The Day I Passed for White

Posted in Articles, Autobiography, Media Archive, Passing, United States on 2021-11-29 22:27Z by Steven

The Day I Passed for White

TIME
2021-11-19

Kelly McWilliams


Illustration By Elizabeth Montero for TIME

Kelly McWilliams is the author of the upcoming Mirror Girls, a novel about sisterhood and passing.

As a light-skinned Black woman, I have purposefully passed for white only once in my life.

Which is not to say I haven’t passed unintentionally many times—especially as a young adult, away from home for the first time. When white folks around me vented their subterranean racism (“Black kids only get into college because of affirmative action, you know”), I liked to consider myself a warrior—a masked superspy. I always pushed back against this covert racism—the off-color jokes, the insider whispers. (“I would never date a Black man, they’re all on drugs.” “My roommate’s hair smells, you know, like them.”) Importantly, I always revealed my own racial identity as quickly as possible…

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What To Know About the Novel Passing Before Watching the Netflix Movie

Posted in Articles, Biography, Book/Video Reviews, History, Literary/Artistic Criticism, Media Archive, Passing on 2021-11-14 03:06Z by Steven

What To Know About the Novel Passing Before Watching the Netflix Movie

TIME
2021-11-12

Cady Lang

In Passing, the film adaptation of Nella Larsen’s seminal 1929 novel of the same name, two women reckon with who they are and how they identify. Although both are Black, they are light-skinned enough that they can “pass” for white. The film, which premiered at Sundance and hits Netflix this week, takes a nuanced approach to parsing out the complexities of race and its role in our lives—not just the construct of it, but the performance of it. Larsen’s novel centers on two childhood friends whose chance encounter as adults shifts not only how they see themselves, but how they view their places in the world, with dramatic consequences.

This complex friendship is the inspiration for Rebecca Hall’s film adaptation, which is also her directorial debut. Actors Tessa Thompson and Ruth Negga play Irene and Clare, respectively, the two women whose reunion will upheave both their worlds and cause them to reconsider the lives they have chosen and the reasons behind those choices.

Here’s what to know about the Passing movie adaptation and the book it was based on…

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Rhiannon Giddens Is Reclaiming the Black Heritage of American Folk Music

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States, Women on 2019-02-26 02:34Z by Steven

Rhiannon Giddens Is Reclaiming the Black Heritage of American Folk Music

TIME
2019-02-21

John Lingan


Shahar Azran—WireImage/Getty Images

In early 2018, folk-music torchbearer Rhiannon Giddens decamped to Breaux Bridge, La., with minstrelsy on her mind. In her early work with the Grammy-winning bluegrass band the Carolina Chocolate Drops and across two solo albums and a role in the TV series Nashville, Giddens has been as much a historian as a singer and banjoist. She’s won acclaim, including a MacArthur Foundation “genius” grant, for her attention to America’s folk traditions, but she felt that minstrelsy, with its troubled history, remained relatively unexplored…

..For the Louisiana trip, she enlisted three of her favorite contemporary musicians: Leyla McCalla, Allison Russell and Amythyst Kiah, all, like Giddens, black women with a focus on the banjo and early American string-music traditions. All four brought original songs to the sessions, and their collaboration quickly expanded beyond its initial historical focus. The resulting album, Songs of Our Native Daughters, which comes out on Feb. 22, has one foot in acoustic minstrel sounds but is also a tribute to the strength and resilience of black women in the antebellum era

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Tennis Star Naomi Osaka Doesn’t Like Attention. She’s About to Get a Ton of It.

Posted in Articles, Asian Diaspora, Media Archive, United States, Videos on 2019-01-28 01:57Z by Steven

Tennis Star Naomi Osaka Doesn’t Like Attention. She’s About to Get a Ton of It.

TIME
2019-01-10

Sean Gregory, Senior Writer

On a wet December morning in a South Florida weight room, the 21-year-old who stunned Serena Williams at the U.S. Open is hard at work preparing to show that the biggest moment of her life was more than a fluke. As an arrow flashes on an iPad in front of her, Naomi Osaka darts in the direction it signals, pauses, then pivots when it sends her the other way, without missing a step. Her coach, Sascha Bajin, joins the drill but leaps the wrong way and almost lands on Osaka’s ankle. Bajin feigns horror, prompting fellow pro tour player Monica Puig to suggest Osaka give her coach a hug. “She gives hugs like no other,” Bajin says, his sarcasm thicker than midsummer heat. “I only hug people I like,” Osaka parries…

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The Complicated History Behind Beyoncé’s Discovery About the ‘Love’ Between Her Slave-Owning and Enslaved Ancestors

Posted in Articles, History, Media Archive, Slavery, United States on 2018-08-13 23:30Z by Steven

The Complicated History Behind Beyoncé’s Discovery About the ‘Love’ Between Her Slave-Owning and Enslaved Ancestors

TIME
2018-08-10

Arica L. Coleman

The Life of Sally Hemings exhibit at Monticello is pictured on June 16, 2018 in Charlottesville, Va. (Photo by /For The Washington Post via Getty Images)
The Life of Sally Hemings exhibit at Monticello is pictured on June 16, 2018 in Charlottesville, Va. (Photo by /For The Washington Post via Getty Images) Eze Amos—The Washington Post/Getty Images

With Beyoncé’s appearance on the cover of the September issue of Vogue, the magazine highlights three facets of the superstar’s character for particular focus: “Her Life, Her Body, Her Heritage.” The words she shares are deeply personal, and that last component also offers a window into a complicated and misunderstood dynamic that affects all of American history. While opening up about her family’s long history of dysfunctional marital relationships, she hints at an antebellum relationship that defies that trend: “I researched my ancestry recently,” she stated, “and learned that I come from a slave owner who fell in love with and married a slave.”

She doesn’t elaborate on how she made the discovery or what is known about those individuals, but fans will know that Beyoncé Knowles-Carter is a native of Houston whose maternal and paternal forbears hailed from Louisiana and Alabama, respectively. Her characterization of her heritage stands out because those states, like others across the South, had stringent laws and penalties against interracial marriage. In fact, throughout the colonial and antebellum eras, interracial marriage would have been the exception — even though interracial sex was the rule…

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Colin Kaepernick Wins Amnesty International’s Highest Honor

Posted in Articles, Media Archive, Social Justice, United States on 2018-04-22 21:03Z by Steven

Colin Kaepernick Wins Amnesty International’s Highest Honor

TIME
2018-04-21

Sean Gregory

Colin Kaepernick may not have a job on the football field, but much of the world is still cheering for him.

Amnesty International, the global human rights organization, gave Kaepernick its highest honor — the 2018 Ambassador of Conscience Award — in Amsterdam on Saturday. Past winners of the award, which “celebrates individuals and groups who speak out for justice,” include former South Africa president Nelson Mandela, Malala Yousafzai, the education activist from Pakistan who survived an assassination attempt by the Taliban, and rock group U2.

The organization recognized Kaepernick for his protest against police violence: his action, kneeling during the national anthem before NFL games, sparked a movement replicated across America and the world, starting a debate about free speech and patriotism that was inflamed by the President of the United States, one of Kaepernick’s most relentless critics…

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Jesmyn Ward, Heir to Faulkner, Probes the Specter of Race In the South

Posted in Articles, Autobiography, Literary/Artistic Criticism, Media Archive, Mississippi, United States on 2017-09-05 00:05Z by Steven

Jesmyn Ward, Heir to Faulkner, Probes the Specter of Race In the South

TIME
2017-08-24

Sarah Begley, staff writer


Ward, who teaches creative writing at Tulane, set her new novel in a coastal Mississippi town Beowulf Sheehan

“To understand the world, you must first understand a place like Mississippi” goes a line often attributed to William Faulkner. More than half a century later, Jesmyn Ward may be the newest bard of global wisdom.

The writer rocketed to literary fame in 2011 when she won the National Book Award for her second novel, Salvage the Bones, a lyrical Hurricane Katrina tale. As in her first novel, Where the Line Bleeds, the characters in Salvage live in the fictional Mississippi Gulf Coast hamlet of Bois Sauvage, which is based on Ward’s native DeLisle. Six years and two nonfiction books later, Ward has returned to fiction, and to Bois Sauvage, with Sing, Unburied, Sing, a mystical story about race, family and the long shadow of history.

Ward, 40, wrote her first two novels while moving around the country for writing programs and fellowships, but she has since returned home and started a family. Sing, Unburied, Sing is the first novel she’s written from there and the first she’s written as a mother. “The figurative language that I use is so informed by this place and by the things that I see and experience here,” she says, “that it helped me write Sing, because I’m able to observe and see these things and incorporate them into my writing.” Consider how nature relates to human behavior in this description of a grandfather on a difficult morning: “He matched the sky, which hung low, a silver colander full to leak.” Or when a mother watches her daughter cling to her son: “She sticks to him, sure as a burr: her arms and legs thorny and cleaving.”…

…Ward’s characters are informed of her own deep knowledge of a town like Bois Sauvage. For Sing, Ward asked herself what life would be like for a mixed-race boy like Jojo in contemporary Mississippi, a place where schools are still struggling with segregation and interracial dating has been a historic taboo. “I wanted to understand how he would navigate something of a coming of age in the modern South, where, yes, it is modern, but there are multiple waves of the past here,” she says…

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Please Don’t Ever Call Me Or My Family ‘Basically White’

Posted in Articles, Census/Demographics, Family/Parenting, Media Archive, United States on 2017-06-13 17:00Z by Steven

Please Don’t Ever Call Me Or My Family ‘Basically White’

TIME
2017-06-12

Rasika W. Boice

Her blue eyes are childhood summers doing backward dives into the pool and boogie boarding with reckless abandon on the crests of chilly New England waves — I have the scars on my upper thighs to prove it. I’d happily drown in her piercing indigos, so different from my deep browns.

“She has your eye shape,” some say, looking from her to me, from me to her. They struggle to make the connection. The colors don’t match, not only of our eyes but also of our skin, she more of a latte to my coffee with skim.

As I help her up the slide at the playground, I wonder how many question if I’m her mother or nanny. And on bad days, I hope they decide nanny. That way, she’ll be safe from the ones who yell “Go home!” and “You don’t belong here!” Or worse…

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The Head of the Census Resigned. It Could Be as Serious as James Comey

Posted in Articles, Census/Demographics, Media Archive, Politics/Public Policy, United States on 2017-05-14 19:20Z by Steven

The Head of the Census Resigned. It Could Be as Serious as James Comey

TIME
2017-05-12

Haley Sweetland Edwards


John Thompson, Director, U.S. Census Bureau
U.S. Census Bureau

In a week dominated by President Trump’s firing of FBI director James Comey, you could be forgiven for missing the imminent departure of another, less prominent federal official.

Yet the news this week that John H. Thompson, the director of the Census Bureau, has abruptly resigned is arguably as consequential to the future of our democracy. That’s because the Census Bureau, while less flashy than the FBI, plays a staggeringly important role in both U.S. elections and an array of state and federal government functions.

“At the very heart of the Census is nothing less than political power and money,” said Terri Ann Lowenthal, who served as the staff director of the House census oversight subcommittee before becoming a consultant on census policy and operational issues. “It is the basis, the very foundation, of our democracy and the Constitution’s promise of equal representation.”

The results of the decennial Census—the next will be in 2020—will determine how state and federal political districts are drawn; which Americans are “counted” for representation; and how federal dollars, many of which are allocated on a per capita basis, are spent…

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Why the Nazis Loved America

Posted in Articles, Europe, History, Law, Media Archive, United States on 2017-03-25 01:14Z by Steven

Why the Nazis Loved America

TIME
2017-03-21

James Whitman, Ford Foundation Professor of Comparative and Foreign Law
Yale Law School


American Nazis parade on East 86th St. in New York City around 1939. Universal History Archive/UIG/Getty Images

Whitman is the author most recently of Hitler’s American Model.

To say America today is verging on Nazism feels like scaremongering. Yes, white nationalism lives in the White House. Yes, President Donald Trump leans authoritarian. Yes, the alt-right says many ugly things. But for all the economic pains of many Americans, there is no Great Depression gnawing away at democracy’s foundations. No paramilitary force is killing people in the streets. Fascism and Nazism have not arrived in the United States.

But there is a different and instructive story to be told about America and the Nazis that raises unsettling questions about what is going on today — and what Nazism means to the U.S.

When we picture a modern American Nazi, we imagine a fanatic who has imported an alien belief system from a far-away place. We also, not wrongly, picture captives in concentration camps and American soldiers fighting the Good War. But the past is more tangled than that. Nazism was a movement drawn in some ways on the American model — a prodigal son of the land of liberty and equality, without the remorse…

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