Had my name been Jessie Mendoza, then people might have asked, “What are you?” Not because I look ethnically ambiguous, but precisely because I don’t; I am absolutely white-passing.

Posted in Excerpts/Quotes on 2019-08-12 01:21Z by Steven

Had my name been Jessie Mendoza, then people might have asked, “What are you?” Not because I look ethnically ambiguous, but precisely because I don’t; I am absolutely white-passing. In Vermont, where my entire family (with the exception of my grandfather) is from, my white skin, green eyes, and light brown hair would blend in, but my surname certainly would not. In Tucson, my color and new surname would each be common, but not necessarily common together, especially when considered alongside my mother s French-Canadian last name, Geraw. As an adult in California, where even stricter phenotypic expectations by and for Mexicans often hold sway, people of any ethnicity might feel the need to clarify my own.

Jessie D. Turner, “La nueva tocayaChiricú Journal: Latina/o Literatures, Arts, and Cultures, Volume 3, Number 2, Spring 2019 (Intersecting Latinx Lives: The Politics of Race), p 149. https://www.academia.edu/40047719/La_nueva_tocaya.

Tags: , ,

La nueva tocaya

Posted in Articles, Autobiography, Caribbean/Latin America, Latino Studies, Media Archive, Mexico, Passing, Texas, United States on 2019-08-11 02:42Z by Steven

La nueva tocaya

Chiricú Journal: Latina/o Literatures, Arts, and Cultures
Volume 3, Number 2, Spring 2019 (Intersecting Latinx Lives: The Politics of Race)
pages 147-150
DOI: 10.2979/chiricu.3.2.14

Jessie D. Turner, Social Justice Educator, Academic and Creative Writer, Program Manager
Goleta, California

We were parked in their northwestern Vermont gravel driveway, on our way somewhere, but not yet gone. The autumn leaves glowed the color of cardinals and marigolds and honeycomb and mud, colors common to many seasons; it’s the mosaic, rather than any uniqueness in the colors themselves, that invites worship, each dying leaf fitted one against the next. My stepmother looked at my father as he turned from the front seat, looked at me, and admitted, “Becky thinks it’s important that you know . . .” My stepmother knew my love of and skill at Spanish, which I was taking in high school. She knew how much I missed the southern Arizona desert, where I lived twice as a child with my mother. Adding this knowledge together, she knew that I might value knowing that my paternal grandfather was Mexican. I had never heard of this grandfather before, never even wondered if I had one; why would I, when having moved back to Vermont just three years earlier, I was still grappling to intersect with my father?

After that month’s weekend visit with him and my stepmother, I took the return bus two hours southeast to where I lived with my mother in the Upper Valley. On Monday, I showed a slightly yellowed newspaper clipping to my art teachers, Pete and Elizabeth. We stood between their desks, gray metal veiled by gray camera equipment cabinets, and the printing press that hulked beneath the half-windowed whitewashed wall. My aunt—my dad’s half-sister and unrelated to my grandfather—had inherited that yellowed clipping and another half photograph from my grandmother. My aunt had excavated them from her farmhouse bedroom closet after they’d been in my family forty-five years. She had passed them on to me. “Look! This article mentions my dad’s father, who was a Golden Gloves boxer in the 50s!” I enthused. As I shared the photo, I stared into this heavily secreted face, this face now reborn. This face, this face, it belonged to a father who mine had never seen. As such, this new paper ancestor’s boxing face may have settled into my consciousness, but his race dissolved completely beyond it. That he was Mexican remained absolutely external to me. I was sixteen.

The balcony of my first apartment at age twenty-four reached deep enough for exactly one folding chair, which I angled toward the southeast for a clear view of the US-Mexico border. Each weekend morning I sat out there sipping chamomile tea, learning palm-frond melodies, and looking for hints of movement. I looked past the opera house and wide basin of parallel train tracks. Past the stores lining South El Paso Ave., the ones offering cheap shoes, bra and panty sets, and household items to those privileged enough to cross north for the day. Past layers and layers and layers of chain-link fencing and razor wire and video cameras. Past the Rio Bravo tamed into an empty cement wash. At 9 AM the line of cars waiting to cross into the US still stood relatively short; by noon it would triple. From my perch four blocks north of this international border crossing, the cars looked like Hot Wheels sliding effortlessly along a predetermined track: JuárezEl Paso, Juárez–El Paso.

On a Saturday afternoon in late January, I flowed through the city’s arteries and veins. I wound past the art museum where I had seen Cheech Marin’s Chicano Visions exhibit, past the ongoing restoration of the Plaza Theater. I wound past San Jacinto Plaza, lined with people waiting for city buses that themselves stood waiting for their timetables. Past El Segundo Barrio murals honoring La Virgen and Iztaccíhuatl and Popocatépetl, past corner stores selling international phone cards and Bimbo brand bread, past brown children squealing joy at a tiny puppy. At the Armijo Branch Library, southeast of my apartment and barely a breath’s sweep from la linea I found my weekly writing group waiting. That day I would share a recent reflection, short in length but nothing short of a revelation:..

Read the entire article here.

Tags: , , , , ,

The JCMRS inaugural issue will be released Summer, 2013

Posted in Articles, Media Archive, United States on 2013-03-18 03:35Z by Steven

The JCMRS inaugural issue will be released on Summer, 2013

Journal of Critical Mixed Race Studies
c/o Department of Sociology
SSMS Room 3005
University of California, Santa Barbara
Santa Barbara, California  93106-9430
E-Mail: socjcmrs@soc.ucsb.edu
2012-10-10

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to developing the field of Critical Mixed Race Studies (CMRS) through rigorous scholarship. Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies.

JCMRS is transracial, transdisciplinary, and transnational in focus and emphasizes the critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions and constructions of ‘race.’ JCMRS emphasizes the constructed nature and thus mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. JCMRS addresses local and global systemic injustices rooted in systems of racialization.

Sponsored by University of California, Santa Barbara’s Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library. JCMRS functions as an open-access forum for critical mixed race studies scholars and will be available without cost to anyone with access to the Internet.


Volume 1, Issue 1, Spring 2013 will include:

Articles

  1. “Historical Origins of the One-Drop Racial Rule in the United States”—Winthrop Jordan edited by Paul Spickard
  2. “Retheorizing the Relationship Between New Mestizaje and New Multiraciality as Mixed Race Identity Models”—Jessie Turner
  3. “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation,” Keynote Address presented at the Critical Mixed Race Studies Conference, November 5, 2010, DePaul UniversityAndrew Jolivétte
  4. “Only the News We Want to Print”—Rainier Spencer
  5. “The Current State of Multiracial Discourse”—Molly McKibbin
  6. “Slimy Subjects and Neoliberal Goods”—Daniel McNeil

Editorial Board

Founding Editors: G. Reginald Daniel, Wei Ming Dariotis, Laura Kina, Maria P. P. Root, and Paul Spickard

Editor-in-Chief: G. Reginald Daniel

Managing Editors: Wei Ming Dariotis and Laura Kina

Editorial Review Board: Stanley R. Bailey, Mary C. Beltrán, David Brunsma, Greg Carter, Kimberly McClain DaCosta, Michele Elam, Camilla Fojas, Peter Fry, Kip Fulbeck, Rudy Guevarra, Velina Hasu Houston, Kevin R. Johnson, Andrew Jolivette, Rebecca Chiyoko King-O’Riain, Laura A. Lewis, Kristen A. Renn, Maria P. P. Root, Stephen Murphy-Shigematsu, Gary B. Nash, Kent A. Ono, Rita Simon, Miri Song, Rainier Spencer, Michael Thornton, Peter Wade, France Winddance Twine, Teresa Williams-León, and Naomi Zack

For more information, click here.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Stakes of Race, Color, & Belonging

Posted in Census/Demographics, Identity Development/Psychology, Live Events, Media Archive, Social Science, United States on 2011-08-16 04:02Z by Steven

The Stakes of Race, Color, & Belonging

Thursday Afternoon Forum Series
University of California, Berkeley
Center for Race and Gender
691 Barrows
Thursday, 2011-09-29, 16:00-17:30 PDT (Local Time)

Skin Tone Stratification Among Black Americans, 2001-2003
Ellis Monk Jr., Sociology

“I’m Mixed and Mixed”: Narrating Identities of Individuals with Mexican and Other Ancestries
Jessie Turner, Ethnic Studies

For more information, click here.

Tags: ,