Eyes Wide Cut: The American Origins of Korea’s Plastic Surgery Craze

Posted in Articles, Asian Diaspora, Health/Medicine/Genetics, History, Media Archive, United States, Women on 2016-08-17 02:16Z by Steven

Eyes Wide Cut: The American Origins of Korea’s Plastic Surgery Craze

The Wilson Quarterly
Fall 2015

Laura Kurek

South Korea’s obsession with cosmetic surgery can be traced back to an American doctor, raising uneasy questions about beauty standards.

At sixteen stories high, the doctor’s office looms over the neon-colored metropolis. Within the high-rise, consultation offices, operating rooms, and recovery suites occupy most floors. Additional floors house a dental clinic, a rooftop lounge, and apartments for long-term stays. This is Beauty Korea (BK), a one-stop, full-service plastic surgery facility in the heart of Seoul, South Korea.

South Korea has an obsession with plastic surgery. One in five South Korean women has undergone some type of cosmetic procedure, compared with one in twenty in the United States. With plastic surgery’s staggering rise in popularity, an attractive physical appearance is now the sine qua non for a successful career. Undergoing surgery to achieve an employable face in South Korea is just as commonplace as going to the gym in America.

The most popular surgery is Asian blepharoplasty, the process of changing the Asian eyelid, commonly referred to as the “monolid,” into a double eyelid. The second is rhinoplasty, or a nose job. The prevalence of these two procedures, especially the “double-eyelid” operation, has led to a delicate question: Are South Koreans are seeking to westernize their appearance? Cosmetic surgeons and scholars tread lightly around the issue. Some argue that Western culture — a broad and imperfect term — cannot claim “big eyes” as unique to its definition of beauty. Others note that only 50 percent of the Asian population is born with monolids. Some practitioners, including Dr. Hyuenong Park of OZ Cosmetic Clinic and Beverly Hills plastic surgeon Kenneth Steinsapir, deny altogether that double-eyelid surgery is intended to make its recipient appear more Western.

The story of an American surgeon in the postwar Korea of the 1950s, however, suggests otherwise…

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Beauty pageants, blackface, and bigotry: Japan’s problems with racism

Posted in Articles, Arts, Asian Diaspora, Media Archive, Politics/Public Policy on 2015-08-20 14:37Z by Steven

Beauty pageants, blackface, and bigotry: Japan’s problems with racism

The Wilson Quarterly
Washington, D.C.
2015-07-23

Maya Wesby


Photograph via Twitter

Bearing a false belief of racial singularity and superiority, can Japanese culture ever embrace diversity in an ever-intertwining world?

In most developed nations, issues of race occupy headlines and are components, unstated or overt, of nearly every conversation about policymaking — whether the topic is public housing in France, crime in Brazil, or the inheritance tax in the United States. Mostly, its relevance to the issue is framed in matters of promoting harmony and expanding opportunity.

There are, however, notable exceptions. Japan, a pillar of technological development and progress, has yet to address race as a pressing national issue. The racial discrimination that exists in Japan is reminiscent of the segregation-based atmosphere of 1950s America, posing a hostile environment for those of non-Japanese origin.

One of the more prominent victims of Japan’s ingrained discrimination is Ariana Miyamoto, who represents Japan in the 2015 Miss Universe competition. Miyamoto, the daughter of a Japanese mother and an African-American father, is categorized as hafu, a Japanese term and bastardization of the English word “half,” indicating someone who is mixed race.

Growing up in Japan, Miyamoto’s skin tone and curly hair caused others to shun her; classmates and their parents referred to her as kurombo, the Japanese equivalent of the N-word. Rather than identifying solely as black or Japanese, Miyamoto instead chooses to present herself as a representative of all ethnically and racially mixed Japanese. Her participation in the Miss Universe pageant opens the door for hafus to be accepted as part of Japanese society, and changes what it means to act and appear “Japanese.”

Reactions from the Japanese public have been less than kind. Posts on social media read, “Is it okay to select a hafu to represent Japan?”, “Miss Universe Japan is… What? What kind of person is she? She’s not Japanese, right?”, and “Even though she’s Miss Universe Japan, her face is foreign no matter how you look at it.”…

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