New ‘Latino’ and ‘Middle Eastern or North African’ checkboxes proposed for U.S. forms

Posted in Articles, Audio, Census/Demographics, Latino Studies, Media Archive, United States on 2023-02-01 17:31Z by Steven

New ‘Latino’ and ‘Middle Eastern or North African’ checkboxes proposed for U.S. forms

All Things Considered
National Public Radio
2023-01-26

Hansi Lo Wang, Correspondent, Washington Desk

New proposals by the Biden administration would change how the U.S. census and federal surveys ask Latinos about their race and ethnicity and add a checkbox for “Middle Eastern or North African” to those forms.
RussellCreative/Getty Images

The Biden administration is proposing major changes to forms for the 2030 census and federal government surveys that would transform how Latinos and people of Middle Eastern or North African descent are counted in statistics across the United States.

A new checkbox for “Middle Eastern or North African” and a “Hispanic or Latino” box that appears under a reformatted question asking for a person’s race or ethnicity are among the early recommendations announced in a Federal Register notice, which was made available Thursday for public inspection ahead of its official publication.

If approved, the changes would address longstanding difficulties many Latinos have had in answering a question about race that does not include a response option for Hispanic or Latino, which the federal government recognizes only as an ethnicity that can be of any race.

The reforms would also mark a major achievement for advocates for Arab Americans and other MENA groups who have long campaigned for their own checkbox. While the U.S. government currently categorizes people with origins in Lebanon, Iran, Egypt and other countries in the MENA region as white, many people of MENA descent do not identify as white people. In addition to a new box on forms, the proposal would change the government’s definition of “White” to no longer include people with MENA origins…

Read the entire article here.

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Abraham Galloway is the Black figure from the Civil War you should know about

Posted in Articles, Audio, Biography, History, Media Archive, Slavery, United States, Videos on 2022-02-13 02:46Z by Steven

Abraham Galloway is the Black figure from the Civil War you should know about

All Things Considered
National Public Radio
2022-02-08

Elizabeth Blair, Senior Producer/Reporter, Arts Desk

Engraved portrait of Abraham Galloway from William Still’s The Underground Railroad, published in 1872.
William Still’s ‘The Underground Railroad,’ 1872

He has been compared to James Bond and Malcolm X, though his name has largely been left out of the history books.

Abraham Galloway was an African American who escaped enslavement in North Carolina, became a Union spy during the Civil War and recruited Black soldiers to fight with the North. That’s the short version. The fuller picture would include his work as a revolutionary and being one of the first African Americans elected to the North Carolina Senate.

David Cecelski, author of The Fire of Freedom: Abraham Galloway and the Slaves’ Civil War, calls him a “swashbuckling figure who wouldn’t take sass from Northern or Southern or Black or white, Union or Confederate.”

When Cecelski was doing research for another book about maritime slavery, he kept coming across Galloway’s name. “And the stories were sort of so different than what I had been taught about slavery or the Civil War, or the role of African Americans in the Civil War,” he says…

Read or listen to the story (00:05:07) here.

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Netflix’s ‘Colin in Black and White’ shows a star athlete reaching toward Blackness

Posted in Articles, Audio, Biography, Book/Video Reviews, Media Archive, Social Justice, United States on 2021-11-08 04:03Z by Steven

Netflix’s ‘Colin in Black and White’ shows a star athlete reaching toward Blackness

All Things Considered
National Public Radio
2021-10-29

Eric Deggans, TV Critic

Jaden Michael plays a young Colin Kaepernick in Netflix’s ‘Colin in Black and White.’
Courtesy of Netflix

If you had any questions about where Colin Kaepernick’s activist spirit originated, a look at Netflix’s new limited series, Colin in Black and White, removes all doubt.

These days, Kaepernick is known as the ex-San Francisco 49ers quarterback whose decision to kneel during the national anthem in 2016 to protest racial injustice inspired others and kicked off years of conflicts. He became a free agent in 2017 and remains unsigned by an NFL team, a situation many analysts attributed to political blowback from the controversy sparked by his protest.

But Colin in Black and White makes the case that he’s been fighting those kinds of battles since he was in middle school, facing down clueless coaches, oblivious friends and well-intentioned white parents who adopted a biracial kid but seemed to have little idea how to handle his desire to embrace Blackness…

Read the entire review here.

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Radio Diaries: Harry Pace And The Rise And Fall Of Black Swan Records

Posted in Articles, Arts, Audio, Biography, History, Media Archive, Passing, United States on 2021-07-16 18:20Z by Steven

Radio Diaries: Harry Pace And The Rise And Fall Of Black Swan Records

All Things Considered
National Public Radio
2021-07-01

Nellie Gilles, Managing Producer at Radio Diaries at Radio Diaries

Mycah Hazel, Radio Diaries Fellow


Harry Pace started the first major Black-owned record label in the U.S., but his achievements went mostly unnoticed until recently, when his descendants uncovered his secret history.
Courtesy of Peter Pace

A century ago, around the dawn of the Harlem Renaissance, New York City was brimming with music. Black artists like Eubie Blake, Florence Mills and Fats Waller were performing in dance halls and nightclubs including Edmond’s Cellar and The Lincoln Theatre.

“Every block between 110th Street and 155th Street buzzed with creative energy,” says journalist Paul Slade, author of Black Swan Blues: the hard rise and brutal fall of America’s first black-owned record label.

Despite that energy, when it came to recording and selling music by Black artists, the opportunities were limited. White-owned record labels — Columbia, Victor, Aeolian, Edison, Paramount — recorded few Black artists at the time, and when they did, it was often limited to novelty songs and minstrelsy.

“They were making a fortune off these negative portrayals of Black people,” says Bill Doggett, a specialist in early recorded sound.

Okeh Records was one of the first labels to break the mold. Perry “Mule” Bradford, a Black composer, pushed Okeh to record Mamie Smith and her song “Crazy Blues” in 1920. The record was a hit and entrepreneur Harry Pace took notice…

Read the entire story here.

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“I have two handicaps, I am a woman and I have some Negro blood in my veins.”

Posted in Excerpts/Quotes on 2020-06-18 00:31Z by Steven

[Florence] Price and her music were well received in Chicago. The great contralto Marian Anderson closed her legendary 1939 Lincoln Memorial concert with a piece arranged by Price. Still, she scraped to make ends meet, writing pop tunes and accompanying silent films. In 1943, she sent a letter to Serge Koussevitzky, conductor of the Boston Symphony Orchestra, acknowledging what she was up against. “I have two handicaps,” she wrote: “I am a woman and I have some Negro blood in my veins.”

Tom Huizenga, “Revisiting The Pioneering Composer Florence Price,” All Things Considered, National Public Radio, January 21, 2019. https://www.npr.org/2019/01/21/686622572/revisiting-the-pioneering-composer-florence-price.

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Revisiting The Pioneering Composer Florence Price

Posted in Articles, Arts, Audio, Biography, Media Archive, United States, Women on 2020-06-18 00:10Z by Steven

Revisiting The Pioneering Composer Florence Price

All Things Considered
National Public Radio
2019-01-21

Tom Huizenga, Music Producer


Florence Price was the first African-American woman to have her music performed by a major symphony orchestra.
Special Collections, University of Arkansas Libraries

In 1933, the Chicago Symphony Orchestra gave the world premiere of Symphony No. 1 by a then little-known composer named Florence Price. The performance marked the first time a major orchestra played music by an African-American woman.

Price’s First Symphony, along with her Fourth, has just been released on an album featuring the Fort Smith Symphony, conducted by John Jeter.

Fans of Price, especially in the African-American community, may argue that her music has never really been forgotten. But some of it has been lost. Not long ago, a couple bought a fixer-upper, south of Chicago, and discovered nearly 30 boxes of manuscripts and papers. Among the discoveries in what turned out to be Price’s abandoned summer home was her Fourth Symphony, composed in 1945. This world-premiere recording is another new piece of the puzzle to understanding the life and music of Price, and a particular time in America’s cultural history.

Read the story here. Listen to the story (00:04:00) here.

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How The U.S. Defines Race And Ethnicity May Change Under Trump

Posted in Articles, Audio, Census/Demographics, Latino Studies, Media Archive, Politics/Public Policy, United States on 2017-11-23 16:51Z by Steven

How The U.S. Defines Race And Ethnicity May Change Under Trump

All Things Considered
National Public Radio
2017-11-23

Hansi Lo Wang


The Trump administration is expected to announce possible changes to how the U.S. government collects information about race and ethnicity by Dec. 1.
Chelsea Beck/NPR

Some major changes may be coming to how the U.S. government collects data about the country’s racial and ethnic makeup.

The Trump administration has been considering proposals to ask about race and ethnicity in a radical new way on the 2020 Census and other surveys that follow standards set by the White House.

Introduced when President Obama was still in office, the proposed changes could result in a fundamental shift in how the government counts the Latino population.

Another proposal would create a new checkbox on the census form for people with roots in the Middle East or North Africa, or MENA, which would be the first ethnic or racial category to be added in decades.

The White House’s Office of Management and Budget is expected to release a decision on these proposals by Dec. 1, but an announcement may come out before the end of the month…

Read the entire article here. Listen to the story here. Read the transcript here.

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Descendants Of Native American Slaves In New Mexico Emerge From Obscurity

Posted in Articles, Audio, History, Latino Studies, Media Archive, Native Americans/First Nation, Religion, Slavery, United States on 2016-12-30 02:32Z by Steven

Descendants Of Native American Slaves In New Mexico Emerge From Obscurity

All Things Considered
National Public Radio
2016-12-29

John Burnett, Southwest Correspondent, National Desk


Santo Tomas Catholic church in Abiquiu, N.M., is the site of an annual saint’s day celebration in late November that includes cultural elements of the genizaros, the descendants of Native American slaves.
John Burnett/NPR

Every year in late November, the New Mexican village of Abiquiu, about an hour northwest of Santa Fe, celebrates the town saint, Santo Tomas. Townfolk file into the beautiful old adobe Catholic church to pay homage its namesake.

But this is no ordinary saint’s day. Dancers at the front of the church are dressed in feathers, face paint and ankle bells that honor their forbears — captive Indian slaves called genizaros.

The dances and chants are Native American, but they don’t take place on a Pueblo Indian reservation. Instead, they’re performed in a genizaro community, one of several scattered across the starkly beautiful high desert of northern New Mexico.

After centuries in the shadows, this group of mixed-race New Mexicans — Hispanic and American Indian — is stepping forward to seek recognition…

Read the entire story here. Download the story (00:05:04) here.

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From Her Dad To Her ‘Jamish’ Roots, A Poet Pieces Her Story Together

Posted in Articles, Arts, Audio, Autobiography, Media Archive, United Kingdom on 2016-12-11 18:26Z by Steven

From Her Dad To Her ‘Jamish’ Roots, A Poet Pieces Her Story Together

All Things Considered
National Public Radio
2014-12-28

Arun Rath, Host

Growing up in 1970s England, Salena Godden stood out. Her mother was Jamaican and her father was an Irish jazz musician who mysteriously disappeared from her life when she was very young.

In her memoir, Springfield Road, the writer, poet and musician tells the story of finding her personal identity, beginning with the word she made up to describe her race: Jamish.

“It’s kind of … a mix of being Jamaican, Irish, English,” she tells NPR’s Arun Rath. “It’s the name I gave myself.”…

Read the story here. Download the interview (00:06:15) here. Read the transcript here.

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Skin Color Still Plays Big Role In Ethnically Diverse Brazil

Posted in Anthropology, Audio, Brazil, Caribbean/Latin America, History, Media Archive, Politics/Public Policy, Social Science on 2016-08-22 21:49Z by Steven

Skin Color Still Plays Big Role In Ethnically Diverse Brazil

All Things Considered
National Public Radio
2013-09-19

Audie Cornish, Host

Melissa Block visits a historic section of Rio de Janeiro that pays homage to Afro-Brazilian history and the many slaves that came ashore there. She talks with Brazilian filmmaker Joel Zito Araujo about what it means to be black or mixed race in Brazil, and how skin color still dictates many aspects of life.


Download the story here. Read the transcript here.

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