Creole Son: An Adoptive Mother Untangles Nature and Nurture

Posted in Autobiography, Biography, Books, Family/Parenting, Identity Development/Psychology, Louisiana, Media Archive, Monographs, Social Science, United States on 2020-03-06 20:47Z by Steven

Creole Son: An Adoptive Mother Untangles Nature and Nurture

LSU Press
March 2020
216 pages
5.50 x 8.50 inches / 6 halftones
Paperback ISBN: 9780807173107

E. Kay Trimberger, Professor Emerita of Women’s and Gender Studies
Sonoma State University, Rohnert Park, California

Introduction by:

Andrew Solomon, Professor of Clinical Psychology
Columbia University Medical Center, New York, New York

Creole Son is the compelling memoir of a single white mother searching to understand why her adopted biracial son grew from a happy child into a troubled young adult who struggled with addiction for decades. The answers, E. Kay Trimberger finds, lie in both nature and nurture.

When five-­day-­old Marco is flown from Louisiana to California and placed in Trimberger’s arms, she assumes her values and example will be the determining influences upon her new son’s life. Twenty-­six years later, when she helps him make contact with his Cajun and Creole biological relatives, she discovers that many of his cognitive and psychological strengths and difficulties mirror theirs. Using her training as a sociologist, Trimberger explores behavioral genetics research on adoptive families. To her relief as well as distress, she learns that both biological heritage and the environment—and their interaction—shape adult outcomes.

Trimberger shares deeply personal reflections about raising Marco in Berkeley in the 1980s and 1990s, with its easy access to drugs and a culture that condoned their use. She examines her own ignorance about substance abuse, and also a failed experiment in an alternative family lifestyle. In an afterword, Marc Trimberger contributes his perspective, noting a better understanding of his life journey gained through his mother’s research.

By telling her story, Trimberger provides knowledge and support to all parents—biological and adoptive—with troubled offspring. She ends by suggesting a new adoption model, one that creates an extended, integrated family of both biological and adoptive kin.

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Mary Ellen Pleasant Becomes a Rich, Black Abolitionist (feat. Lisa Bonet) – Drunk History

Posted in Biography, History, Media Archive, Passing, Slavery, United States, Women on 2020-01-28 19:18Z by Steven

Mary Ellen Pleasant Becomes a Rich, Black Abolitionist (feat. Lisa Bonet) – Drunk History

Drunk History
Comedy Central
2019-06-16

Mary Ellen Pleasant was a former slave who posed as a white woman in San Francisco, amassed a fortune and fought for the rights of black people.

Based on the popular web series, Drunk History is the liquored-up narration of our nation’s history. Host Derek Waters, along with an ever-changing cast of actors and comedians, travels across the country to present the rich tales that every city in this land has to offer. Booze helps bring out the truth. It’s just that sometimes the truth is a little incoherent.

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Interracial Marriage and the Meaning of Race

Posted in Audio, Brazil, Caribbean/Latin America, Family/Parenting, Media Archive, Social Science, United States on 2020-01-10 00:56Z by Steven

Interracial Marriage and the Meaning of Race

Race Talk
2020-01-08

David Morse, Host

Chinyere K. Osuji, Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

 Artwork for Interracial Marriage and the Meaning of Race

Dr. Chinyere Osuji discusses her book, “Boundaries of Love: Interracial Marriage and the Meaning of Race“. It’s an amazing work of scholarship rooted in comparing and contrasting black/white marriages in Rio de Janeiro and Los Angeles.

Listen to the podcast (00:40:33) here.

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Saugus High School shooter who killed two on his 16th birthday named as Nathaniel Berhow

Posted in Articles, Asian Diaspora, Campus Life, Media Archive on 2019-11-14 23:35Z by Steven

Saugus High School shooter who killed two on his 16th birthday named as Nathaniel Berhow

Metro UK
2019-11-14

Jimmy McCloskey, U.S. News Editor
New York, New York

A schoolboy who shot two schoolmates dead on his 16th birthday has been named as Nathaniel Berhow.

Berhow walked into Saugus High School in Santa Clarita, California on Sunday [Thursday] and shot five schoolmates.

He then turned the semi-automatic pistol on himself in a communal indoor ‘quad’ area inside the building, which sits around 30 miles north of downtown Los Angeles.

Santa Clarita Valley [Los Angeles County] Sheriff Alex [Villa]Nueva says Berhow is gravely ill in hospital. But police sources have told NBC4 that the shooter is actually brain dead, and only attached to a life support machine while his organs can be harvested for donation.

Two of his victims – a 16 year-old girl and 14 year-old boy, have since died in hospital…


Berhow is pictured as a little boy with his father Mark and mother Samantha. The shooter is believed to have been devastated by his dad’s death from a heart attack two years ago (Picture: Dignity Memorial)

Read the entire article here.

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Who Was the Real James Young Deer?

Posted in Articles, Arts, Biography, Communications/Media Studies, History, Media Archive, Native Americans/First Nation, Passing, Tri-Racial Isolates, United States on 2019-10-24 17:28Z by Steven

Who Was the Real James Young Deer?

Bright Lights Film Journal
Issue May 2013 (2013-04-30)
10 pages

Angela Aleiss, Full Time Lecturer, Information Systems
California State University, Long Beach

James Young Deer, 1909, at Bison

The Mysterious Identity of the Pathè Producer Finally Comes to Light

“With his acting experience and technical know-how, Young Deer soon advanced to one of Pathé’s leading filmmakers. His Indian identity served him well: no one in the cast or crew at that time would have taken orders from a black man.”

Few in Hollywood knew that James Young Deer, general manager of Pathé Frères West Coast Studio from 1911 to 1914, was really an imposter. After all, Young Deer had earned a reputation as the first Native American producer and had worked alongside D. W. Griffith, Fred J. Balshofer, and Mack Sennett. As one of Hollywood’s pioneer filmmakers, Young Deer oversaw the production of more than 100 one-reel silent Westerns for Pathé, the world’s largest production company with an American studio in Edendale in Los Angeles.

Young Deer was married to Lillian St. Cyr, a Winnebago Indian from Nebraska known as “Princess Red Wing” and star of Cecil B. DeMille’s 1914 classic The Squaw Man. He boasted of a full-blooded Winnebago heritage similar to his wife: his birthplace became Dakota City, Nebraska, and his father was “Green Rainbow” from the Winnebago reservation. He claimed he attended the Carlisle Indian Industrial School in Pennsylvania, the first off-reservation Indian boarding school.

In a 2010 BBC Radio 3 segment, “James Young Deer: The Winnebago Film-Maker,” no one — including this author — could unscramble Young Deer’s murky past. Young Deer was elusive, and a search in his background leads to a maze of contradictions and discrepancies. But after ten months of poking through dusty archives and faded vital records and tracking down Lillian’s relatives, the identity of this mysterious filmmaker finally came to light. His real name: James Young Johnson, born about April 1, 1878, in Washington, D.C., to mulatto parents George Durham Johnson and Emma Margaret Young.

“If Young Deer claimed to be Winnebago, he was lying to himself and others to promote himself,” says David Smith, Winnebago historian, author, and former director of Indian Studies at Little Priest Tribal College in Nebraska. Smith has heard endless stories about Young Deer’s supposed Winnebago heritage, and he’s had enough. His reaction is understandable: Native American identity is an especially sensitive issue, and no Indian tribe wants their name appropriated by some wannabe.

Little did anyone know that Young Deer’s true heritage lies hidden within the small mid-Atlantic community of whites, African Americans, and Native Americans once known as the “Moors of Delaware.” So secluded were these people that the late historian Clinton A. Weslager referred to them as “Delaware’s Forgotten Folk.”…

Read the entire article here.

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There Will Be No More Daughters, Poems

Posted in Asian Diaspora, Books, Latino Studies, Media Archive, Poetry, United States, Women on 2019-10-24 13:44Z by Steven

There Will Be No More Daughters, Poems

Northwestern University Press
2019-10-15
120 pages
Trim size 6 x 9
Trade Paper ISBN: 978-1-941423-03-5

Christine Larusso

At once sharp and tender, this debut collection from Christine Larusso (winner of the Madeleine P. Plonsker Emerging Writers Residency Prize) overflows with all the sorrows and ecstasies, the violations and acts of revenge, of girlhood and women’s coming-of-age. Set against the landscape of Southern California, where wide, wild expanses mingle with segregated sprawl, written from the viewpoint of a woman in a multiracial family, There Will Be No More Daughters has one foot planted in the firm realities of patriarchal domination, racial unbelonging, sex, death, and intergenerational alcoholism—and another in vivid flights of dream and dissociation.

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Symbol of Racial Reconciliation, Pasadenan Joan Williams Dies at 86

Posted in New Media on 2019-09-08 23:50Z by Steven

Symbol of Racial Reconciliation, Pasadenan Joan Williams Dies at 86

Pasadena Now
Pasadena, California
2019-03-01

Stephen Siciliano, Managing Editor
Photography courtesy Robert “Chip” Williams

Joan Williams, who did not leave Pasadena after being stripped of her 1958 “Miss Crown City” title but stayed and watched her hometown change with time has died, according to her son Robert “Chip” Williams.

Williams passed away on Feb. 20 in Pasadena, at the age of 86, enough time to be denied a rightful ride in the Rose Parade because of her race and decades later to see that wrong righted.

When officials discovered Williams was a light-complexioned African American, the float she was to ride was canceled. Her story finally publicized, Williams got her trip down Colorado Boulevard in the 2015 Rose Parade

Read the entire obituary here.

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The Tale of Hollywood’s Most Curious Career Imposter

Posted in Articles, Arts, Biography, History, Media Archive, Passing, United States on 2019-09-01 02:44Z by Steven

The Tale of Hollywood’s Most Curious Career Imposter

Messy Nessy: Cabinet of Chic Curiosities
2019-07-11

Francky Knapp

Korla Pandit (John Roland Redd)

Sex sells, and it sells even better with a dash of mystery. For every housewife in mid-century America, the enigmatic charm of Indian performer Korla Pandit was the ticket to getting weak in the knees before the kids came home from school. In the 15 minutes allotted to The Korla Pandit Program, the performer brought a scintillating new rhythm to suburbia’s ho-hum beat. Every week, he’d grace the small screen and play the sultry sounds of Miserlou with a coy smile, wearing a bejewelled turban, and flashing those soul-searching bedroom eyes. It was all part of his schtick, of course, and one of the most strangest in Hollywood history, given that Pandit wasn’t Indian, but African American. Today, the persona he created opens up a dialogue about race, fame, and surprising flexibility of truth…

Korla Pandit (John Roland Redd) as a child

Read the entire article here.

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Chinyere K. Osuji

Posted in Anthropology, Audio, Brazil, Caribbean/Latin America, Family/Parenting, Interviews, Media Archive, Social Science, United States on 2019-07-12 12:09Z by Steven

Chinyere K. Osuji

New Books Network
2019-07-11

Reighan Gillam, Host and Assistant Professor of Anthropology
University of Southern California

Chinyere K. Osuji, Boundaries of Love: Interracial Marriage and the Meaning of Race (New York: New York University Press, 2019)

The increasing presence of interracial relationships is often read as an antidote to racism or as an indicator of the decreasing significance of race. In her book, Boundaries of Love: Interracial Marriage and the Meaning of Race (NYU Press, 2019), Chinyere K. Osuji examines how interracial couples push against, navigate, and often maintain racial boundaries. In-depth interviews with black-white couples in Rio de Janeiro, Brazil and Los Angeles demonstrate how couples negotiate racial difference with their spouses, within their families, and during public encounters. This comparative study of interracial couples in Brazil and in the United States shows just how race can be constructed differently, while racial hierarchies persist. This book would be of interest to those in fields such as racial and ethnic studies, family and kinship studies, gender studies, and Latin American studies.

Listen to the interview (00:52:56) here. Download the interview here.

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Being More ‘Open:’ Black Women Negotiate Dating and Marrying White Men

Posted in Articles, Brazil, Caribbean/Latin America, Media Archive, Social Science, United States, Women on 2019-07-11 17:23Z by Steven

Being More ‘Open:’ Black Women Negotiate Dating and Marrying White Men

Chinyere Osuji, PhD
2019-07-10

Chinyere K. Osuji, Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

When I was studying at Harvard in the early 2000s, I had a black professor who had built part of his career gas-lighting anti-black discrimination in favor of 1990s-style black cultural inferiority tropes. My grad school girlfriends and I awkwardly giggled over “the sex parts” of his book on black upward mobility. He cited statistics saying that black women did not perform oral sex as often as white women, making them less desirable sexual partners. Sexual incompatibility on this sex act was part of the motor driving black men to date interracially more than black women. I was struck by how he ignored scholarship showing how white women are lauded as the essence of beauty, domesticity, and ideal womanhood. Instead, in a reversal of the Jezebel stereotype, he explained this race-gender imbalance as due to black women being prudes. I remember that when we stopped laughing, we speculated on which black woman might have hurt him and whether this was scholarly revenge porn against black women. We also questioned how his much paler wife felt about this discussion.

Over a decade later, I noticed the increasing popularity of a similar dynamic: “Black women need to be more open!”

How many black women have heard this in reference to our dating and marriage prospects?…

…In my book, Boundaries of Love: Interracial Marriage and the Meaning of Race, I conducted over 100 interviews with people in black-white couples in Los Angeles and Rio de Janeiro. I had the privilege of listening to men and women across racial pairings share the monotony, excitement, struggles, and joys of being married to a person on the other side of the ethnoracial hierarchy. Almost all couples seemed content in their relationships. Several were parents navigating how to raise children who were comfortable with the black, white, multiracial, and multi-ethnic sides of their extended families.

One thing that struck me about the black women whom I interviewed was how several of them complained about their white husbands who “just didn’t get it.” As people on the top of gender, racial, and often class hierarchies, these white men often could not make sense of the privileges they accrued in a society that fought very hard to occlude them. The work often fell on their black wives to teach them how they navigated the world as white middle class men. A few white husbands were “woke” to these dynamics. When I interviewed them individually, we laughed about their couple tactic of wives “tagging” them for interactions with customer service representatives and other outsiders. This strategy ensured that they used their race and gender privileges for the good of the family. Still, black women in other relationships described the emotional labor of explaining intersections of disadvantage to their oblivious white husbands…

Read the entire article here.

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