Blue Beneath My Skin

Posted in Arts, Identity Development/Psychology, Media Archive, United Kingdom, Videos, Women on 2020-08-26 00:22Z by Steven

Blue Beneath My Skin

The Alchemist Theatre Company
London, United Kingdom

Macadie Amoroso

“Clothes allow me to choose how people see me,
Clothes can speak louder than my skin…”

Through the eyes of a 17-year-old mixed race girl, Blue Beneath My Skin explores the nuances of identity and ethnicity, and how self-perception and the perceptions put upon us can push us onto a destructive path.

Blue beneath my skin was fist performed at The Bunker Theatre in 2019 as part of the ‘This is Black’ festival. In 2020 it was revived as part of East 15’s Debut Festival and won the King’s Head Theatre’s Stella Wilkie Award and was chosen for Pulse Festival.

Watch the entire play here.

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This Is Black – Double Bill I: Blue Beneath My Skin & All the Shit I Can’t Say to My Dad at the Bunker

Posted in Articles, Arts, Identity Development/Psychology, Media Archive, United Kingdom, Women on 2020-08-26 00:08Z by Steven

This Is Black – Double Bill I: Blue Beneath My Skin & All the Shit I Can’t Say to My Dad at the Bunker

The Up Coming

Michael Higgs

Featuring four new plays by emerging black writers, Steven Kavuma’s This Is Black is a highly anticipated festival that promises to be a success. The first part of the festival, Double Bill I, presents highly passionate and thoughtful performances of two one-handers, which leave plenty of room for thought.

Written by and starring Macadie Amoroso, Blue Beneath My Skin features the life story of a 17-year-old mixed-race girl who dreams of becoming a fashion designer, but who frequently encounters setbacks through an onslaught of sexism and racism. Amoroso’s acting is top-notch and full of soul, never failing to be convincing even for a single moment. The writing, too, is very strong for the most part – although the occasional irregular use of rhyme, probably a leftover from spoken-word-poetry, does mar the overall presentation somewhat. Plot-wise, the ending also feels rather forced and unlikely. But these minor hiccups are hardly detrimental to an otherwise outstanding performance, which takes a particularly fascinating point of view in exploring racial tensions and questions of identity when being of a mixed heritage…

Read the entire review here.

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Blue Beneath My Skin, Alchemist Theatre Co. (Streamed Broadcast)

Posted in Articles, Arts, Literary/Artistic Criticism, Media Archive, United Kingdom, Women on 2020-08-25 23:56Z by Steven

Blue Beneath My Skin, Alchemist Theatre Co. (Streamed Broadcast)

Breaking The Fourth Wall: Michael Davis’ thoughts on theatre and the Arts.

Michael Davis

The second entry in Alchemist Theatre’sWriters On Hold’ series, Blue Beneath My Skin continues to explore the themes of racial identity and feminimity. Written and performed by Macadie Amoroso, the monologue focuses on a 17-year-old mixed race girl, who after she was abandoned as a baby by a canal, was found and later raised by an all-white family.

While ‘Canal Baby’ (Amoroso’s character) has a ‘comfortable’ existence, domestic life does have its tensions. She’s still close to her ‘father’, but he and her ‘mother’ are no longer a couple. Living in an all-female household (with ‘mother’ and ‘sister’), far from having many things in common, even neutral interests such as fashion are a divisive subject, where they seldom see eye-to-eye. Regardless of this, it is the one avenue where Amoroso’s character feels she can express her individuality, irrespective of her family’s opinions and tastes.

Read the entire review here.

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Black Voices: This is Black: Macadie Amoroso

Posted in Articles, Arts, Interviews, Media Archive, United States on 2019-10-05 02:53Z by Steven

Black Voices: This is Black: Macadie Amoroso

Shades of Noir

Rayvenn Shaleigha D’Clark, Junior Editor

Portrait of Macadie Amoroso. Photo credit: Hâle Denholm)
Macadie Amoroso

SHADES OF NOIR Q&A – ‘Blue Beneath My Skin’

Macadie Amoroso: I am the writer and performer of ‘Blue Beneath My Skin’, which I was inspired to write because I’d been wanting, for a while, to voice my personal experiences of being mixed-race. I rarely see or hear of any plays about it, but whenever I speak to other mixed-race people, they always have so much to say about their experiences.

What motivated me to put pen to paper was receiving an email about the festival, This Is Black. It was emphasised in the email that the festival was about celebrating black work and giving black artists a voice, and I immediately felt disheartened. Not because I felt like this wasn’t important (it very much is) but because I don’t identify as black, and therefore, I felt an element of fraud/guilt, thinking, ‘this isn’t for me. Maybe I’ll be taking up space of someone who does identify as black’. This spurred me to write about what it’s like being of mixed heritage, but only having exposure to one side of that. I chose to write it in spoken word because I’ve always been more of a poet than a writer and I think it’s a very effective way of storytelling…

Rayvenn Shaleigha D’Clark: How did you go about building a varied depiction of Black stories and black characters?

MA: I could only build what I know, so I focused on the protagonist’s mixed-race experience, but making sure to highlight through other characters, like her best mate, Paul, that her experience is definitely not the only mixed-race experience out there. I hope what I’ve done through this play and the characters within it, is show that struggle is universal and feeling ‘blue’ is something that everyone experiences regardless of age, gender, sexuality, colour, ethnicity; it’s a part of the wider human experience…

Read the entire interview here.

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