Why Didn’t Movies about Passing Cast Black Actors?

Posted in Articles, Communications/Media Studies, Media Archive, Passing, United States on 2021-09-23 22:16Z by Steven

Why Didn’t Movies about Passing Cast Black Actors?

JSTOR Daily: Where News Meets Its Scholarly Match
2021-02-03

Matthew Wills


Fredi Washington and Louise Beavers in a scene from Imitation of Life via New York Public Library

“Social problem” films were all the rage after World War II. So how could movies about racism be so conservative?

After World War II, Hollywood tried something new: realism, tackling social problems like mental illness, drug addiction, anti-Semitism, and racism. But as media-studies scholar Karen M. Bowdre argues, films “about” race and racism “often focused on the concept of passing, a Black character claiming his or her White heritage while denying any African ancestry.”

Passing movies also tended to cast white actors in the roles of mixed-race characters who passed as white. But that wasn’t the case with the original version of Imitation of Life, made in 1934. Fredi Washington made history by being the first Black actress to play a character (“Peola”) who passes as white. Even more unusually, two Black children were cast to play the part of Peola at ages three and seven.

The Production Code Administration (PCA), the industry’s self-censorship office, was roiled by director John Stahl’s casting choices. The PCA’s “voluminous” file on the film is filled with references to miscegenation, which isn’t a topic of the movie, but presumably would be raised by white viewers who would want to know why Washington looked so “white.”…

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Passing for White to Escape Slavery

Posted in Articles, History, Media Archive, Passing, Slavery, United States on 2020-09-19 20:07Z by Steven

Passing for White to Escape Slavery

JSTOR Daily: where news meets its scholarly match
2020-09-17

Matthew Wills


Ellen and William Craft via Flickr/ Flickr

Passing for white was an intentional strategy that enslaved people used to free themselves from bondage

Racial passing is in the news with the case of Jessica Krug, a white academic who claimed several Black identities throughout her professional career. The phenomenon of white people putting on different backgrounds is widespread—for example, as shown in well-documented cases of white people claiming Native American ancestry. But passing for Black seems, well, different.

One reason for that may be that the idea of passing has historically been linked to Black people passing for white. Scholar Martha J. Cutter, digging into “the early history of racial passing,” argues that it originated in advertisements offering rewards for captured runaway slaves starting in the mid-eighteenth century, decades before the American Revolution.

“The archive suggests that while laws from state to state and in different time periods varied, the idea of an enslaved individual from a black family heritage deliberately passing for white was frequently configured as duplicitous and even incendiary,” she writes…

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Alaska’s Unique Civil Rights Struggle

Posted in History, Law, Media Archive, Native Americans/First Nation, Social Justice, United States on 2018-04-01 02:53Z by Steven

Alaska’s Unique Civil Rights Struggle

JSTOR Daily
2018-03-26

Matthew Wills


Native Alaskan woman and child, 1929.
via Wikimedia Commons

A generation before the Civil Rights movement gained national attention, the struggle against Jim Crow was being fought…in Alaska. And women were at the forefront of the struggle.

Modern Alaskans, writes historian Terrence M. Cole, are “surprised and shocked to learn that racial segregation and Jim Crow policies towards Alaska natives were standard practice throughout much of Alaska” until the mid-1940s. Stores, bars, and restaurants posted “No Natives Allowed.” Movie theaters had “For Natives Only” seating. (Nome’s theater’s balcony was segregated for natives, commonly called “Eskimos,” and designated “Nigger Heaven” by whites.) And, by law and custom, Alaskans attended segregated schools…

…In the midst of the legislative battle over the equal rights bill, Alberta Schenck, a seventeen-year old with a white father and a native mother, was arrested for sitting in the “whites only” section of Nome’s movie theater in March 1944. (This was eleven years before Rosa Parks’s famous refusal to sit in the back of a Montgomery bus.) The furor over the incident galvanized support for Gruening’s bill after an earlier version had been stopped by an 8-8 vote in the Alaska House. The unprecedented election of two Tlingit legislators in late 1944 helped as well…

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