Scholar’s debut novel ties black, Native-American history

Posted in Articles, Biography, History, Media Archive, Native Americans/First Nation, Slavery, United States, Women on 2015-03-22 18:43Z by Steven

Scholar’s debut novel ties black, Native-American history

The Detroit Free Press
2015-03-22

Cassandra Spratling

Tiya Miles got it honest.

Straight from her grandmother’s garden. That knack for telling stories that pull at your heartstrings.

“I’m one of those people who had a storytelling grandma,” says Miles. “We’d be in the garden or snapping peas on the porch and my grandma would be telling stories, about life in Mississippi, about how the family lost their farm to a white man, about how they came up North on a train. Those stories riveted me and they shaped me.

“If my grandmother had had my life, she would have won three MacArthur Fellowships,” Miles says of her grandmother, the late Alice King.

But it was Miles, 45, who was granted a prestigious MacArthur Fellowship in 2011, and it was that award that gave her the shot of confidence she needed to up her game and write her first novel, which will be released next month.

Friends and coworkers at the University of Michigan are hosting a book launch party for “the Cherokee Rose” (John F. Blair, $26.95) Tuesday…

…Not that she doesn’t greatly appreciate the fellowship that annually doles out a ton of money to selected people in a variety of areas so that they can pursue their areas of interest, unencumbered by money woes.

Without it, she doubts she would have completed “the Cherokee Rose,” a novel that uses three modern day women to take readers on a haunting, sometimes horrific, but redemptive journey to a little-known past on a Southern plantation where Native-American and African-American lives were intertwined. In the process, the women make unexpected connections to one another and others…

Read the entire article here.

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The Cherokee Rose: A Novel Of Gardens & Ghosts

Posted in Books, Forthcoming Media, History, Native Americans/First Nation, Novels, Slavery, United States, Women on 2015-03-22 18:31Z by Steven

The Cherokee Rose: A Novel Of Gardens & Ghosts

John F. Blair
2015-04-07
264 pages
6×9
Hardcover ISBN: 978-0-89587-635-5

Tiya Miles, Elsa Barkley Brown Collegiate Professor of African American Women’s History
University of Michigan

Written by an award-winning historian and recipient of a recent MacArthur “Genius Grant,” The Cherokee Rose explores territory reminiscent of the bestselling and beloved works of Alice Walker, Octavia Butler, and Louise Erdrich. Now, Tiya Miles’s luminous but highly accessible novel examines a little-known aspect of America’s past—slaveholding by Southern Creeks and Cherokees—and its legacy in the lives of three young women who are drawn to the Georgia plantation where scenes of extreme cruelty and equally extraordinary compassion once played out.

Based on the author’s in-depth and award-winning research into archival sources at the Chief Vann House Historic Site in Chatsworth, Georgia, and the Moravian mission sponsored there in the early 1800s, Miles has blended this fascinating history with a contemporary cast of engaging and memorable characters, including Jinx, the free-spirited historian exploring her tribe’s complicated racial history; Ruth, whose mother sought refuge from a troubled marriage in her beloved garden and the cosmetic empire she built from its bounty; Cheyenne, the Southern black debutante seeking to connect with a meaningful personal history; and, hovering above them all, the spirit of long-gone Mary Ann Battis, a young woman suspected of burning a mission to the ground and then disappearing from tribal records. Together, the women’s discoveries about the secrets of the Cherokee plantation trace their attempts to connect with the strong spirits of the past and reconcile the conflicts in their own lives.

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Blood Quantum – Why it Matters, and Why it Shouldn’t

Posted in Anthropology, Articles, Native Americans/First Nation, United States on 2015-03-03 15:03Z by Steven

Blood Quantum – Why it Matters, and Why it Shouldn’t

All Things Cherokee
2014-08-04

Christina Berry

“You’re an Indian? What part?”

That’s the universal question many mixed-blood American Indians are asked every day. How many times have you mentioned in passing that you are Cherokee to find your conversation interrupted by intrusive questions about percentage? How many times have you answered those questions? Well stop! That’s right — stop answering rude questions.

Have you ever been talking to someone who mentioned that they were part Hispanic, part African-American, part Jewish, part Italian, part Korean, etc.? Have you ever asked them what percentage? Hopefully your answer is no, because if your answer is yes, then you’re rude. It would be rude to ask someone what part Hispanic they are, but we accept that people can ask us what part Cherokee we are. This is a double standard brought about by our collective history as American Indians, and is one we should no longer tolerate…

Read the entire article here.

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Muscogee Creek Indian Freedmen Band 2015 Conference

Posted in Forthcoming Media, Live Events, Native Americans/First Nation, United States on 2015-03-02 01:51Z by Steven

Muscogee Creek Indian Freedmen Band 2015 Conference

Muscogee Creek Indian Freedmen Band
Moore, Oklahoma
2015-02-17

Rhonda Kay Grayson

For Immediate Release

Muscogee Creek Indian Freedmen Band
P.O. Box 6366
Moore, OK, 73135

The Muscogee Creek Indian Freedmen Band is thrilled to announce its 2015 conference. The conference theme is “Africans and Indians: Eating from the same pot, Generations of shared culture, traditions, language, food and music”. The conference will be held at Langston University, (OKC-Campus) 4205 N. Lincoln Blvd, Oklahoma City, OK 73105, May 29-30, 2015. The two day conference will focus on the history and plight of the African Indian Freedmen from all Five Tribes of Oklahoma, Indian Territory (Creek, Chickasaw, Cherokee, Choctaw, and Seminole). Activities and presentations will include genealogy workshops; a Mvskoke language workshop; a presentation by the renowned Storyteller, Wallace Moore; presentations by scholars, lecturers, and attorneys; a panel discussion; and a presentation by the Urban League ‘Young Professionals.’ In addition, a special viewing of the MCIFB’s documentary “Bloodlines” will be shown at the historic Paramount Theater, centrally located in downtown OKC, only minutes away from the historic Deep Deuce and Bricktown district.

Who should attend?

Scholars, History Buffs, Genealogy Societies, Genealogists, Family Historians, Beginner, intermediate, or experienced researchers, Hobbyists, Students, The descendants of Black Indians, the general public, and anyone interested in learning more about the unique history of the Black Indians…

For more information, click here.

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Black Slaves, Indian Masters: Slavery, Emancipation, and Citizenship in the Native American South

Posted in Books, History, Media Archive, Monographs, Native Americans/First Nation, Slavery, United States on 2015-02-24 21:59Z by Steven

Black Slaves, Indian Masters: Slavery, Emancipation, and Citizenship in the Native American South

University of North Carolina Press
February 2015
232 pages
6.125 x 9.25
11 halftones, notes, bibl., index
Paper ISBN: 978-1-4696-2187-6

Barbara Krauthamer, Associate Professor of History
University of Massachusetts, Amherst

From the late eighteenth century through the end of the Civil War, Choctaw and Chickasaw Indians bought, sold, and owned Africans and African Americans as slaves, a fact that persisted after the tribes’ removal from the Deep South to Indian Territory. The tribes formulated racial and gender ideologies that justified this practice and marginalized free black people in the Indian nations well after the Civil War and slavery had ended. Through the end of the nineteenth century, ongoing conflicts among Choctaw, Chickasaw, and U.S. lawmakers left untold numbers of former slaves and their descendants in the two Indian nations without citizenship in either the Indian nations or the United States. In this groundbreaking study, Barbara Krauthamer rewrites the history of southern slavery, emancipation, race, and citizenship to reveal the centrality of Native American slaveholders and the black people they enslaved.

Krauthamer’s examination of slavery and emancipation highlights the ways Indian women’s gender roles changed with the arrival of slavery and changed again after emancipation and reveals complex dynamics of race that shaped the lives of black people and Indians both before and after removal.

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Metis actress Tantoo Cardinal to receive lifetime achievement award

Posted in Articles, Arts, Canada, Interviews, Media Archive, Native Americans/First Nation, Women on 2015-02-24 01:19Z by Steven

Metis actress Tantoo Cardinal to receive lifetime achievement award

CTV News
2015-02-05

The Canadian Press

TORONTO — As Metis actress Tantoo Cardinal prepares to receive a lifetime achievement award, she remembers what originally inspired her to begin acting more than 40 years ago: anger.

“It wasn’t about a career at all — it was about having a voice,” the Edmonton-raised 64-year-old said in a telephone interview this week.

“I don’t know if people really can appreciate what that experience is — of attempted genocide, generations and generations and generations where your language is outlawed, your creativity is outlawed, anything you think or say or do is actually outlawed…

Read the entire interview here.

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Metis and the Medicine Line: Creating a Border and Dividing a People

Posted in Books, Canada, Forthcoming Media, History, Monographs, Native Americans/First Nation, United States on 2015-02-18 03:37Z by Steven

Metis and the Medicine Line: Creating a Border and Dividing a People

University of North Carolina Press
April 2015
Approx. 352 pages
6.125 x 9.25
17 halftones, 3 maps, notes, bibl., index
Paper: ISBN 978-1-4696-2105-0

Michel Hogue, Assistant Professor of History
Carleton University, Ottawa, Ontario, Canadas

Born of encounters between Indigenous women and Euro-American men in the first decades of the nineteenth century, the Plains Metis people occupied contentious geographic and cultural spaces. Living in a disputed area of the northern Plains inhabited by various Indigenous nations and claimed by both the United States and Great Britain, the Metis emerged as a people with distinctive styles of speech, dress, and religious practice, and occupational identities forged in the intense rivalries of the fur and provisions trade. Michel Hogue explores how, as fur trade societies waned and as state officials looked to establish clear lines separating the United States from Canada and Indians from non-Indians, these communities of mixed Indigenous and European ancestry were profoundly affected by the efforts of nation-states to divide and absorb the North American West.

Grounded in extensive research in U.S. and Canadian archives, Hogue’s account recenters historical discussions that have typically been confined within national boundaries and illuminates how Plains Indigenous peoples like the Metis were at the center of both the unexpected accommodations and the hidden history of violence that made the “world’s longest undefended border.”

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Association for Critical Race Art History: Building a Multiracial American Past

Posted in History, Literary/Artistic Criticism, Live Events, Media Archive, Native Americans/First Nation, United States on 2015-02-10 20:28Z by Steven

Association for Critical Race Art History: Building a Multiracial American Past

CAA 103rd Annual Conference
College Art Association
New York, New York
2015-02-11 through 2015-02-14

Session Location/Time:
New York Hilton Midtown
2nd Floor, Sutton Parlor Center
1335 Avenue of the Americas
New York, New York 10019
2015-02-11, 12:30-14:00 EST (Local Time)


Charles Paxson, Learning is Wealth. Wilson, Charley, Rebecca, and Rosa. Slaves from New Orleans, 1864

Free and open to the public.

Chair:

Susanna Gold, Assistant Professor of Art History
Tyler School of Art, Temple University, Philadelphia, Pennsylvania; New York Public Library, Schomburg Center for Research in Black Culture

Panelists:

“The Drop Sinister: Harry Watrous’s Visualization of the ‘One Drop Rule’”
Mey-Yen Moriuchi, Assistant Professor of Art History
La Salle University, Philadelphia, Pennsylvania

“You Are What You Eat: Racial Transformation and Miscegenation in Nineteenth-Century Representations of Food”
Shana Klein
Department of Art History
University of New Mexico

“‘Half-Breed': Picturing Native American Identity in the Early Nineteenth Century”
Elizabeth W. Hutchinson, Associate Professor of Art History
Barnard College, Columbia University

For more information, click here.

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Discovering Early California Afro-Latino Presence

Posted in Books, History, Latino Studies, Media Archive, Monographs, Native Americans/First Nation, United States on 2015-02-04 20:10Z by Steven

Discovering Early California Afro-Latino Presence

Heyday
November 2010
24 pages
Paperback, 6 x 9
ISBN: 978-1-59714-145-1

Damany M. Fisher, Professor of History and Political Science
Mt. San Antonio College, Walnut, California

California’s Afro-Latino heritage

Although it is not generally apparent from paintings and other depictions of early California, many members of the pioneering Anza expeditions and Spanish California’s most prominent families were of mixed race—Hispanic, Indian, and African. At a time when slavery was still legal in the United States, these Afro-Latinos made major contributions to early California. They were landowners, soldiers, judges, governors, and patriarchs of some of the state’s most influential families. They opened up trails, led rebellions, and established ranchos and pueblos that would become the basis for many of today’s cities.

This pamphlet, produced in conjunction with the Juan Bautista de Anza National Historic Trail, provides an overview of these remarkable families, describes their backgrounds, and investigates the ways in which they reshaped early California. It also provides us with an image of a society in which the relationships between races, and racism itself, were far different, and perhaps less rigidly understood, than they are today.

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The Indomitable Spirit of Edmonia Lewis. A Narrative Biography

Posted in Arts, Biography, Books, Media Archive, Monographs, Native Americans/First Nation, United States, Women on 2015-02-03 02:41Z by Steven

The Indomitable Spirit of Edmonia Lewis. A Narrative Biography

Esquiline Hill Press
2012
567 pages (est.)
mobi ISBN: 978-1-58863-450-4
PDF ISBN: 978-1-58863-451-1
ePub ISBN: 978-1-58863-452-8

Harry Henderson

Albert Henderson

Edmonia Lewis was the first famous “colored sculptor” and the first to idealize her African and American Indian heritages in stone. She flourished from 1864 through 1878, and, as an artist, was a rare instrument for social change in the aftermath of the Civil War. She pressed her case for equality from her studio in Rome, Italy, and with annual tours of the United States.

Our new narrative of Lewis’s life and art updates many “established facts” – well beyond erroneous birth and death dates – with more than 100,000 words, 50 illustrations, 800 references, bibliography, index, and a reference list of more than 100 works with notes on museum holdings. It is based on private letters, public documents, essays, hundreds of news items, reviews of her work, museum collections, and more than two dozen published interviews. It reveals how a world biased against her color, class, gender and religion received her. Of special interest to African-American and American-Indian studies, as well as art, women’s, and American history, the narrative opens an abundance of previously unrecognized sources, reinterprets important relationships, names missing works, and corrects the identification of an important portrait. Students of the nineteenth century will find it a cool counterpoint to the bitter rage of Civil War and Reconstruction.

Readers familiar with her legendary icons of race may be surprised by her many portraits and her untold moves to Paris and London. They will also find answers to long-standing questions: Where, when, and how did she die? Why did her encounter with a bronze Ben Franklin leave her reeling? Why did she idealize a woman with African features only once in her career? Why did she never cite the now-famous Forever Free after her first interviews in Rome? Why did she have to stalk Henry Wadsworth Longfellow through the streets to make his portrait? Where was her studio? How often did she tour America? How did she enter her work in the 1876 Centennial expo, which had barred colored people absolutely? What were her relationships with fans, mentors, and fellow sculptors? Who were her rivals, her best friends, and her worst enemies? Fresh evidence, never before collected and collated, argues a novel motive for her erotic masterwork, the Death of Cleopatra, which sits apart in her œuvre like a hussy in a small town church. Newly realized sources also change our view of her childhood and provide ample support to refute distortions of her personal character, sexuality, and appearance.

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