Scholarly perspectives on the mixed race experience.
We are, in fact, at a crucial moment in research on multiraciality. The idea that race is socially, rather than biologically, constructed is well-accepted in academy and is gaining purchase in the larger society. Most recent research related to multiracial identity begins from the standpoint that racial categories are socially constructed and racial identity is constructed on an individual level through social interactions and cognitive development. Acceptance of these tenets begs the question: if we believe that race is socially constructed, to what extent are we re-inscribing fixed racial categories by studying multiraciality? If there are no “races” how can there be “mixed races”? Before proceeding as a research community, we need to address these questions and explore potential solutions.
Using black and white [media] also allowed [Rebecca] Hall to cast Black actresses in the roles. She’s not trying to “fool” anyone into thinking that Negga or Thompson is white, she’s simply trying to turn the film’s deeply metaphorical ideas into a practical experience. The audience will have “very fixed ideas about Tessa Thompson and Ruth Negga’s racial identity,” Hall said, “which gives me a position from which to destabilize those ideas and point out the limits of just reducing them to that one definition.”
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For nearly a decade, the actress-turned-filmmaker tried to get her ambitious Nella Larsen adaptation made. As she tells IndieWire, she knew there was only one way to make it happen.
Every word that first-time feature filmmaker Rebecca Hall uses to describe the genesis of her “Passing” vibrates with intensity. Her first experience reading the Nella Larsen novella she eventually adapted for the black-and-white period piece was like “being in a fever,” the pages flipping by as if she was “slightly possessed.”
More than 13 years after first reading Larsen’s book, Hall has kept up that same passion for the material, enough to propel her through years of denials from Hollywood brass and the distinct possibility that the film would never get made the way she saw it.
Much has been made of Hall’s personal connection to the material — the film, like Larsen’s seminal work, follows the fraught reunion of a pair of friends (Tessa Thompson and Ruth Negga), both of whom are Black, though one of them has crossed the color line and lived her life “passing” as a white woman (Negga as Clare). Hall herself is of mixed racial heritage and her own maternal grandfather “passed” for the majority of his life. But for the long-time actress, Larsen’s slim book spoke even more deeply about much larger ideas…