1929)
  9. Mary Griffin – Novel of Race Consciousness (June 23, 1929)
  10. W. E. B. Du Bois – Passing (July 1929)
  11. Mary Fleming Larabee – Passing (August 1929)
  12. Do They Always Return? (September 28, 1929)
  13. “M. L. H.” – Passing (December 1929)
  14. Passing (December 12, 1929)

CONTEMPORARY COVERAGE OF PASSING AND RACE

  1. When Is a Caucasian Not a Caucasian? (March 2, 1911)
  2. [Publisher’s Preface to the 1912 Edition of Johnson’s Autobiography of an Ex-Colored Man]
  3. Writer Says Brazil Has No Color Line (October 1925)
  4. Blood Will Tell (July 24, 1926)
  5. Don Pierson – Does It Pay to “Pass?” (August 20, 1927)
  6. Juanita Ellsworth – White Negroes (May-June 1928)
  7. Lewis Fremont Baldwin – From From Negro to Caucasian, Or How the Ethiopian Is Changing His Skin (1929)
  8. Emilie Hahn – Crossing the Color Line (July 28, 1929)
  9. Caleb Johnson – Crossing the Color Line (August 26, 1931)
  10. Langston Hughes – Passing for White, Passing for Colored, Passing for Negroes Plus (1931)
  11. 75,000 Pass in Philadelphia Every Day (December 19, 1931)
  12. Careful Lyncher! He May Be Your Brother (January 21, 1932)
  13. Blonde Girl Was ‘Passing‘ (January 23, 1932)
  14. Swedish Negro Baby! (April 28, 1932)
  15. Virginia Is Still Hounding ‘White’ Negroes Who ‘Pass’ (June 29, 1935)

THE RHINELANDER/JONES CASE

  1. Mark J. Madigan – Miscegenation and “the Dicta of Race and Class”: The Rhinelander Case and Nella Larsen’s Passing (1990)
  2. Selected newspaper articles on the case (list pending)

AUTOBIOGRAPHY AND BIOGRAPHY

  1. About Nella Larsen
  2. Miss Nella Larsen Bids for Literary Laurels (May 12, 1928)
  3. Thelma E. Berlack – New Author Unearthed Right Here in Harlem (May 23, 1928)
  4. Mary Rennels – Behind the Backs of Books and Authors (April 13, 1929)
  5. [Letter about Nella Larsen] Jean Blackwell Hutson to Louise Fox (August 1, 1969)
  6. Thadious M. Davis – Nella Larsen’s Harlem Aesthetic (1989)
  7. George Hutchinson – Nella Larsen and the Veil of Race (1997)
  8. Larson on birth, Passing, and death
  9. Davis on birth, Passing, and death
  10. Hutchinson on birth, Passing, and death

Author’s Statements

  1. Nella Larsen Imes, “Author Statement,” 1926
  2. Nella Larsen Imes, Guggenheim Application
  3. [In Defense of Sanctuary]

Letters

  1. To Carl Van Vechten [1925]
  2. To Charles S. Johnson [August 1926]
  3. To Eddie Wasserman
  4. To Eddie Wasserman
  5. To Dorothy Peterson
  6. To Dorothy Peterson
  7. To Dorothy Peterson
  8. To Dorothy Peterson
  9. To Langston Hughes
  10. To Gertrude Stein
  11. To Carl Van Vechten
  12. To Carl Van Vechten

THE TRAGIC MULATTO(A)

  1. Lydia Maria Child – The Quadroons (1842)
  2. Williams Wells Brown– From Clotel (1853)
  3. Frances Harper – From Iola Leroy (1892)
  4. William Dean Howells – From An Imperative Duty (1892 or 83?)
  5. Kate Chopin – The Father of Désirée’s Baby (1893)
  6. Mark Twain – From Pudd’nhead Wilson (1894)
  7. Charles Chesnutt – From The House behind the Cedars (1900)
  8. Georgia Douglass Johnson – The Octoroon (1922)
  9. Countee Cullen – Near White (1925)
  10. Langston Hughes – Mulatto (1927)
  11. Fannie Hurst – From Imitation of Life (1933)

SELECTED WRITINGS ABOUT PASSING

  1. Frank Webb – From The Gairies and Their Friends (1852)
  2. Frances Harper – From Iola Leroy (1892)
  3. Charles Chesnutt – From House behind the Cedars (1900)
  4. James Weldon Johnson – From Autobiography of an Ex-Colored Man (1912)
  5. Jessie Redmon Fauset – The Sleeper Wakes (1920)
  6. Countee Cullen – Two Who Crossed a Line (1925)
  7. Walter White – From Flight (1926)
  8. Jessie Redmon Fauset – From Plum Bun (1928)
  9. Rudolph Fisher – From The Walls of Jericho (1928)
  10. George S. Schuyler – From Black No More (1931)
  11. Langston Hughes – Passing (1934)

SELECTED WRITINGS FROM THE HARLEM RENAISSANCE

  1. Joseph Seamon Cotter, Jr. – The Mulatto to His Critics (1918)
  2. Countee Cullen – Heritage (1925)
  3. W. E. B. Du Bois – Criteria of Negro Art (1926)
  4. Nella Larsen [Pseud. Allen Semi] – Freedom (1926)
  5. George S. Schuyler – The Negro-Art Hokum (1926)
  6. Carl Van Vechten – From Nigger Heaven (1926)
  7. From Negro Womanhood’s Greatest Needs: A Symposium (1927)

Criticism

  1. Nathan Irvin Huggins – [Schizophrenia from Racial Dualism]
  2. Mary Mabel Youman – Nella Larsen’s Passing: A Study in Irony
  3. Claudia Tate – Nella Larsen’s Passing: A Problem of Interpretation
  4. Mary Helen Washington – Nella Larsen: Mystery Woman of the Harlem Renaissance
  5. Cheryl A. Wall – Passing for What? Aspects of Identity in Nella Larsen’s Novels
  6. Deborah E. McDowell – [Black Female Sexuality in Passing]
  7. David L. Blackmore – “That Unreasonable Restless Feeling”: The Homosexual Subtexts of Nella Larsen’s Passing
  8. Jennifer DeVere Brody – Clare Kendry’s “True” Colors: Race and Class Conflict in Nella Larsen’s Passing
  9. Helena Michie – [Differences among Black Women]
  10. Judith Butler – Passing, Queering: Nella Larsen’s Psychoanalytic Challenge
  11. Ann duCille – Passing Fancies
  12. Kate Baldwin – The Recurring Conditions of Nella Larsen’s Passing
  13. Gayle Wald – Passing and Domestic Tragedy
  14. Catherine Rottenberg – Passing: Race, Identification, and Desire
  15. Miriam Thaggert – Racial Etiquette: Nella Larsen’s Passing and the Rhinelander Case

Nella Larsen: A Chronology
Selected Bibliography

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