The Free State of Jones: A Roundtable

Posted in Articles, Communications/Media Studies, History, Literary/Artistic Criticism, Media Archive, Mississippi, United States on 2017-11-13 01:33Z by Steven

The Free State of Jones: A Roundtable

Civil War History
Volume 63, Number 4, December 2017
pages 400-420

Joseph Beilein (JB), Assistant Professor of History
Pennsylvania State University, Behrend

Margaret Storey (MS), Professor of History and Associate Dean
DePaul University, Chicago, Illinois

Andrew Slap (AS), Professor of History
East Tennessee State University, Johnson City, Tenneessee

Jarret Ruminski (JR), Freelance Writer, researcher, and Consultant
Toronto, Ontario, Canada

Ryan Keating (RK), Civil War History book review editor; Assistant Professor of History
California State University, San Bernardino

The summer of 2016 saw the release of the first large-budget Civil War film since 2012’s critically acclaimed Lincoln. The Free State of Jones, directed by Gary Ross and starring Matthew McConaughey, is not simply, however, another film about the Civil War. Based on historian Victoria Bynum’s acclaimed book The Free State of Jones: Mississippi’s Longest Civil War, this film marks an important shift in the popular depiction of America’s greatest conflict as it takes viewers inside the complex inner civil wars many Americans fought during this period. Long defined as a conflict pitting the north against the south, the realities of the Civil War were, as this film attempts to show, much more complex. Questions of loyalty and issues of patriotism have become an important part of the historiography of the Civil War era, illustrating the ways average men and women, North and South, struggled with the collision of national and local issues. Although the nuances of patriotism and loyalty have long driven the scholarly community, these issues have played a less important role in public, and especially Hollywood, portrayals of the war and the Reconstruction era. Certainly, past films have touched on the subject. Ride with the Devil, Pharaoh’s Army, and Cold Mountain, for example, all touch on patriotism and loyalty, as the main characters struggle with the consequences of the war on the home front. Based on a true story, Free State of Jones, is, however, the first to truly analyze this struggle through the lens of southern dissent. Following the experiences of Mississippian Newton Knight, a disillusioned southern soldier who returns home to lead a revolt against Confederate authorities in Mississippi, the film strikes at the heart of the complex nature of identity, patriotism, and loyalty during the Civil War and Reconstruction and gives viewers a rare glimpse into aspects of the war often overlooked by Hollywood film.

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Free People of Color in Slaveholding North Carolina: The Andersons of Granville County

Posted in Articles, History, Media Archive, Slavery, United States on 2017-04-03 02:27Z by Steven

Free People of Color in Slaveholding North Carolina: The Andersons of Granville County

Renegade South: Histories of Unconventional Southerners
2017-04-01

Vikki Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos


Map courtesy of Kianga Lucas.

Late last year, I was contacted by Raymont Hawkins-Jones, a descendant of a family I’d written about many years earlier: the Andersons of Granville County, North Carolina. The Andersons were one of the many fascinating free families of color that I’ve studied over the years, and I enjoyed learning more about their history from Raymont. Back in pre-internet 1992, pretty much everything I knew about my subjects was what I’d learned from records held at the North Carolina State Archives. Today, social media has enabled me to meet many of their descendants and to access additional records posted on the internet. The same digital revolution that stimulated me to create this blog also allows me to revisit my early topics of research and bring their stories up to date! (1)

The Andersons and the families with whom they intermarried belonged to a community of people defined by society as non-white, but who rarely appeared as slaves in North Carolina’s state and court records. As I’ve noted in earlier Renegade South essays about the mixed heritage communities of Gloucester County, Virginia, and the “Winton Triangle” of North Carolina, the lives of free people of color reveal far more complicated histories of racial identity and race relations than the broad images of “white freedom” and “black slavery” would suggest.

In fact, families such as the Andersons are central to understanding historical events that preceded and followed the institution of slavery, including colonization, the American Revolution, the Civil War and Reconstruction, the postwar rise of the Ku Klux Klan, and the New South era of white supremacy.

The very existence of free people of color, especially those in the South, threatened the growing institution of slavery. Southern whites especially feared their influence on slaves as the United States moved toward a Civil War generated by national conflicts over slavery. Determined to prevent free people of color from exercising full rights of citizenship and mobility, lawmakers increasingly policed their behavior through oppressive laws and customs…

Read the entire article here.

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The Real Rebels: A Review of Free State of Jones with Reflections on Lost Causes

Posted in Articles, History, Media Archive, Mississippi, Slavery, United States on 2016-07-24 02:03Z by Steven

The Real Rebels: A Review of Free State of Jones with Reflections on Lost Causes

The Labor And Working-Class History Association (LAWCHA)
2016-07-12

Mark Lause, Professor of History
University of Cincinnati, Cincinnati, Ohio

I can feel a certain sympathy for people who get hoodwinked into fighting for a Lost Cause that could never be worthy of the blood and treasure spent on its behalf. After all, as a child of the Cold War, my own closest brush with toting a gun to war came during Vietnam. In that conflict, the government, both political parties, the military, the media, the universities, the corporations, and the entire power structure insisted that the triumph of a Vietnamese effort to control of their own country would start toppling dominoes that would end in Anytown, U.S.A. By the end, most Americans actually doubted this. In hindsight, there’s no real issue as to whether the power structure of the people were correct, though some feel obligated to pretend otherwise.

Responses to the Free State of Jones by Gary Ross, and starring Matthew McConaughey, Gugu Mbatha-Raw, and Mahershala Ali demonstrate that such denials of experience can last a long time. The movie offers a fictionalized version of the revolt of poor Southerners against the Confederacy in Jones County, Mississippi. Newton Knight worked on medical duties at the front until his disgust with the war inspired his desertion and return home. “Captain” Knight held that title for his role as the leader of guerilla forces that successfully made parts of southern Mississippi a no-go zone for Confederate tax gatherers and conscript officers. It is based on Victoria E. Bynum’s superb historical account The Free State of Jones: Mississippi’s Longest Civil War (Chapel Hill: University of North Carolina Press, 2002), and aims to be much more truthful than Hollywood’s first attempt at the subject in 1948, Tap Roots.

Free State of Jones directly confronts the issues of class and race that Tap Roots downplayed or avoided. This fact, in part, explains the mixed reviews.

A movie is not a documentary, of course. The page dedicated to Free State of Jones at “History vs. Hollywood” provides a useful corrective, and I would urge everybody who liked the movie to read Bynum’s book…

Read the entire article here.

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An interview with Victoria Bynum, historian and author of The Free State of Jones—Part 1

Posted in Articles, History, Interviews, Media Archive, Mississippi, Slavery, United States on 2016-07-13 00:23Z by Steven

An interview with Victoria Bynum, historian and author of The Free State of Jones—Part 1

World Socialist Web Site
2016-07-12

David Walsh and Joanne Laurier


Victoria Bynum

Free State of Jones, the film directed by Gary Ross, powerfully and movingly recounts a significant episode of the American Civil War, the insurrection against the Confederacy led by Newton Knight, a white, antislavery farmer in Jones County in southern Mississippi from 1863 to 1865.

Audiences have been generally warm and receptive. However, Ross’s film has met with a hostile response from commentators who see society and history in exclusively racial terms, like Charles Blow of the New York Times (whose own lead film reviewer, A. O. Scott, to his credit, gave the film positive marks), Vann Newkirk II in the Atlantic and countless others. Free State of Jones is a blow to the practitioners of identity politics because it presents this revealing episode in American history in terms of class conflict.

Moreover, the fraternity of well-paid, thoroughly self-satisfied film critics, white and black alike, quite rightly perceive in Free State of Jones a social and political threat: that the interracial revolt against inequality and aristocratic privilege in the 1860s will find an echo in our day.

Free State of Jones has absurdly been characterized as advancing some sort of “white savior” mythology because it honestly presents the response of common people in Mississippi, inspired by the traditions of the American Revolution, to the reactionary project of Southern secession. This cuts across the effort in particular to paint the white population in America, past and present, as hopelessly backward and racist.

Whatever the immediate commercial fate of Ross’s film, it will have a long shelf life. Those who are serious about American history and contemporary social life will find in it both education and inspiration…

David Walsh: First, can you tell us something about your background and how you made your way to the study in particular of Southern Unionism and opposition to the Confederacy?

Victoria Bynum: I don’t come from an academic background. Neither of my parents had a high school education. My dad was born in Jones County, Mississippi, but he left the state at age 17 to join the military. That’s how he made his living; he was a master sergeant by the time he retired. In my family, work was valued over education.

I grew up in the fifties and sixties, during the era of the Civil Rights movement. Influenced by my mother, who supported racial equality, I was very affected by this period. Over time, I developed a strong desire to go to college, and at age 26 began taking classes at a community college. To cut to the chase, my early interest in the history of race and social class emerged from my own experiences. When I began college I was a divorced mother on welfare. Pursuing a doctorate in history required a long economic struggle, one that ended after I finally obtained my degree and began teaching at Texas State University.

I began my college research with an interest in “free people of color,” the designation applied to free people before the Civil War. I was initially intrigued by a black friend’s insistence that his Virginia ancestors had never been slaves. That seemed to me unusual, and it piqued my interest in Old South history. Along the way, I became interested in both free black women and white women who lived outside the planter class. Those interests resulted in my dissertation (and first book), Unruly Women: The Politics of Social and Sexual Control in the Old South

Read the entire interview here.

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But [Newton] Knight was an actual historical figure who aided African-Americans, and the film is based on a well-researched book by historian Victoria Bynum.

Posted in Excerpts/Quotes on 2016-07-03 22:17Z by Steven

Some critics complain that the film suffers from a white savior narrative because [Matthew] McConaughey plays a white protagonist who aids former slaves. But [Newton] Knight was an actual historical figure who aided African-Americans, and the film is based on a well-researched book by historian Victoria Bynum.

Adam Domby, “‘Free State of Jones’ depicts realities of Reconstruction,” The Post and Courier, July 3, 2016. http://www.postandcourier.com/20160703/160709926/free-state-of-jones-depicts-realities-of-reconstruction.

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‘Free State of Jones’ depicts realities of Reconstruction

Posted in Articles, Book/Video Reviews, History, Media Archive, Mississippi, Slavery, United States on 2016-07-03 20:54Z by Steven

‘Free State of Jones’ depicts realities of Reconstruction

The Post and Courier
Charleston, South Carolina
2016-07-03

Adam Domby, Assistant Professor of History
College of Charleston, Charleston, South Carolina

Free State of Jones” is the film Reconstruction historians have been waiting for. Reconstruction, which encompassed the decade following the Civil War, is perhaps the most overlooked era in American history. It is the only period that doesn’t have a National Park Service site commemorating it.

Reconstruction, which witnessed the passage of the 13th, 14th and 15th Amendments and the first widespread political enfranchisement of African-Americans, is ripe with stories for filmmakers.

Yet, since the racist celebration of the Ku Klux Klan in “Birth of a Nation” (1915) and “Gone With the Wind” (1939), no major Hollywood film has addressed the violence and drama of the era.

Director Gary Ross has begun to fix this oversight by making a Reconstruction film disguised as a Civil War action flick…

Read the entire article here.

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Charles Blow blows his horn in the New York Times

Posted in Articles, History, Media Archive, Slavery, United States on 2016-06-29 20:19Z by Steven

Charles Blow blows his horn in the New York Times

Renegade South: Histories of Unconventional Southerners
2016-06-27

Victoria Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos

In today’s New York Times, opinion editor Charles Blow delivers a harsh critique of the movie, Free State of Jones, arguing that its treatment of slavery in general and the rape of slave women in particular amounts to a “genteel treatment” of the institution. Blow then turns to my book “The Free State of Jones: Mississippi’s Longest Civil War, and accuses me of using “grossly inappropriate descriptors” to characterize what in reality was rape. To demonstrate, he quotes the following passage from my book:

Through encounters with women such as Rachel, Newt knew that white men regularly crossed the color line despite laws and social taboos that forbade interracial liaisons and marriages. Rachel, light-skinned and physically attractive, was the sort of slave after whom many white men lusted. The fact that she had a white-skinned daughter announced to interested men that she had already been “initiated” into the world of interracial relations. (page 86)

With great indignation, Blow then exclaims, “Encounters? Liaisons? Initiated? Sexual relations? As long as she was a slave this was rape! Always. Period.”

I responded in the comments section of his op ed with the following:…

Read the entire article here.

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White Savior, Rape and Romance?

Posted in Articles, Book/Video Reviews, History, Media Archive, Mississippi, Slavery, United States on 2016-06-28 01:41Z by Steven

White Savior, Rape and Romance?

The New York Times
2016-06-27

Charles M. Blow

The movie “Free State of Jones” certainly doesn’t lack in ambition — it sprawls so that it feels like several films stitched together — but I still found it woefully lacking.

The story itself is quite interesting. It’s about Newton Knight, a white man in Mississippi during and after the Civil War, who organizes and mounts a somewhat successful rebellion against the Confederacy. He falls in love with a mixed-race slave named Rachel, and they establish a small community of racially ambiguous relatives that a book of the same title calls “white Negroes.”

It is easy to see why this story would appeal to Hollywood executives. It has a bit of everything, with eerie echoes of modern issues.

It comes in the wake of “12 Years a Slave,” at a time when slave narratives are en vogue, only this story emphasizes white heroism and centers on the ally instead of the enslaved.

It tries desperately to cast the Civil War, and specifically dissent within the Confederacy, as more a populism-versus-elitism class struggle in which poor white men were forced to fight a rich white man’s war and protect the cotton trade, rather than equally a conflict about the moral abhorrence of black slavery.

Throughout, there is the white liberal insistence that race is merely a subordinate construction of class, with Newt himself saying at the burial of poor white characters, “somehow, some way, sometime, everybody is just somebody else’s nigger.”

And, by extension, there is the lingering suggestion of post-racialism because, as the author Victoria E. Bynum writes in the book’s preface, the relationship between Newt and Rachel “added the specter of interracial intimacy to the story.”…

Read the entire review here.

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A Confederate Dissident, in a Film With Footnotes

Posted in Articles, History, Literary/Artistic Criticism, Media Archive, Mississippi, Slavery, United States on 2016-06-17 19:01Z by Steven

A Confederate Dissident, in a Film With Footnotes

The New York Times
2016-06-15

Jennifer Schuessler

The forthcoming Matthew McConaughey drama “Free State of Jones” lays claim to being the first Hollywood film in decades to depict Reconstruction, the still controversial post-Civil War period that attempted to rebuild the South along racially egalitarian lines.

But the movie, written and directed by Gary Ross, might also lay claim to a more unusual title: the first Hollywood drama to come with footnotes.

The film recounts the true story of Newton Knight (Mr. McConaughey), a Confederate deserter who led a ragtag dissident army from the swamps of Jones County, Miss., and continued to fight for the rights of African-Americans after the Civil War ended…

…Where Mr. Ross has invented characters or episodes or made guesses about motivations, he explains why, pointing to justifications in the historical record. For example, the film depicts Knight’s decades-long relationship with Rachel (played by Gugu Mbatha-Raw of “Belle”), a former slave who once belonged to his grandfather and with whom he had several children. The site shows an 1876 document in which Knight (who remained married to his white wife) deeded her 160 acres of land — an indication, Mr. Ross writes, that theirs was “a loving relationship that grew over time,” rather than manifesting a “Thomas Jefferson/Sally Hemings power dynamic.” Knight did not own slaves.

The extent of Knight’s collaborations across the color line has been a point of sometimes hot debate among scholars, including those on Mr. Ross’s team. In 2009, after Mr. Stauffer and Sally Jenkins published “The State of Jones,” a book inspired by Mr. Ross’s screenplay, Ms. Bynum posted a blistering three-part review on her blog, questioning what she called its “highly exaggerated claims” that Knight had fought for racial equality before and after the war…

…It remains to be seen how Mr. Ross’s film will land with audiences. Kellie Carter Jackson, an assistant professor of history at Hunter College and the author of the coming book “Force and Freedom: Black Abolitionists and the Politics of Violence,” said there was a need for a more accurate depiction of Reconstruction, but noted that Hollywood “has a hard time divesting white men from the center of the universe.”…

Read the entire article here.

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Conversations: Victoria Bynum

Posted in History, Interviews, Media Archive, Mississippi, Slavery, United States, Videos on 2016-06-17 14:58Z by Steven

Conversations: Victoria Bynum

Mississippi Public Broadcasting
Aired: 2016-06-16
Length: 00:26:46


Historian and author Victoria Bynum talks about her book, “The Free State of Jones: Mississippi’s Longest War.” First published in 2003, the book tells the story of Jones County residents who opposed secession from the Union during the civil war. The true story is receiving a resurgence in interest now that it has been made into a major motion picture starring Matthew McConaughey.

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