Marlene Daut

Posted in Audio, Caribbean/Latin America, History, Interviews, Literary/Artistic Criticism, Media Archive on 2016-05-15 01:40Z by Steven

Marlene Daut

New Books Network
2016-04-18

Dan Livesay, Assistant Professor of History
Claremont McKenna College, Claremont, California

Marlene Daut tackles the complicated intersection of history and literary legacy in her book Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865 (Liverpool University Press, 2015). She not only describes the immediate political reaction to the Haitian Revolution, but traces how writers, novelists, playwrights, and scholars imposed particular racial assumptions onto that event for decades afterward. Specifically, she identifies a number of recurring tropes that sought to assign intense racial divisions to the Haitian people. Individuals of joint African and European heritage, she contends, received the blunt of these attacks, as they were portrayed as monstrous, vengeful, mendacious, and yet also destined for tragedy. Moreover, observers and chroniclers of the Revolution maintained that these supposed characteristics produced ever-lasting discord with black Haitians. Daut analyzes hundreds of fictional and non-fictional accounts to argue that portrayals of the Haitian Revolution, and of the country itself, have long suffered under these false assumptions of exceptional racial problems. She has also produced a compendium of Haitian fiction during this period, in conjunction with the book. You can find it here.

Listen to the interview (00:49:33) here. Download the interview here.

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Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865

Posted in Books, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive, Monographs on 2015-12-22 04:08Z by Steven

Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865

Liverpool University Press
May 2015
848 pages
234 x 156mm
Hardback ISBN: 9781781381847
Paperback ISBN: 9781781381854

Marlene L. Daut, Assistant Professor of English and Cultural Studies
Claremont Graduate University, Claremont, California

The Haitian Revolution (1791-1804) was an event of monumental world-historical significance, and here, in the first systematic literary history of those events, Haiti’s war of independence is examined through the eyes of its actual and imagined participants, observers, survivors, and cultural descendants. The ‘transatlantic print culture of the Haitian Revolution’ that this literary history shows was created by novelists, poets, dramatists, memoirists, biographers, historians, journalists, and eye-witness observers, revealing enlightenment racial ‘science’ as the primary vehicle through which the Haitian Revolution was interpreted, historicized, memorialized, and fictionalized by nineteenth-century Haitians, Europeans, and U.S. Americans alike.

Through its author’s contention that the Haitian revolutionary wars were incessantly racialized by four constantly recurring racial tropes—the ‘monstrous hybrid’, the ‘tropical temptress’, the ‘tragic mulatto/a’, and the ‘mulatto legend of history’, Tropics of Haiti shows the ways in which the nineteenth-century tendency to understand Haiti’s revolution in primarily racial terms has affected present day demonizations of Haiti and Haitians. In the end, this new archive of Haitian revolutionary writing, much of which has until now remained unknown to the contemporary reading public, invites us to examine how nineteenth-century attempts to paint Haitian independence as the result of a racial revolution coincides with present-day desires to render insignificant and ‘unthinkable’ the second independent republic of the New World.

CONTENTS

  • PRELUDE: On “Haitian Exceptionalism”
  • INTRODUCTION: From Enlightenment Literacy to Mulatto/a Vengeance
  • PART ONE: THE MONSTROUS HYBRIDITY OF MULATTO/A VENGEANCE
    • 1. Baron de Vastey, Colonial Discourse, and the Global “Scientific” Sphere
    • 2. Monstrous Testimony and Baron de Vastey in 19th-Century Historical Writing About Haiti
    • 3. Victor Hugo and the Rhetorical Possibilities of Monstrous Hybridity in Revolutionary Fiction
  • PART TWO: TRANSGRESSING THE TROPE OF THE TROPICAL TEMPTRESS
    • 4. Moreau de Saint-MĂ©ry’s Daughter and La MulĂątre comme il y a beaucoup de blanches (1803)
    • 5. “Born to Command:” Leonora Sansay and the Paradoxes of Female Resistance in Zelica; the Creole
    • 6. Theresa to the Rescue!: African American Women’s Resistance and the Literary History of the Haitian Revolution
  • PART THREE: THE TROPE OF THE TRAGIC MULATTO/A AND THE HAITIAN REVOLUTION
  • PART FOUR: REQUIEM FOR THE “MULATTO LEGEND OF HISTORY”
    • 10. The Color of History: The Transatlantic Abolitionist Movement and William Wells Brown’s “Never-to-be-forgiven-course-of the-mulattoes”
    • 11. Victor Schoelcher, “L’Imagination Jaune,” and the Francophone Geneaology of the “Mulatto Legend of History”
    • 12. “Let us Be Humane after the Victory: Pierre Faubert’s New Humanism
  • CODA : Today’s Haitian Exceptionalism
  • Works Cited
  • Index
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Science of desire: Race and representations of the Haitian revolution in the Atlantic world, 1790-1865

Posted in Dissertations, History, Literary/Artistic Criticism, Media Archive, Slavery on 2012-04-15 16:09Z by Steven

Science of desire: Race and representations of the Haitian revolution in the Atlantic world, 1790-1865

University of Notre Dame
July 2008
489 pages
Publication Number: AAT 3436234
ISBN: 9781124353197

Marlene Leydy Daut, Assistant Professor of English and Cultural Studies
Claremont Graduate University, Claremont, California

A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy

This dissertation reads representations of the Haitian Revolution with and against the popular historical understanding of the events as the result of the influence of enlightenment philosophy or the Declaration of the Rights of Man on Toussaint L’Ouverture; or what I have called a “literacy narrative.” This understanding is most visible in texts such as C.L.R. James’s The Black Jacobins (1938) and reproduces the idea that Toussaint read Raynal’s Histoire des deux Indes (1772) and thus became aware that slavery was contrary to nature and was inspired to lead the revolt. Instead, I show how eighteenth- and nineteenth-century understandings of the Revolution were most often mediated through the discourse of scientific debates about racial miscegenation–an eighteenth- and nineteenth-century obsession with what happens when white people produce children with black people–making the Revolution the result of the desire for vengeance on the part of miscegenated figures, whose fathers refused to recognize or defend them, rather than a desire for the ideals of liberty and equality; or what I have called the “mulatto vengeance narrative.”

Chapter one examines the figure of the “tropical temptress” in the anonymously published epistolary romance La MulĂątre comme il y a beaucoup de blanches (1803). Chapter two takes a look at “evil/degenerate mulattoes” in Herman Melville’s “Benito Cereno” (1855) and Victor Hugo’s Bug-Jargal (1826). In chapter three I analyze the trope of the “tragic mulatto/a” in French abolitionist Alphonse de Lamartine’s verse drama Toussaint L’Ouverture (1850); the Louisiana born Victor SĂ©jour’s short story, “The Mulatto” (1837); and Haitian author EmĂ©ric Bergeaud’s Stella (1859). Chapters four and five look at the image of the “inspired mulatto” in French novelist Alexandre Dumas’s adventure novel, Georges (1843); black American writer William Wells Brown’s abolitionist speech turned pamphlet, “St. Domingo; its Revolutions and its Patriots” (1854); and the Haitian poet and dramatist Pierre Faubert’s play, OgĂ©; ou le prĂ©jugĂ© de couleur (1841; 1856). By insisting on a discourse of science as a way to understand these representations, I show how these texts contributed to the pervasive after-life of the Haitian Revolution in the nineteenth-century Atlantic World, on the one hand, but also created an entire vocabulary of desire with respect to miscegenation, revolution, and slavery, on the other.

CONTENTS

  • Acknowledgments
  • Introduction
    • Part 1: Mulatto Vengeance and the Haitian Revolution
    • Part 2: Literacy Narratives and the Haitian Revolution
    • Part 3: Notes on Terminology
  • Chapter 1: Tropical Temptresses: Desire and Repulsion in Revolutionary Saint-Domingue
    • Part 1: The Color of Virtue
    • Part 2: Colonialism and Despotism
    • Part 3: Desire and Abolition
  • Chapter 2: Black Son, White Father: Mulatto Vengeance and the Haitian Revolution in Victor Hugo’s Bug-Jargal and Herman Melville’s “Benito Cereno”
    • Part 1: Victor Hugo’s Parricide
    • Part 2: Melville’s “Usher of the Golden-Rod”
  • Chapter 3: Between the Family and the Nation: Parricide and the Tragic Mulatto/a in 19th-century Fictions of the Haitian Revolution
    • Part 1: SĂ©jour’s Oedipal Curse
    • Part 2: Toussaint’s Children
    • Part 3: Bergeaud’s Romantic Vision
  • Chapter 4: The “Inspired Mulatto:” Enlightenment and Color Prejudice in the African Diaspoa
    • Part 1: Alexandre Dumas and the Haitian Revolution
    • Part 2: Economics and Civilization
    • Part 3: The “Never-to-be-forgiven course of the mulattoes”
  • Chapter 5: “Let Us Be Humane After the Victory:” Pierre Faubert’s New Humanism
  • Conclusion
  • Works Cited

Purchase the dissertation here.

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“Sons of White Fathers”: Mulatto Vengeance and the Haitian Revolution in Victor SĂ©jour’s “The Mulatto”

Posted in Articles, Caribbean/Latin America, History, Literary/Artistic Criticism, Media Archive on 2011-01-01 21:53Z by Steven

“Sons of White Fathers”: Mulatto Vengeance and the Haitian Revolution in Victor SĂ©jour’s “The Mulatto”

Nineteenth-Century Literature
Volume 65, Number 1 (June 2010)
Pages 1–37
DOI: 10.1525/ncl.2010.65.1.1

Marlene L. Daut, Assistant Professor of English and Cultural Studies
Claremont Graduate University, Claremont, California

Although many literary critics have traced the genealogy of the tragic mulatto/a to nineteenth-century U.S. letters, in this essay I argue that the theme of tragedy and the mixed-race character predates the mid-nineteenth-century work of Lydia Maria Child and William Wells Brown and cannot be considered a solely U.S. American concept. The image can also be traced to early-nineteenth-century French colonial literature, where the trope surfaced in conjunction with the image of the Haitian Revolution as a bloody race war. Through a reading of the Louisiana-born Victor SĂ©jour’s representation of the Haitian Revolution, “Le MulĂątre” or “The Mulatto,” [Read the entire text in French here.] originally composed in French and first published in Paris in 1837, this essay considers the implications of the conflation of the literary history of the tragic mulatto/a with the literary history of the Haitian Revolution in one of the first short stories written by an American author of African descent.

Read or purchase the article here.

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