Mixed Race Studies

My Bondage and My Freedom

Yale University Press
2014 (originally published in 1855 by Miller, Orton & Mulligan)
432 pages
5 1/2 x 8 1/4
Paperback ISBN: 9780300190595

Frederick Douglass (1818–1895)

Introduction and Notes by David W. Blight

Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation’s enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass’s masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains.

This classic is revisited with a new introduction and annotations by celebrated Douglass scholar David W. Blight. Blight situates the book within the politics of the 1850s and illuminates how My Bondage represents Douglass as a mature, confident, powerful writer who crafted some of the most unforgettable metaphors of slavery and freedom—indeed of basic human universal aspirations for freedom—anywhere in the English language.

One might imagine, that the children of such connections, would fare better, in the hands of their masters, than other slaves. The rule is quite the other way; and a very little reflection will satisfy the reader that such is the case. A man who will enslave his own blood, may not be safely relied on for magnanimity. Men do not love those who remind them of their sins—unless they have a mind to repent—and the mulatto child’s face is a standing accusation against him who is master and father to the child. What is still worse, perhaps, such a child is a constant offense to the wife. She hates its very presence, and when a slaveholding woman hates, she wants not means to give that hate telling effect. Women—white women, I mean—are idols at the south, not wives, for the slave women are preferred in many instances; and if these idols but nod, or lift a finger, woe to the poor victim: kicks, cuffs and stripes are sure to follow. Masters are frequently compelled to sell this class of their slaves, out of deference to the feelings of their white wives; and shocking and scandalous as it may seem for a man to sell his own blood to the traffickers in human flesh, it is often an act of humanity toward the slave-child to be thus removed from his merciless tormentors.

Frederick Douglass, My Bondage and My Freedom, (Auburn, New York: Miller, Orton & Mulligan, 1855). 40-41.

The Future of the Colored Race

North American Review
Boston, Massachusetts
Number 142 (May 1886)
pages 437-440

Frederick Douglass (1818-1895)

It is quite impossible, at this early date, to say with any decided emphasis what the future of the colored people will be. Speculations of that kind, thus far, have only reflected the mental bias and education of the many who have essayed to solve the problem.

We all know what the negro has been as a slave. In this relation we have his experience of two hundred and fifty years before us, and can easily know the character and qualities he has developed and exhibited during this long and severe ordeal. In his new relation to his environments, we see him only in the twilight of twenty years of semi-freedom; for he has scarcely been free long enough to outgrow the marks of the lash on his back and the fetters on his limbs. He stands before us, to-day, physically, a maimed and mutilated man. His mother was lashed to agony before the birth of her babe, and the bitter anguish of the mother is seen in the countenance of her offspring. Slavery has twisted his limbs, shattered his feet, deformed his body and distorted his features. He remains black, but no longer comely. Sleeping on the dirt floor of the slave cabin in infancy, cold on one side and warm on the other, a forced circulation of blood on the one side and chilled and retarded circulation on the other, it has come to pass that he has not the vertical bearing of a perfect man. His lack of symmetry, caused by no fault of his own, creates a resistance to his progress which cannot well be overestimated, and should be taken into account, when measuring his speed in the new race of life upon which he has now entered. As I have often said before, we should not measure the negro from the heights which the white race has attained, but from the depths from which he has come. You will not find Burke, Grattan, Curran and O’Connell among the oppressed and famished poor of the famine-stricken districts of Ireland. Such men come of comfortable antecedents and sound parents…

…My strongest conviction as to the future of the negro therefore is, that he will not be expatriated nor annihilated, nor will he forever remain a separate and distinct race from the people around him, but that he will be absorbed, assimilated, and will only appear finally, as the Phoenicians now appear on the shores of the Shannon, in the features of a blended race. I cannot give at length my reasons for this conclusion, and perhaps the reader may think that the wish is father to the thought, and may in his wrath denounce my conclusion as utterly impossible. To such I would say, tarry a little, and look at the facts. Two hundred years ago there were two distinct and separate streams of human life running through this country. They stood at opposite extremes of ethnological classification: all black on the one side, all white on the other. Now, between these two extremes, an intermediate race has arisen, which is neither white nor black, neither Caucasian nor Ethiopian, and this intermediate race is constantly increasing. I know it is said that marital alliance between these races is unnatural, abhorrent and impossible; but exclamations of this kind only shake the air. They prove nothing against a stubborn fact like that which confronts us daily and which is open to the observation of all. If this blending of the two races were impossible we should not have at least one-fourth of our colored population composed of persons of mixed blood, ranging all the way from a dark-brown color to the point where there is no visible admixture. Besides, it is obvious to common sense that there is no need of the passage of laws, or the adoption of other devices, to prevent what is in itself impossible…

Read the entire essay here.

PHIL 539: Critical Philosophy of Race

Pennsylvania State University
Summer 2012

The study of philosophical issues raised by racism and by the concept of race and other related concepts.

This course provides an intensive examination of a major area of philosophical research: the philosophical examination of racism and of our thinking about race. It will investigate philosophical debates about such topics as mixed-race identity, going beyond the Black-White binary, the distinction between racism and xenophobia, the distinction between race and ethnicity, the debate about the reality of race, as well as questions about the nature and genealogy of racism. The course will have a historical component that will show how thinking in terms of the concept of race first developed and was transformed across time as well as addressing contemporary issues that includes an examination both of the dominant theories and definitions or racial identity and of ethical and political questions raised by the persistence of the notion of race. The course will also examine debates about the complicity of certain canonical figures in the history of philosophy, such as Immanuel Kant and Georg Wilhelm Friedrich Hegel in the conceptualization of race and the spread of philosophical racism. In addition to these two philosophers the following authors will be among those studied: Johann Friedrich Blumenbach, Frederick Douglass, Anténor Firmin, W. E. B. Du Bois, Anna Julia Cooper, Alain Locke, Paulette Nardal, Jean-Paul Sartre, Frantz Fanon, Anthony Kwame Appiah, Gloria Anzaldúa, Bernard Boxill, and Angela Davis. Race will be examined in its relation to other ways of thinking about human difference, including class, gender, nationality, religion, and sexuality. Attention will be given to diverse experiences in the US context, such as those of African Americans, Latina/os, Asian Americans, Native Americans, Irish Americans, and so on. In addition to examining the role race has played and continues to play in the United States of America, the ways in which race is approached in other parts of the world, for example in China, will also be the subject of investigation. The course content will vary, dependent upon the instructor.

Vision Turns to Division

American Review
Global Perpectives on US Affairs
Issue 2 (May 2010)
pages 12-15

Kevin Gaines, Director of the Center for Afroamerican and African Studies and Professor of History
University of Michgan

The election of Barack Obama has had surprisingly little impact on a nation fixated on race

In 1886, the African American abolitionist and spokesman Frederick Douglass published “The Future of the Coloured Race,” an essay which held that the biological assimilation of black Americans was inevitable. The Negro, in the parlance of the time, would neither be annihilated nor expatriated, nor would he “survive and flourish” as a distinct and separate group. Instead, “he will be absorbed, assimilated” into the white majority, visible “in the features of a blended race.” For Douglass, this amalgamation was a fait accompli, despite white protestations against interracial intimacy.

Writing amid the codification of a new system of racial segregation in the south of the US, and soon after his marriage to a white woman, Helen Pitts, had angered many. Douglass’s vision of racial comity through the biological absorption of blacks and whites was edgy, even transgressive. Still, it proved no match for the white south’s concerted assault on the political and social rights of black people, which persisted until the mid-1960s reforms of the civil rights movement. In a manner reminiscent of Douglass, since the 1990s advocates of the multiracial movement have looked to the growing population of mixed race Americans, neither black nor white, as evidence of racial progress. First Tiger Woods, and now Barack Obama, have embodied for many Americans the solution to the nation’s historical racial conflicts. Our black or, as some prefer, biracial president has become for many a symbol of reconciliation and national unity.

Yet, just as Douglass had done in his own time, the multiracial movement exaggerates the extent to which the post-civil rights increase of interracial marriages and their mixed-race offspring constitutes a solution to the problem of racism. As critics of multiracial ideology have noted, positive perceptions of mixed-race people as less threatening are often rooted in pejorative assumptions about blacks as angry or inferior. In other words, this idealised view of ‘bi-racial’ people reinforces, rather than challenges, prevailing notions of racial difference, of white superiority and black inferiority. The fascination with Obama as a seemingly ‘raceless’ mediator, once praised by a news presenter who gushed after a major presidential speech, “For an hour, I forgot he was black,” is a far cry from the resentful perception in some quarters of his wife, Michelle, as an “angry black woman.” The belief that a mixed race president heralds an era of racial harmony seems not just naïve, but misguided…

Read the entire article here.

Miscegenation

Banner-Watchman, Athens, Georgia
1884-02-26
page 2, column 1
Source: Athens Historic Newspapers Archive (Digital Library of Georgia as part of Georgia HomePLACE)

The New York World, in a recent article upon the marriage of Fred Douglass [to Helen Pits], has this to say upon the subject of miscegenation:

“What offense does a lady commit who marries such a man? She takes a husband with a dark skin and a little negro blood in his veins. That is the head and front of her offending. If she had married one of the many low, ignorant, white scamps who, having been kicked out of all decent circles, have found a resting-place in the public departments, her friends would not have objected. But she has chosen an intelligent, honorable, able colored man and has given a terrible shock to ‘Washington society.’ Is it not time that these prejudices against race should cease? Are they not out of place in a republican government in which all men are now happily considered ‘free and equal?'”

In reply to the World the Mobile Register says:

“If the New York World entertains such ideas as these and proposes to promulgate them, it must not be surprised if it soon comes to be considered an improper paper to be introduced into a Southern family circle. The Southern people can stand much, have stood much, but their very souls within them revolt at the idea of miscegenation. There was no occasion for the World making a comparison between Fred Douglass and ‘ignorant white scamps.’ That has nothing to do with the question involved, which is the preservation of the integrity of the white race. Mr. Pulitzer is entitled to hold whatever view he pleases, but if he seeks to force views favoring miscegenation upon the public, the Southern portion of the public will soon give him to understand that they will have none of them.”

Whereupon the Nashville Banner remarks:

“With the Register we admit that intermarriage between the races would not be endured by Southern people. But, in morals and reason, where is the greater disgrace in intermarriage than in illegitimate intercourse? We scoff and scorn the man who would take a negro woman as his wife, but accept him as a gentleman if he only keeps her as his mistress. To be consistent we should accept both as right, or reject both as wrong and disgraceful.“

The Long Walk to Freedom: Runaway Slave Narratives

Beacon Press
2012-08-21
288 pages
6″ x 9″
Cloth ISBN: 978-080706912-7

Devon W. Carbado, Professor of Law and African American Studies
University of California, Los Angeles

Donald Weise, Independent Scholar in African American history

The first book about the runaway slave phenomenon written by fugitive slaves themselves.

In this groundbreaking compilation of first-person accounts of the runaway slave phenomenon, editors Devon W. Carbado and Donald Weise have recovered twelve narratives spanning eight decades-more than half of which have been long out of print. Told in the voices of the runaway slaves themselves, these narratives reveal the extraordinary and often innovative ways that these men and women sought freedom and demanded citizenship. Also included is an essay by UCLA history professor Brenda Stevenson that contextualizes these narratives, providing a brief yet comprehensive history of slavery, as well as a look into the daily life of a slave. Divided into four categories-running away for family, running inspired by religion, running by any means necessary, and running to be free-these stories are a testament to the indelible spirit of these remarkable survivors.

The Long Walk to Freedom presents excerpts from the narratives of well-known runaway slaves, like Frederick Douglass and Harriet Jacobs, as well as from the narratives of lesser-known and virtually unknown people. Several of these excerpts have not been published for more than a hundred years. But they all portray the courageous and sometimes shocking ways that these men and women sought their freedom and asserted power, often challenging many of the common assumptions about slaves’ lack of agency.

Among the remarkable and inspiring stories is the tense but triumphant tale of Henry Box Brown, who, with a white abolitionist’s help, shipped himself in a box-over a twenty-seven-hour train ride, part of which he spent standing on his head-to freedom in Philadelphia. And there’s the story of William and Ellen Craft, who fled across thousands of miles, with Ellen, who was light-skinned, disguised as a white male slave-owner so she and her husband could achieve their dream of raising their children as free people.

Gripping, inspiring, and captivating, The Long Walk to Freedom is a remarkable collection that celebrates those who risked their lives in pursuit of basic human rights.

Read the Introduction here.

A Home Elsewhere: Reading African American Classics in the Age of Obama

Harvard University Press
May 2010
192 pages
5-1/2 x 8-1/4 inches
no illustrations
Hardcover ISBN: 9780674050969

Robert B. Stepto, Professor of English, African American Studies, and American Studies
Yale University

In this series of interlocking essays, which had their start as lectures inspired by the presidency of Barack Obama, Robert Burns Stepto sets canonical works of African American literature in conversation with Obama’s Dreams from My Father. The elegant readings that result shed surprising light on unexamined angles of works ranging from Frederick Douglass’s Narrative to W.E.B. Du Bois’s Souls of Black Folk to Toni Morrison’s Song of Solomon.

Stepto draws our attention to the concerns that recur in the books he takes up: how protagonists raise themselves, often without one or both parents; how black boys invent black manhood, often with no models before them; how protagonists seek and find a home elsewhere; and how they create personalities that can deal with the pain of abandonment. These are age-old themes in African American literature that, Stepto shows, gain a special poignancy and importance because our president has lived through these situations and circumstances and has written about them in a way that refreshes our understanding of the whole of African American literature.

Stepto amplifies these themes in four additional essays, which investigate Douglass’s correspondence with Harriet Beecher Stowe; Willard Savoy’s novel Alien Land and its interracial protagonist; the writer’s understanding of the reader in African American literature; and Stepto’s account of his own schoolhouse lessons, with their echoes of Douglass’ and Obama’s experiences.

Table of Contents

• Part One: The W.E.B. Du Bois Lectures
  • Introduction
  • 1. Frederick Douglass, Barack Obama, and the Search for Patrimony
  • 2. W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues
  • 3. Toni Morrison, Barack Obama, and Difference
• Part Two
  • Introduction
  • 4. A Greyhound Kind of Mood
  • 5. Sharing the Thunder: The Literary Exchanges of Harriet Beecher Stowe, Henry Bibb, and Frederick Douglass
  • 6. Willard Savoy’s Alien Land: Biracial Identity in a Novel of the 1940s
  • Afterword: Distrust of the Reader in Afro-American Narratives
• Notes
• Index

Pictures and Progress: Early Photography and the Making of African American Identity

Duke University Press
2012
400 pages
71 photographs
Paperback ISBN: 978-0-8223-5085-9
Cloth ISBN: 978-0-8223-5067-5

Edited by:

Maurice O. Wallace, Associate Professor of English and African & African American Studies
Duke University

Shawn Michelle Smith, Associate Professor of Visual and Critical Studies
School of the Art Institute of Chicago

Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography’s power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or “snapshots,” highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.

Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

Table of Contents

• Acknowledgments
• Introduction: Pictures and Progress / Maurice O. Wallace and Shawn Michelle Smith
• 1. “A More Perfect Likeness”: Frederick Douglass and the Image of the Nation / Laura Wexler
• 2. “Rightly Viewed”: Theorizations of the Self in Frederick Douglass’s Lecture on Pictures / Ginger Hill
• 3. Shadow and Substance: Sojourner Truth in Black and White / Augusta Rohrbach
  • Snapshot 1. Unredeemed Realities: Augustus Washington / Shawn Michelle Smith
• 4. Mulatta Obscura: Camera Tactics and Linda Brent / Michael Chaney
• 5. Who’s Your Mama?: “White” Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom / P. Gabrielle Foreman
• 6. Out from Behind the Mask: Paul Laurence Dunbar, the Hampton Institute Camera Club, and Photographic Performance of Identity / Ray Sapirstein
  • Snapshot 2. Reproducing Black Masculinity: Thomas Askew / Shawn Michelle Smith
• 7. Louis Agassiz and the American School of Ethnoeroticism: Polygenesis, Pornography, and Other “Perfidious Influences” / Suzanne Schneider
• 8. Framing the Black Soldier: Image, Uplift, and the Duplicity of Pictures / Maurice O. Wallace
  • Snapshot 3. Unfixing the Frame(-up): A. P. Bedou / Shawn Michelle Smith
• 9. “Looking at One’s Self through the Eyes of Others”: W. E. B. Du Bois’s Photographs for the Paris Exposition of 1900 / Shawn Michelle Smith
• 10. Ida B. Wells and the Shadow Archive / Leigh Raiford
  • Snapshot 4. The Photographer’s Touch: J. P. Ball / Shawn Michelle Smith
• 11. No More Auction Block for Me! / Cheryl Finley
• Bibliography
• Contributors
• Index

Building Multiracial Fortunes: Black Identity, Masculinity, and Authenticity Through the Body of T. Thomas Fortune, 1883-1907

San Diego State University
Fall 2011
69 pages

Guy Mount

A Thesis Presented to the Faculty of San Diego State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in History

This thesis examines the post-emancipation formation of African American identity, masculinity, and authenticity through the white skinned, multiracial body of T. Thomas Fortune, the premier African American newspaper editor of the Gilded Age and Progressive Era. It argues that multiracial African American men like Fortune were central to the collective construction of an authentic black male identity between 1883 and 1907. Often functioning as foil characters in elaborate racial performances which characterized them as less authentic, less masculine, and more subject to racial disloyalty, Fortune and others who visually presented a racially ambiguous body challenged this narrowly drawn and internally imposed paradigm of orthodox black male authenticity while resisting its implications.

Emerging from chattel slavery in Florida and surviving a particularly violent strand of Reconstruction in Marianna County, Fortune relocated to New York City where he harnessed the power of the press to fight white racism and eventually enter the debates over a rapidly crystallizing image of black masculinity. In doing so he attempted to inscribe an alternative political meaning to interracial sexuality, the bodies of white skinned African Americans, and indeed, the very notion of authentic black manhood itself. All of these projects were informed by Fortune’s deeply rooted anxiety regarding his own white skinned body and what it signified within the black community.

Ultimately this formulation and the ongoing struggle over the meaning of blackness, was acted out by Fortune and others at the expense of black women. This process of defining black authenticity and black manhood effectively established a firm patriarchal order within elite African American discourse as it attempted to assert black manhood by controlling the sexualized bodies of black women while silencing their voices in the public sphere. In this way, white skinned African American male bodies can serve as a useful example of the complex problematic of what it means to be a gendered black subject in early Jim Crow America. What emerges, in the end, are complicated, dynamically engaged subjects trying to grasp at an authentic, stable identity that was always shifting, transforming, and at times, vanishing from sight.

The four chapters found here cover topics such as the emerging black nationalist movement, segregated insane asylums, the interracial marriage of Frederick Douglass to Helen Pitts in 1884, and the internal debates over the use of the terms ‘Negro,’ ‘colored,’ or ‘Afro-American’ to self-identify African Americans. Methodologically this thesis draws inspiration from Lacanian psychoanalysis, the linguistic work of Jacques Derrida, and the conception of the body, sexuality, and decentralized power networks as envisioned by Michel Foucault.

Read the entire thesis here.