Blacks & Jews Entangled
The New York Review of Books
Oreo by Fran Ross, with a foreword by Danzy Senna and an afterword by Harryette Mullen, New Directions, 230 pp., $14.95 (paper)
Google wasn’t around when Oreo was first published in 1974. You are hit with Greek mythology and Yiddish right away and just the look of the pages of Fran Ross’s novel about an Afro-Jewish girl’s quest to find her white father can discourage or intimidate. Oreo, by an African-American writer who died in 1985, promises a degree of difficulty; the chapter titles, paragraph titles (“Helen and Oreo shmooz”), different font sizes, a graph showing shades of blackness, letters, an elaborate five-page menu of a daughter’s homecoming meal, footnotes, and mathematical equations say this is no naturalistic tale of two ghettoes. The protagonist is called “Oreo” not because of the cookie—i.e., because she is mixed-race or reluctantly black, as in black on the outside but white on the inside. Her black grandmother had been trying to give Oreo the nickname “Oriole,” but couldn’t make herself understood to the family.
In addition to Greek myth and Yiddish, Ross makes use of black slang, popular culture of the time, puns, raunch, her own made-up words—but this is not vernacular, not jive. Ross’s voice is literary, and thrilled with itself, joking about Villon or Bellow, totally into what it takes to get up to outrageous parody. Nothing about the narrative is restful; you have to stay on the alert. Oreo is quick, obscure, sly, and every line is working hard, doing its bit. Ross makes Oreo relentless in her shtick. “Oreo was soon engrossed in ‘Burp: The Course of Smiling Among Groups of Israeli Infants in the First Eighteen Months of Life,’ the cover story in Pitfalls of Gynecology.”
In fractured, short chapters, Oreo decides arbitrarily that she has fulfilled a given task and therefore deserves another cryptic clue from her father. Ross gives us not a send-up of Theseus’s journey of labors, but her appropriation of his battles as her structure, her frame for her provocative urban picaresque…
Read the review here.