Race and Civil Rights Dramas in Hollywood

Posted in Articles, Communications/Media Studies, Media Archive, United States on 2017-03-24 19:53Z by Steven

Race and Civil Rights Dramas in Hollywood

Black Perspectives
2017-03-24

Justin Gomer, Assistant Professor of American Studies
California State University, Long Beach


Katharine Houghton and Sidney Poitier in “Guess Who’s Coming to Dinner.” Photo: Columbia Pictures.

This year marks the fiftieth anniversary of Stanley Kramer’s Guess Who’s Coming to Dinner, starring the iconic Sidney Poitier. During the 1960s, when the film was released, Hollywood produced few movies about the political activism that comprised the civil rights movement. Instead, the movie industry turned to Sidney Poitier to offer representations of black middle-class respectability and colorblind racial discourse in hopes of changing the hearts and minds of whites across the country. Yet, Hollywood’s most celebrated civil rights drama debuted three years after the Civil Rights Act of 1964 and two years after the Voting Rights Act of 1965, amid a very different political climate. The film’s premiere in December 1967 was fourteen months after Huey Newton and Bobby Seale founded the Black Panther Party for Self Defense, and nearly eighteen months after Stokely Carmichael, director of the Student Nonviolent Coordinating Committee, began making calls for “Black Power.” James Baldwin, writing in July 1968, noted the contradiction between Hollywood’s images of black respectability vis-à-vis Poitier’s roles and the desires of the burgeoning Black Power movement, “white Americans appear to be under the compulsion to dream, whereas black Americans are under the compulsion to awaken.”

The 2016 Hollywood year wrapped up a few Sundays ago with the Academy Awards. While the record six black actor nominations and the Best Picture Oscar for the black queer film Moonlight is reason to celebrate, Baldwin’s assessment of the movie industry endures. Indexing Hollywood’s “diversity problem” strictly to volume fails to fully comprehend the movie industry’s problematic relationship with black lives broadly, and with black history explicitly…

Read the entire article here.

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The NFL has effectively blackballed Colin Kaepernick

Posted in Articles, Media Archive, Social Justice, United States on 2017-03-24 18:48Z by Steven

The NFL has effectively blackballed Colin Kaepernick

The Washington Post
2017-03-23

Kevin B. Blackistone, Visiting Professor
Philip Merrill College of Journalism
University of Maryland

A week before Christmas 1996, Craig Hodges, who twice during his 10 NBA seasons was the league’s best three-point shooter, filed a federal lawsuit against the NBA. He charged that the league colluded to end his career four seasons earlier.

Hodges contended the league was upset that he showed up at the White House with Michael Jordan and his other teammates from the 1991 NBA champion Bulls draped in a dashiki — a traditional West African tunic popularized here during the Black Power movement — and exercised utter audacity by presenting their host, President George H.W. Bush, with a two-page letter calling for the plight of people of color and the poor in this country to be prioritized in Bush’s domestic agenda.

A week into 1998, the court dismissed Hodges’s complaint. His career effectively died when the Bulls waived him following their second championship in 1992.

But Hodges’s story was revived with the advent of this NFL offseason’s free agency period. He’s been reincarnated in Colin Kaepernick. To be sure, Kaepernick managed the 17th-best quarterback rating last season among starters while coming back from injury. His touchdown percentage was 13th best, better than Washington’s Kirk Cousins, who wound up in the Pro Bowl and with a new franchise-tag contract worth $24 million next season. His interception percentage was sixth, just behind Aaron Rodgers and just ahead of MVP Matt Ryan

Read the entire article here.

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DW launches new multimedia project ‘Afro.Germany’

Posted in Anthropology, Articles, Arts, Europe, Identity Development/Psychology, Media Archive on 2017-03-24 17:36Z by Steven

DW launches new multimedia project ‘Afro.Germany’

Afro.Germany
DW (Deutsche Welle)
2017-03-10

Gaby Reucher

What is it like to be a Black person living in Germany? What does it mean to be excluded from your own society? Prominent guests met to discuss these questions and more, underlining the launch the new project.

I used to want to be white,” says Jana Pareigis, speaking with rapper Samy Deluxe.  She wanted to know if it was like that for him, as well. “As a child, yes,” he says. “But as a teen, I wanted to really be Black.”

The dialogue is a scene from the movie “Afro.Germany,” in which TV host Jana Pareigis traveled throughout Germany visiting Black people and hearing their stories about what it’s like to be Black in Germany. They shared stories from their childhoods, and explained how they identified themselves and why they are proud of their skin color.

Among those interviewed are prominent figures like football star Gerald Asamoahand artist Robin Rhode. Pareigis also spoke with refugee Issa Barra from Burkina Faso, as well as Indira Paarsch, who was given up for adoption by her white mother when she was a baby because she was “too black.”

Pareigis also shares anecdotes from her own life – she herself was adopted by white parents. As a child in kindergarten, her dark skin attracted attention. Even until today, people touch her hair without asking…

Read the entire article here.

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Documentary About Black Italian Boxer Who Angered Mussolini Makes Splash

Posted in Articles, Arts, Biography, Europe, History, Media Archive on 2017-03-24 15:27Z by Steven

Documentary About Black Italian Boxer Who Angered Mussolini Makes Splash

Variety
2017-03-21

Nick Vivarelli, International Correspondent


Courtesy Istituto Luce

ROME – As Europe’s neo-fascists re-emerge and right-wing populism sweeps through the West, a documentary about a black Italian boxer who discredited Benito Mussolini’s racist ideology by winning a European boxing title is making a splash in Italy and abroad.

“The Duce’s Boxer” tells the story of Leone Jacovacci, an African Italian born in the Congo who won the 1928 European middleweight title by beating Mario Bosisio a white Italian boxer favored by the country’s Fascist leaders, in front of 40,000 fans in Rome’s National Stadium.

An infuriated Mussolini then ordered Jacovacci and his achievement erased from Italy’s history books. But 89 years later, Jacovacci’s story has resurfaced, with “The Duce’s Boxer” premiering Tuesday in 25 Italian cities to mark the U.N. International Day for the Elimination of Racial Discrimination.

Based on the book “Black Roman” by Italian sociologist Mauro Valeri, a former head of the country’s National Xenophobia Observatory, “The Duce’s Boxer” is directed by first-timer Tony Saccucci

Read the entire article here.

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Residential Racial Diversity: Are Transracial Adoptive Families More Like Multiracial or White Families?

Posted in Anthropology, Articles, Census/Demographics, Family/Parenting, Media Archive, Social Science, Social Work, United States on 2017-03-24 14:48Z by Steven

Residential Racial Diversity: Are Transracial Adoptive Families More Like Multiracial or White Families?*

Social Science Quarterly
Volume 97, Issue 5 (November 2016)
Pages 1189–1207
DOI: 10.1111/ssqu.12242

Rose M. Kreider, Chief
Fertility and Family Statistics Branch
Social, Economic and Housing Statistics Division
United States Census Bureau, Washington, D.C.

Elizabeth Raleigh, Associate Professor of Sociology
Carleton College, Northfield, Minnesota

*The views expressed on statistical and methodological issues are those of the authors and do not necessarily represent the views of the U.S. Census Bureau. Doctors Kreider and Raleigh contributed equally to this publication.

  • Objective: The purpose of this article is to examine whether and how the residential racial diversity of transracially adopted children (i.e., nonwhite children adopted by white parents) varies from those of biological children in white monoracial families and biological children in mixed-race families.
  • Method: Using the restricted access 2009 American Community Survey, we take advantage of the large number of adoptive families not only to investigate differences among these families, but also to explore whether racial socialization within transracial adoptive families varies by the race and nativity of the child.
  • Results: We show that the context of racial socialization for transracially adopted children is more similar to that of white children in monoracial families than that of children in mixed race families.
  • Conclusion: This article adds a quantitative, nationally representative picture of the context of racial socialization for specific groups of transracially adopted children, complementing existing research published in this area.

Read or purchase the article here.

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Sorry, but the Irish were always ‘white’ (and so were Italians, Jews and so on)

Posted in Articles, History, Law, Media Archive, United States on 2017-03-24 01:22Z by Steven

Sorry, but the Irish were always ‘white’ (and so were Italians, Jews and so on)

The Washington Post
2017-03-22

David Bernstein, George Mason University Foundation Professor
George Mason University School of Law, Arlington, Virginia


Immigrants after their arrival in Ellis Island by ship in 1902. (Ullstein Bild via Getty Images)

Whiteness studies” is all the rage these days. My friends who teach U.S. history have told me that this perspective has “completely taken over” studies of American ethnic history. I can’t vouch for that, but I do know that I constantly see people assert, as a matter of “fact,” that Irish, Italian, Jewish and other “ethnic” white American were not considered to be “white” until sometime in the mid-to-late 20th century, vouching for the fact that this understanding of American history has spread widely.

The relevant scholarly literature seems to have started with Noel Ignatiev’s book “How the Irish Became White,” and taken off from there. But what the relevant authors mean by white is ahistorical. They are referring to a stylized, sociological or anthropological understanding of “whiteness,” which means either “fully socially accepted as the equals of Americans of Anglo-Saxon and Germanic stock,” or, in the more politicized version, “an accepted part of the dominant ruling class in the United States.”

Those may be interesting sociological and anthropological angles to pursue, but it has nothing to do with whether the relevant groups were considered to be white…

Read the entire article here.

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Identity Crisis

Posted in Articles, Book/Video Reviews, Judaism, Literary/Artistic Criticism, Media Archive, Passing, Religion, United States on 2017-03-24 01:07Z by Steven

Identity Crisis

Washington Independent Review of Books
2017-03-10

Helene Meyers, Professor of English
Southwestern University, Georgetown, Texas

The “white Jewish” question posed in The Human Stain.

Emma Green of the Atlantic started a firestorm recently with the article “Are Jews White?” Taking for granted that Ashkenazi Jews have assimilated to whiteness, Green used the white Jewish question to wonder whether the rise of the so-called “alt-right” (read racist, misogynist white supremacists) is upending Jewish security in the U.S.

Green’s provocative title question caused quite a bit of tumult on Twitter. Predictably and understandably, Jews of color replied, with much amusement and some angst, “No.” Some white Jews responded, “No,” as well, citing anti-Semitism and/or Jewish distinctiveness. For once, this group agreed with the likes of David Duke, who tweeted in all caps “NO — JEWS ARE NOT WHITE.” Some white Jews and blacks unequivocally replied, “Yes,” citing white privilege as decisive.

While the answers to Green’s question from Jewish-American literature are all over the map, Philip Roth’s The Human Stain brilliantly depicts the continuing effects of “so arbitrary a designation as race” on those who choose or are assigned the off-whiteness of Jewishness…

Read the entire essay here.

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Blackness Behind White Skin

Posted in Articles, Autobiography, Media Archive, Social Justice, United States on 2017-03-23 19:25Z by Steven

Blackness Behind White Skin

Mixed Roots Stories
2017-03-22

Kenneth Miks

Professor: Now everyone stand up

Class: [shuffling around to stand up]

Professor: Take a look around at all the Black men standing around you.

Class:[Everyone begins looking around awkwardly]

Professor: Now, everyone sit down, but all the black men remain standing…

It is in this very moment I begin to panic. My mind starts to race at a 100mph and I begin to nervously look around as I see everyone sitting down, but all the black men standing tall. “Do I keep standing?…

Read the entire article here.

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Anna Cleveland: Viva La Resistance

Posted in Articles, Arts, Media Archive on 2017-03-23 01:22Z by Steven

Anna Cleveland: Viva La Resistance

Hunger Magazine
2017-03-22

Jean Baptiste Mondino, Photography

Catherine Baba, Fashion Editor


main image above Anna wears all clothes and shoes by Azzedine Alaia, feather piece by Erik Halley, necklace by Elie Top

photography JEAN BAPTISTE MONDINO
fashion editor CATHERINE BABA
casting director NICK FORBES WATSON
hair ODILE GILBERT AT ATELIER 68
make-up LONI BAUR AT ARTLIST
model ANNA CLEVELAND AT NEXT
photographic assistants EDWIGE BULTINCK AND VIRGINIE ELBERT
fashion assistant EMMANUELLE RIBES
hair assistants TAN PHARM AND SADEK LARDJANE
make-up assistant LORIANE LEGER
digital operator DOPE PARIS
production ICONOCLAST IMAGE

Anna Cleveland is fashion’s biggest chameleon. The supermodel and muse to many is currently one of the most unique faces in fashion, and one intent on trailblazing her own path, her way. In this story by Jean Baptiste Mondino and Catherine Baba see Anna in fashion worth fighting for.

Read more here.

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Game Of Thrones’ Nathalie Emmanuel is almost unrecognisable without her curls in punk shoot as she claims a ‘lack of diversity’ on TV damaged her self-esteem as a child

Posted in Articles, Arts, Communications/Media Studies, Media Archive, United Kingdom on 2017-03-23 00:19Z by Steven

Game Of Thrones’ Nathalie Emmanuel is almost unrecognisable without her curls in punk shoot as she claims a ‘lack of diversity’ on TV damaged her self-esteem as a child

The Daily Mail
2017-03-16

Becky Freeth


Edgy: Nathalie Emmanuel showed off an edgier side in the new shoot for Hunger magazine, as she spoke about the lack of diversity she saw when she grew up

She’s landed a bigtime role on one of the most-watched cult TV shows in recent times.

But Game Of Thrones’ Nathalie Emmanuel is most thankful for roles that promote diversity, because the lack thereof on TV during her own childhood directly affected her self-esteem.

Looking unrecognisable in a shoot for Hunger magazine, the former Hollyoaks actress explains how her mixed heritage was previously underrepresented…

Read the entire article here.

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